Volume 3 - Bach And The Early Baroque

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Track 1 conductor is credited as Harry Christophers - but it seems likely this is an error and the conductor was Martin Flämig, possibly the recording was originally released on https://www.discogs.com/master/2757782-Monteverdi-Dresdner-Kreuzchor-Capella-Fidicinia-Martin-Fl%C3%A4mig-Marienvesper

Anmerkung zuletzt geändert am 2023-01-05 21:21 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Vespers: Opening: Deus in Adiutorium
Chorgesang:
Dresdner Kreuzchor
Orchester:
Capella Fidicinia Leipzig
conductor:
Harry Christophers (conductor)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi2:12
2Dido and Aeneas: i) Pursue Thy Conquest Love
Techniker(in):
Mario Mizzaro (engineer)
Produzent(in):
Seymour Solomon (producer and founder of Vanguard Records)
Cembalo:
Harold Lester (organist) (von 1963-05-02 bis 1963-05-09)
Chorgesang:
Oriana Concert Choir (active in the 1960s) (von 1963-05-02 bis 1963-05-09)
Soprangesang [Belinda]:
Honor Sheppard (soprano) (von 1963-05-02 bis 1963-05-09)
Orchester:
Oriana Concert Orchestra (von 1963-05-02 bis 1963-05-09)
conductor:
Alfred Deller (countertenor) (von 1963-05-02 bis 1963-05-09)
aufgenommen bei:
Konzerthaus: Mozart‐Saal in Landstraße, Wien, Österreich (von 1963-05-02 bis 1963-05-09)
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (von 1963-05-02 bis 1963-05-09)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:53
3Dido and Aeneas: ii) Thy Hand Belinda / When I Am Laid in Earth
Chorgesang:
Oriana Concert Choir (London Oriana Choir)
Soprangesang [Dido]:
Mary Thomas (British soprano)
Orchester:
Oriana Concert Orchestra
Bearbeitung von:
Dido and Aeneas, Z. 626: Act III. "Thy hand, Belinda" (Dido) von Mary Thomas (British soprano), Harold Lester (organist), Oriana Concert Orchestra, Alfred Deller (countertenor) und Dido and Aeneas, Z. 626: Act III. "When I am laid in earth" (Dido) von Mary Thomas (British soprano), Harold Lester (organist), Oriana Concert Orchestra, Alfred Deller (countertenor)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:06
4Orchestral Suite no. 3 - Presto
Orchester:
Vienna State Opera Orchestra
conductor:
Felix Prohaska (conductor)
teilweise recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuiten (Bach) (Nummer: 3) und Bach-Werke-Verzeichnis (Nummer: BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:30
5"Carousel": Prelude / Menuet / Gigue / Gavotte
Orchester:
The Raglan Baroque Players (UK baroque music ensemble)
conductor:
Elizabeth Kramer
recording of:
Airs pour le carrousel de Monseigneur
Komponist(in):
Jean‐Baptiste Lully (composer) (in 1686)
Teil von:
Chronologisch-thematisches Verzeichnis sämtlicher Werke von Jean-Baptiste Lully (Nummer: LWV 72)
Jean‐Baptiste Lully4:33
6Cantata 140: (Wachet Auf) - Choral: Zion Hört die Wächter Singen
Chorgesang:
Thomanerchor Leipzig
vocals:
Arleen Augér (soprano), Siegfried Lorenz (baritone) und Peter Schreier (German tenor and conductor)
Orchester:
Neues Bachisches Collegium Musicum
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach4:07
7Tafelmusik 3rd: i) Allegrese
Orchester:
Kammerorchestra Berlin (Berlin Chamber Orchestra)
conductor:
Helmut Koch (conductor)
recording of:
Ouverture-Suite in B-flat major, TWV 55:B1: III. Allégresse. Vite - Meno mosso - Vite D.c.
Komponist(in):
Georg Philipp Telemann (composer)
Teil von:
Ouverture-Suite in B-flat major, TWV 55:B1
Georg Philipp Telemann2:39
8Tafelmusik 3rd: ii) Postillons
Orchester:
Kammerorchestra Berlin (Berlin Chamber Orchestra)
conductor:
Helmut Koch (conductor)
recording of:
Ouverture-Suite in B-flat major, TWV 55:B1: IV. Postillons
Komponist(in):
Georg Philipp Telemann (composer)
Teil von:
Ouverture-Suite in B-flat major, TWV 55:B1
Georg Philipp Telemann2:05
9Tafelmusik 3rd: iii) Flatere
Orchester:
Kammerorchestra Berlin (Berlin Chamber Orchestra)
conductor:
Helmut Koch (conductor)
recording of:
Ouverture-Suite in B-flat major, TWV 55:B1: V. Flaterie
