Body Talk: The Language of Love 1965–1995: Just the Two of Us

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Oh Girl
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
bass guitar:
Pino Palladino
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1990) and Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Oh Girl (in 1990)
lyricist and composer:
Eugene Record
publisher:
Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
recording of:
Oh Women
lyricist and composer:
Jack Lee (US songwriter and musician)
Paul Young3:36
2Minute by Minute
additional engineer:
Loyd Clifft
engineer:
Donn Landee
producer:
Ted Templeman
synthesizer:
Bill Payne
lead vocals:
Michael McDonald (R&B & soul singer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Minute by Minute
writer:
Lester Abrams and Michael McDonald (R&B & soul singer)
publisher:
BMG Firefly, Bughouse, Kobalt Music Publishing Ltd. (UK) and Snug Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers43:29
3Call Me (Come Back Home)
engineer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
producer:
Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
baritone saxophone:
James Mitchell (US saxophonist/arranger)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
piano:
Archie Turner
tenor saxophone:
Ed Logan and Andrew Love
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
strings arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) and James Mitchell (US saxophonist/arranger)
recorded at:
Royal Studios in Memphis, Tennessee, United States
recording of:
Call Me (Come Back Home)
composer:
Al Green (US soul singer, songwriter, pastor and record producer), Al Jackson, Jr. (Booker T & The MGs drummer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music and Irving Music, Inc.
Al Green4.53:05
4One Hundred Ways
programming:
Ian Underwood
producer:
Quincy Jones
electric piano and synthesizer:
Greg Phillinganes
trumpet:
Chuck Findley (trumpet, trombone, horn player) and Jerry Hey
lead vocals:
James Ingram (R&B singer)
performer:
James Ingram (R&B singer)
brass arranger:
Jerry Hey
percussion arranger:
Quincy Jones
synthesizer arranger:
Johnny Mandel (American composer and arranger)
vocals arranger:
Quincy Jones
recording of:
One Hundred Ways
writer:
Tony Coleman (blues singer, member of The Knight Crew), Kathy Wakefield (singer, songwriter) and Benjamin Wright
Quincy Jones featuring James Ingram44:22
5Too Hot
recording of:
Too Hot
writer:
George M. Brown (US percussionist of Kool & the Gang)
Kool and the Gang55:06
6(Your Love Keeps Lifting Me) Higher and Higher
phonographic copyright (℗) by:
A&M Records, Inc. (in 1977)
cover recording of:
(Your Love Keeps Lifting Me) Higher and Higher
writer:
Gary Jackson (songwriter), Raynard Miner and Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
MJ: The Musical
Rita Coolidge54:03
7It’s Ecstasy When You Lay Down Next to Me
recording of:
It's Ecstasy When You Lay Down Next to Me
writer:
Ekundayo Paris and Nelson Pigford
Barry White53:36
8(Love Is) Thicker Than Water
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
background vocals:
Barry Gibb
phonographic copyright (℗) by:
Peta Gibb (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 8)
recording of:
(Love Is) Thicker Than Water
writer:
Andy Gibb and Barry Gibb
Andy Gibb4:17
9Sweet Love
recording of:
Sweet Love
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Jobete Music Co., Inc. and Libren Music
Commodores43:29
10Shower Me With Your Love
drum machine programming:
Brian Simpson (jazz pianist)
assistant engineer:
Joe Intile and Master Paul Higgins (engineer)
engineer:
David Conley (soul musician) and John Falzarano
producer:
David “Pic” Conley (soul musician), Bernard Jackson and David Townsend
assistant mixer:
Frank Nogueras
mixer:
“Bassie” Bob Brockman (engineer, producer, remixer)
bass synthesizer [synth bass] and keyboard:
Brian Simpson (jazz pianist)
cymbal [cymbals]:
Bob Brockman (engineer, producer, remixer)
guitar:
David Townsend
saxophone [sax]:
Pic (soul musician)
synthesizer [string synthesizer]:
Bobby Wooten (producer & musician)
background vocals and lead vocals:
Bernard Jackson
synthesizer [strings] arranger:
Bobby Wooten (producer & musician)
arranger:
Surface (US R&B and pop)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988)
additionally recorded at:
House of Music in West Orange, New Jersey, United States
recorded at:
Skip’s Hit House Recording Studio in Hollywood, Los Angeles, California, United States and The Lab in West Orange, New Jersey, United States
mixed at:
Marathon Recording Studios in New York, New York, United States
recording of:
Shower Me With Your Love
lyricist and composer:
Bernard Jackson
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Surface4:57
11The Way We Were/Try to Remember
engineer and producer:
Ralph Moss (engineer)
phonographic copyright (℗) by:
Buddah Records, Inc. (in 1974)
recorded at:
Pine Knob Music Theatre in Clarkston, Michigan, United States (in 1974)
edit of:
The Way We Were / Try to Remember (live, 1974: Pine Knob Music Theatre, Clarkston, MI, USA; ~4:48 single version) by Gladys Knight & the Pips
live medley including a recording of:
The Way We Were (in 1974)
lyricist:
Alan Bergman (American lyricist) (in 1973) and Marilyn Bergman (in 1973)
composer:
Marvin Hamlisch (in 1973)
publisher:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. and Colgems-EMI Music Inc. (in 1973)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 46th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1973 winner)
part of:
The Way We Were
live medley including a recording of:
Try to Remember (The Fantasticks) (in 1974)
lyricist:
Tom Jones (musical theatre lyricist)
composer:
Harvey Schmidt
publisher:
Chappell & Co., Chappell Music (UK) and Warner/Chappell Music Ltd. (1996–2019)
Gladys Knight and the Pips4:37
12Ebb Tide
engineer:
Larry Levine
producer:
Phil Spector
vocals:
Bobby Hatfield and Bill Medley
arranger:
Perry Botkin Jr. (composer, producer, arranger, and musician)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1965-09)
cover recording of:
Ebb Tide (in 1965-09)
lyricist:
Carl Sigman
composer:
Robert Maxwell (US harpist, songwriter and teacher)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., France Mélodie, Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp., SBK Robbins Catalog, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
arrangement of:
Ebb Tide (original instrumental version)
The Righteous Brothers2:48
2▶CD

Credits

Release group

part of:Body Talk (Time-Life Music) (number: 13) (order: 13)