New Wave Classics: The Biggest New Wave Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

3 Jewel Cases in a cardboard slipcase.

Barcode (release, as printed): 30 930 2

Cat# / barcode (CD 1): BX 882222 / 0724348822222
Cat# / barcode (CD 2): BX 882232 / 0724348822321
Cat# / barcode (CD 3): BX 882242 / 0724348822420

Anmerkung zuletzt geändert am 2025-06-12 15:37 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Hot in the City
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Hot in the City (extended version) von Billy Idol (English rock singer‐songwriter)
Musikvideos:
Hot in the City (uncensored version) von Billy Idol (English rock singer‐songwriter)
recording of:
Hot in the City
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Mushroom Music (Mushroom label’s publishing company) und Rare Blue Music Inc
Billy Idol3.83:36
2The Telephone Always Rings
recording of:
The Telephone Always Rings
Verfasser(in):
Lynval Golding, Terry Hall und Neville Staple
Fun Boy Three3:31
3Love Like Blood
Produzent(in):
Chris Kimsey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Love Like Blood
Verfasser(in):
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) und Geordie Walker
publisher:
BMG Africa Music Publishing, BMG Songs Ltd. und E.G. Music Ltd. (publisher)
Killing Joke3.654:25
4I Ran
recording engineer:
Mike Score
Techniker(in):
Mike Shipley (audio engineer, mixer, producer)
Produzent(in):
Mike Howlett
Bassgitarre und Hintergrundgesang:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) und Mike Score
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Ran von A Flock of Seagulls
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 55)
recording of:
I Ran
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.255:05
5Dear God
Mastering:
Ian Cooper (UK mastering engineer)
Techniker(in) und Produzent(in):
Todd Rundgren
Gast vocals:
Jasmine Veillette
Sologesang:
Andy Partridge
Saiteninstrumente arranger:
Dave Gregory (XTC)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 62)
recording of:
Dear God
Texter und Komponist(in):
Andy Partridge
publisher:
BMG Platinum Songs US und BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
XTC4.53:38
6Chant No.1 (I Don’t Need This Pressure On)
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recording of:
Chant No. 1 (I Don't Need This Pressure On)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet44:05
7Sinful
recording of:
Sinful
Texter und Komponist(in):
Pete Wylie
Pete Wylie3:57
8Reasons to Be Cheerful
Saxophon:
Davey Payne (UK saxophonist) (in 1979)
Sologesang:
Ian Dury (in 1979)
Interpret(in):
Chaz Jankel (English musician and songwriter) (in 1979)
aufgenommen bei:
Eretcia Studios in Roma (Rom), Roma, Lazio, Italien (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 20)
recording of:
Reasons to Be Cheerful, Part 3 (in 1979)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter) und Davey Payne (UK saxophonist)
Ian Dury & the Blockheads4.54:46
9Slippery People (live)
recording engineer:
Record Plant Mobile und Allen Chinowsky (in 1983-12)
zusätzliche(r) Techniker(in):
Joel Moss (Aufgabe: overdubs) und Mark Wolfson (Aufgabe: overdubs)
Produzent(in):
Talking Heads
assistierende(r) Mix:
Robin Laine, Nick Del Re, Linda Randazzo und Glenn Rosenstein
Mix:
Eric “E.T.” Thorngren, Chris Frantz und Jerry Harrison (Talking Heads & producer)
Bassgitarre [bass]:
Tina Weymouth (in 1983-12)
Gitarre und Sologesang:
David Byrne (Talking Heads) (in 1983-12)
Keyboard:
Jerry Harrison (Talking Heads & producer) (in 1983-12)
Schlagzeug:
Chris Frantz (in 1983-12)
zusätzlich Gitarre:
Alex Weir (in 1983-12)
zusätzlich Keyboard:
Bernie Worrell (keyboardist, composer and record producer) (in 1983-12)
zusätzlich Perkussion:
Steve Scales (in 1983-12)
zusätzlich Hintergrundgesang:
Ednah Holt (in 1983-12), Lynn Mabry (co-founder of "The Brides of Funkenstein") (in 1983-12) und Alex Weir (in 1983-12)
aufgenommen bei:
Hollywood Pantages Theatre in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983-12)
zusätzlich aufgenommen bei:
Can Am in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten, Ocean Way in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Right Track in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten und Soundworks (New York) in New York, New York, Vereinigte Staaten
live recording of:
Slippery People (in 1983-12)
Texter:
David Byrne (Talking Heads)
Komponist(in):
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
publisher:
Bleu Disque Music Co., Inc. (publisher) und Index Music, Inc.
Talking Heads3.354:15
10Love of the Common People
Produzent(in):
Nick Tauber
cover recording of:
Love of the Common People
Texter und Komponist(in):
John Hurley und Ronnie Wilkins
publisher:
Kassner Associated Publishers, Sony/ATV Music Publishing Ltd., Tideland Music Publishing Corporation, Tree Pub. Co. Inc., TRO Essex Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) (in 1983) und Westminster Music Ltd. (in 1983)
Stiff Little Fingers2:42
11Drowning in Berlin
Produzent(in):
Paul Lynton
Bass:
David Blundell
Gitarre:
Jhon und Russell Madge
Gitarre [lead]:
Chris Downton
Schlagzeug:
Eddie Fragile
Sologesang:
Anna Maria (Mobiles singer)
phonographisches Urheberrecht (℗) von:
Rialto Records (Record company. Label -> see Rialto)
recording of:
Drowning in Berlin
Verfasser(in):
David Blundell, Chris Downton und Russell Madge
publisher:
Servecity Ltd.
Mobiles23:28
12Big Apple
Mastering:
Gordon Vicary
recording of:
Big Apple
Texter:
Nick Beggs und Limahl
Komponist(in):
Steve Askew, Nick Beggs, Limahl, Stuart Croxford Neale und Jez Strode
Kajagoogoo4:12
13Independance Day
The Comsat Angels3:51
14Temptation
Produzent(in):
B.E.F. und Greg Walsh (producer and engineer)
vocals:
Carol Kenyon
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Heaven 172.353:07
15Girls on Film
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Gloucester Place Music Ltd.
Version von:
Girls on Film (Pre-Le Bon version)
Duran Duran3.753:30
16(I Can’t Get Me No) Satisfaction
Techniker(in):
Conny Plank (German producer and sound engineer)
Produzent(in):
Brian Eno
aufgenommen bei und mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 17)
cover recording of:
(I Can’t Get No) Satisfaction
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. und Essex Music International
recording of:
(I Can’t Get No) Satisfaction
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. und Essex Music International
DEVO4.62:41
17And She Was
recording engineer und Mix:
Eric “E.T.” Thorngren
assistierende(r) Techniker(in):
Melanie West (engineer) (Aufgabe: second engineer)
Produzent(in):
Talking Heads
Bass-Synthesizer [synth bass] und Bassgitarre:
Tina Weymouth
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Schlagzeug:
Chris Frantz
Hintergrundgesang:
Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1985) und Talking Heads Tours Inc. (in 1985)
aufgenommen bei und mixed at:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
And She Was (video) von Talking Heads
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 453)
recording of:
And She Was
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Talking Heads4.153:40
18Eyes Without a Face
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Sal Cuevas (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Keyboard:
Judi Dozier (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Hintergrundgesang:
Perri Lister (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1984)
Bearbeitung von:
Eyes Without a Face von Billy Idol (English rock singer‐songwriter)
recording of:
Eyes Without a Face (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol34:08
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