Glorious John Barbirolli

~ Release by Sir John Barbirolli (see all versions of this release, 1 available)

Annotation

Copyright: A Warner Classics release, © 2025 Parlophone Records Limited
A Warner CLassics release, ℗ 2025 Parlophone Records Limited

Annotation last modified on 2025-01-15 16:39 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Variations on an Original Theme, op. 36 "Enigma": Theme
producer:
Alan Melville (British producer) and Wilma Cozart
orchestra:
Hallé Orchestra (on 1956-06-21, on 1956-06-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1956-06-21, on 1956-06-23)
balance engineer:
C. Robert Fine
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1956-06-21, on 1956-06-23)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (on 1956-06-23)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar1:32
2Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Variation III. Con moto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1967-12-18)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-18)
balance engineer:
Ernst Rothe (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1967-12-18)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto (on 1967-12-18)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:39
3Pizzicato-Polka
producer:
Alan Melville (British producer) and Wilma Cozart
orchestra:
Hallé Orchestra (from 1956-06-19 until 1956-06-21, on 1956-06-23)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1956-06-19 until 1956-06-21, on 1956-06-23)
balance engineer:
C. Robert Fine
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1956-06-19 until 1956-06-21, on 1956-06-23)
recording of:
Pizzicato-Polka (from 1956-06-19 until 1956-06-23)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1869) and Josef Strauss (Austrian composer) (in 1869)
Johann Strauss II, Josef Strauss2:21
4Rückert Lieder: No. 2, Ich atmet' einen linden Duft!
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1969-07-17 until 1969-07-18)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-17 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-17 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) (from 1969-07-17 until 1969-07-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-17 until 1969-07-18)
recording of:
Rückert Lieder: II. Ich atmet' einen linden Duft (from 1969-07-17 until 1969-07-18)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 40)
part of:
Rückert-Lieder
Gustav Mahler2:42
5Oboe Concerto in C minor: I. Introduzione. Larghetto
producer:
Douglas Terry (Producer)
oboe:
Evelyn Rothwell (English oboist) (from 1959-05-05 until 1959-05-06)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (from 1959-05-05 until 1959-05-06)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1959-05-05 until 1959-05-06)
balance engineer:
Robert Auger (engineer)
recorded at:
Gabriels' Church (Cricklewood) in London (Greater London), England, United Kingdom (from 1959-05-05 until 1959-05-06)
partial recording of:
Oboe Concerto in C: I. Introduction: Larghetto - Allegro (from 1959-05-05 until 1959-05-06)
composer:
Domenico Cimarosa (composer)
part of:
Oboe Concerto in C
Arthur Benjamin, Domenico Cimarosa2:48
6Suite from Serse, HWV 40: II. Largo. "Ombra mai fù" (arr. Hoffmann)
producer:
John Snashall (Producer and conductor)
harpsichord:
Valda Aveling (pianist, harpsichordist and clavichordist) (from 1958-09-02 until 1958-09-03)
tenor vocals:
Richard Lewis (Welsh tenor) (from 1958-09-02 until 1958-09-03)
orchestra:
Hallé Orchestra (from 1958-09-02 until 1958-09-03)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1958-09-02 until 1958-09-03)
balance engineer:
Robert Auger (engineer)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1958-09-02 until 1958-09-03)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (from 1958-09-02 until 1958-09-03)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel3:13
7Variations on a Theme by Haydn, op. 56a "St. Antoni Chorale": Thema. Chorale St. Antoni
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1967-12-18)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-18)
balance engineer:
Ernst Rothe (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1967-12-18)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Thema. Chorale St. Antoni. Andante (on 1967-12-18)
composer:
Johannes Brahms (German composer) (in 1873)
is based on:
Divertimento in B-flat major, Hob. II:46: II. Chorale St. Antoni
orchestration of:
Variations on a Theme by Joseph Haydn, op. 56b: Chorale St. Antoni. Andante
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms2:05
8Radetzky-Marsch, op. 228 (arr. Jacob)
producer:
Alan Melville (British producer)
orchestra:
Hallé Orchestra (on 1954-06-09)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1954-06-09)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1954-06-09)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (on 1954-06-09)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss I2:43
9Introduction and Allegro, op. 47: I. Moderato
producer:
Victor Olof
cello:
William Pleeth (cellist) (from 1962-05-10 until 1962-05-11)
string quartet:
Allegri Quartet (from 1962-05-10 until 1962-05-11)
viola:
Patrick Ireland (violist) (from 1962-05-10 until 1962-05-11)
violin:
James Barton (violinist) (from 1962-05-10 until 1962-05-11) and Eli Goren (violinist) (from 1962-05-10 until 1962-05-11)
orchestra:
Allegri String Quartet and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Introduction and Allegro for Strings, op. 47: I. Moderato - (from 1962-05-10 until 1962-05-11)
composer:
Sir Edward Elgar (Edward Elgar, composer)
part of:
Introduction and Allegro for Strings, op. 47
Edward Elgar3:14
10Symphony no. 8 in D minor: II. Scherzo alla marcia, per gli stromenti a vento