Komponist(in):
Georg Philipp Telemann (composer)
Teil von:
Ouverture-Suite in B-flat major, TWV 55:B1
Georg Philipp Telemann3:37
10Tafelmusik 3rd: iv) Badinage
Orchester:
Kammerorchestra Berlin (Berlin Chamber Orchestra)
conductor:
Helmut Koch (conductor)
recording of:
Ouverture-Suite in B-flat major, TWV 55:B1: VI. Badinage. Très vite
Komponist(in):
Georg Philipp Telemann (composer)
Teil von:
Ouverture-Suite in B-flat major, TWV 55:B1
Georg Philipp Telemann2:56
11Jesu Joy of Mans Desiring - From Cantata 147
Chorgesang:
Winchester Cathedral Choir
conductor:
Martin Neary (English organist and choral conductor)
recording of:
Jesu, Joy of Man’s Desiring
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach6:09
12Music for the Funeral of Queen Mary - March
Orchester:
London Gabrieli Ensemble
Interpret(in):
London Gabrieli Brass Ensemble
recording of:
Funeral Music on the Death of Queen Mary: I. March, Z. 860
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:32
13Trumpet Voluntary (The Prince of Denmark's March) (Arr. Trumpet & Organ)
Orgel:
Noel Rawsthorne (British organist)
Trompete:
Alan Stringer (trumpet player)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Komponist(in):
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke2:48
14Brandenburg Concerto no. 3: i) Allegro
Orchester:
Brandenburg Chamber Orchestra
conductor:
Emanuel Hurwitz (violinist)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:03
15Brandenburg Concerto no. 3: ii) Adagio-Allegro
Orchester:
Brandenburg Chamber Orchestra
conductor:
Emanuel Hurwitz (violinist)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:57
16Platee Suite: (Excpts): i) L'Orage
Orchester:
The Raglan Baroque Players (UK baroque music ensemble)
conductor:
Elizabeth Kramer
recording of:
Suites from Platée: IX. Orage (Excerpt from [Platée Acte I https://musicbrainz.org/work/5ae40533-2254-42de-9f08-fce7072ed40a])
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Jean‐Philippe Rameau0:40
17Platee Suite: (Excpts): ii) Passepied I & II
Orchester:
The Raglan Baroque Players (UK baroque music ensemble)
conductor:
Elizabeth Kramer
recording of:
Suites from Platée: V. Passepieds
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
recording of:
Suites from Platée: VIII. Passepieds
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Jean‐Philippe Rameau2:33
18Platee Suite: (Excpts): iii) Rigaudon I & II
Orchester:
The Raglan Baroque Players (UK baroque music ensemble)
conductor:
Elizabeth Kramer
recording of:
Suites from Platée: III. Rigaudons (Excerpt from [Platée https://musicbrainz.org/work/047b396a-2888-4173-9162-800d0e815224])
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Jean‐Philippe Rameau2:40
19Platee Suite: (Excpts): iv) Tambourin
Orchester:
The Raglan Baroque Players (UK baroque music ensemble)
conductor:
Elizabeth Kramer
Interpret(in):
Raglan Baroque Players (UK baroque music ensemble)
recording of:
Platée: Acte I. Tambourin
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Teil von:
Platée: Acte I
recording of:
Suites from Platée: VI. Tambourins
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Jean‐Philippe Rameau1:44
20Harpsichord Sonata in F minor K187
Cembalo:
Virginia Black
recording of:
Sonata in F minor, K 187, L 285: Allegro
Komponist(in):
Domenico Scarlatti (composer)
Teil von:
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (Nummer: 187) und Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (Nummer: 285)
Domenico Scarlatti4:12
21St. Matthew Passion / Wir Sitzen uns mit Tränen
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Orchester:
English Chamber Orchestra
conductor:
Johannes Somary
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:49

Nennungen

Veröffentlichung

liner notes:Ivor Pfuell (Baroque liner notes & Production for BBC)
Teil von:One Thousand Years of Music (BBC Music Magazine) (Nummer: Volume 3) (Reihenfolge: 1)
Discogs:https://www.discogs.com/release/20949271 [Info]