producer:
Alan Melville (British producer) and Wilma Cozart
orchestra:
Hallé Orchestra (on 1956-06-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1956-06-19)
balance engineer:
C. Robert Fine
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1956-06-19)
recording of:
Symphony no. 8 in D minor: II. Scherzo alla marcia (per stromenti a fiato): Allegro alla marcia (on 1956-06-19)
composer:
Ralph Vaughan Williams (English composer) (from 1953 until 1955)
part of:
Symphony no. 8 in D minor
Ralph Vaughan Williams3:42
11Serenade for Strings in C major, op. 48: II. Valse. Moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
London Symphony Orchestra (from 1964-09-01 until 1964-09-02)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1964-09-01 until 1964-09-02)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1964-09-01 until 1964-09-02)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse (from 1964-09-01 until 1964-09-02)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Pyotr Ilyich Tchaikovsky3:51
12Suite no. 1 from Peer Gynt, op. 46: I. Morning Mood
producer:
Harold Lawrance and Wilma Cozart
orchestra:
Hallé Orchestra (from 1957-08-09 until 1957-08-10)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1957-08-09 until 1957-08-10)
balance engineer:
C. Robert Fine
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1957-08-09 until 1957-08-10)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (from 1957-08-09 until 1957-08-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:00
13Variations on an Original Theme, op. 36 "Enigma": Variation IX. Adagio "Nimrod"
producer:
Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-05-09, on 1962-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-05-09, on 1962-08-27)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (on 1962-05-09, on 1962-08-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-05-09, on 1962-08-27)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1962-05-09 until 1962-08-27)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:30
14Serenade for Wind Instruments in D minor, op. 44, B. 77: I. Moderato, quasi marcia
producer:
Douglas Terry (Producer)
orchestra:
Hallé Orchestra (on 1958-08-13)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1958-08-13)
balance engineer:
John Mosely
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1958-08-13)
recording of:
Serenade for Winds and Strings in D minor, op. 44, B. 77: I. Moderato quasi marcia (on 1958-08-13)
composer:
Antonín Dvořák (composer) (from 1878-01-04 until 1878-01-18)
part of:
Serenáda pro dechové nástroje, op. 44, B. 77 (Serenade in D minor, op. 44)
Antonín Dvořák4:14
15Improvisations on Virginal Pieces by Giles Farnaby, op. 50: No. 4, Loth to depart
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
orchestra:
Hallé Orchestra (from 1950-12-14 until 1950-12-15)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1950-12-14 until 1950-12-15)
balance engineer:
Arthur Clarke (engineer) and Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1950-12-14 until 1950-12-15)
recording of:
Improvisations on Virginal Pieces by Giles Farnaby, op. 50: IV. Loth to Depart (from 1950-12-14 until 1950-12-15)
composer:
Edmund Rubbra (British composer)
part of:
Improvisations on Virginal Pieces by Giles Farnaby, op. 50
Edmund Rubbra4:17
16Symphonic Variations for Piano and Orchestra, FWV 46: IV. Allegro non troppo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Victor Olof
piano:
John Ogdon (pianist and composer) (from 1962-12-17 until 1962-12-18)
solo piano:
John Ogdon (pianist and composer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-12-17 until 1962-12-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-12-17 until 1962-12-18)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1962-12-17 until 1962-12-18)
recording of:
Variations symphoniques pour piano et orchestre: III. Allegro non troppo (from 1962-12-17 until 1962-12-18)
composer:
César Franck (Belgian‐born French composer)
part of:
Variations symphoniques pour piano et orchestre, FWV 46
César Franck4:18
17Fantasia on Greensleeves (orch. Greaves)
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
arranger:
Ralph Greaves (in 1934)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Fantasia on “Greensleeves” (from 1962-05-10 until 1962-05-11)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:39
18Madama Butterfly: Act II: "Un bel dì vedremo" (Butterfly)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Butterfly]:
Renata Scotto (operatic soprano) (from 1966-08-16 until 1966-08-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-08-16 until 1966-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-08-16 until 1966-08-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1966-08-16 until 1966-08-27)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:45
19La Damnation de Faust, op. 24, H 111: Marche hongroise
producer:
Douglas Terry (Producer)
orchestra:
Hallé Orchestra (on 1957-05-29)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1957-05-29)
balance engineer:
John Mosely
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1957-05-29)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March) (on 1957-05-29)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:46
20Oboe Concerto in D minor: II. Adagio (performed in C minor)
producer:
Douglas Terry (Producer)
oboe:
Evelyn Rothwell (English oboist) (from 1959-05-05 until 1959-05-06)
orchestra:
Pro Arte Orchestra (UK orchestra 1955–1970: do not use for anonymous budget compilations) (from 1959-05-05 until 1959-05-06)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1959-05-05 until 1959-05-06)
balance engineer:
Robert Auger (engineer)
recorded at:
Gabriels' Church (Cricklewood) in London (Greater London), England, United Kingdom (from 1959-05-05 until 1959-05-06)
recording of:
Oboe Concerto in C minor, SF. 799 (attrib. Alessandro Marcello): II. Adagio (from 1959-05-05 until 1959-05-06)
additional composer:
Alessandro Marcello
composer:
Benedetto Marcello (composer)
part of:
Oboe Concerto in C minor, SF. 799 (attrib. Alessandro Marcello)
Alessandro Marcello4:48
21Piano Concerto in A minor, op. 16: II. Adagio
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
piano:
Wilhelm Backhaus (pianist) (on 1933-10-23)
orchestra:
New Symphony Orchestra (often referred to as just The New Symphony Orchestra) (on 1933-10-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1933-10-23)
balance engineer:
Arthur Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1933-10-23)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (on 1933-10-23)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg4:51
22Kindertotenlieder: No. 2, Nun seh' ich wohl, warum so dunkle Flammen
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
mezzo-soprano vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-07-12 until 1967-07-13)
orchestra:
Hallé Orchestra (from 1967-07-12 until 1967-07-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1967-07-12 until 1967-07-13)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-07-12 until 1967-07-13)
recording of:
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (from 1967-07-12 until 1967-07-13)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:13
232 Pieces from Kuolema, op. 44: No. 1, Valse triste
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (on 1966-01-24)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-01-24)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”) (on 1966-01-24)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-01-24)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (on 1966-01-24)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius5:31
24Violin Concerto in A minor, op. 82: IV. Animando
producer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
violin:
Jascha Heifetz (violinist) (on 1934-03-28)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1934-03-28)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1934-03-28)
balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1934-03-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1934-03-28)
partial recording of:
Violin Concerto in A minor, op. 82 (on 1934-03-28)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1904)
dedicated to:
Leopold Auer (Hungarian violinist and composer)
premiered at:
Russian Musical Society: [concert] (1905-02-15)
part of:
Works of Alexander Glazunov by opus number (number: op. 82)
Alexander Glazunov5:47
25Irmelin Prelude
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1966-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-07-14)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-07-14)
recording of:
Irmelin Prelude, RT VI/27 (on 1966-07-14)
composer:
Frederick Delius (English composer) (in 1931)
part of:
Delius Catalogue of Works (DCW) (number: DCW 43) and Works of Frederick Delius by RT number (number: RT VI/27)
Frederick Delius5:50
26Cello Concerto No. 2 in D major, Hob. VIIb:2: III. Rondo. Allegro - Cadenza
producer:
Suvi Raj Grubb
cello:
Jacqueline du Pré (cellist) (on 1967-12-13)
orchestra:
London Symphony Orchestra (on 1967-12-13)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-13)
balance engineer:
Allen Stagg (on 1967-12-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-12-13)
recording of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101: III. Rondo: Allegro (on 1967-12-13)
composer:
Joseph Haydn (composer) (in 1783)
part of:
Cello Concerto no. 2 in D major, Hob. VIIb:2, op. 101
Joseph Haydn6:04
27España
producer:
Alan Melville (British producer)
orchestra:
Hallé Orchestra (on 1954-01-02)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1954-01-02)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1954-01-02)
recording of:
España (rhapsody for orchestra) (on 1954-01-02)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Emmanuel Chabrier6:12
28Symphony no. 3 in F major, op. 90: III. Poco allegretto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1967-12-08, on 1967-12-15)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-12-08, on 1967-12-15)
balance engineer:
Ernst Rothe (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1967-12-08, on 1967-12-15)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (from 1967-12-08 until 1967-12-15)
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms6:16
29Pomp and Circumstance Marches, op. 39: No. 1 in D major
producer:
James W. Burnett (producer) and Victor Olof
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1962-08-29)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-08-29)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1988)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1962-08-29)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major (on 1962-08-29)
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Edward Elgar6:40
30La Mer, CD 111, L. 109: II. Jeu de vagues
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Orchestre de Paris (from 1968-12-12 until 1968-12-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-12-12 until 1968-12-13)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1968-12-12 until 1968-12-13)
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” (from 1968-12-12 until 1968-12-13)
composer:
Claude Debussy (French composer) (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy6:49
31Les patineurs, op. 183
producer:
Douglas Terry (Producer)
orchestra:
Hallé Orchestra (on 1957-05-03)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1957-05-03)
balance engineer:
Robert Auger (engineer)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1957-05-03)
recording of:
Les Patineurs, op. 183 (The Skaters, op. 183) (on 1957-05-03)
composer:
Émile Waldteufel (classical composer) (in 1882)
Émile Waldteufel7:03
32Nocturnes, CD 98, L. 91: No. 2, Fêtes
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
Orchestre de Paris (from 1968-12-12 until 1968-12-13)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-12-12 until 1968-12-13)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1968-12-12 until 1968-12-13)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (from 1968-12-12 until 1968-12-13)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy7:18
33Die Fledermaus: Overture
producer:
Alan Melville (British producer) and Wilma Cozart
orchestra:
Hallé Orchestra (from 1956-06-19 until 1956-06-21, on 1956-06-23)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1956-06-19 until 1956-06-21, on 1956-06-23)
balance engineer:
C. Robert Fine
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1956-06-19 until 1956-06-21, on 1956-06-23)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) (from 1956-06-19 until 1956-06-23)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss II7:38
34Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato
producer and balance engineer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
violin:
Jascha Heifetz (violinist) (on 1935-03-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1935-03-18)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1935-03-18)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1935-03-18)
recording of:
Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato (on 1935-03-18)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1870)
part of:
Violin Concerto no. 2 in D minor, op. 22
Henryk Wieniawski7:51
35La forza del destino: Overture
producer:
Victor Olof
orchestra:
Hallé Orchestra (on 1967-07-14)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1967-07-14)
balance engineer:
Peter Brown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-07-14)
recording of:
La forza del destino: Sinfonia (on 1967-07-14)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi7:58
36Cello Concerto in E minor, op. 85: I. Adagio - Moderato
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: I. Adagio – Moderato (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar7:58
37Symphony no. 5 in C minor, op. 67: I. Allegro con brio
producer:
David Bicknell (producer and engineer) and Lawrance Collingwood
orchestra:
Hallé Orchestra (on 1947-05-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1947-05-19)
balance engineer:
Arthur Clarke (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1947-05-19)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (on 1947-05-19)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:12
38Prélude à l’après-midi d’un faune, CD 87, L. 86
producer:
Lawrance Collingwood
orchestra:
Hallé Orchestra (on 1953-12-23)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1953-12-23)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1953-12-23)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (on 1953-12-23)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy8:43
39Piano Concerto no. 1 in E minor, op. 11: II. Romanza. Larghetto
producer:
Frederick W. Gaisberg
piano:
Arthur Rubinstein (pianist) (on 1937-04-05)
orchestra:
London Symphony Orchestra (on 1937-04-05)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1937-04-05)
balance engineer:
Arthur Clarke (engineer) and Edward Fowler (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1937-04-05)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto (on 1937-04-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin9:23
40An der schönen blauen Donau, op. 314
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (from 1966-12-30 until 1966-12-31)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-12-30 until 1966-12-31)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1966-12-30 until 1966-12-31)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (from 1966-12-30 until 1966-12-31)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II9:49
41Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1969-07-16 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-16 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-16 until 1969-07-18)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1969-07-16 until 1969-07-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:51
42Cello Concerto in A minor, op. 129: I. Nicht zu schnell
producer:
Lawrance Collingwood
cello:
Gregor Piatigorsky (cellist) (on 1934-05-18)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1934-05-18)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1934-05-18)
balance engineer:
Arthur Clarke (engineer)
recording of:
Cello Concerto in A minor, op. 129: I. Nicht zu schnell (Concerto for Cello and Orchestra in A minor, Op. 129: I. Nicht zu schnell) (on 1934-05-18)
composer:
Robert Schumann (German classical composer) (from 1850-10-10 until 1850-10-24)
part of:
Cello Concerto in A minor, op. 129
Robert Schumann11:08
43Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Jacqueline du Pré (cellist) (on 1965-08-19)
orchestra:
London Symphony Orchestra (on 1965-08-19)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1965-08-19)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1965-08-19)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1965-08-19)
recording of:
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo (on 1965-08-19)
composer:
Edward Elgar (composer) (from 1918 until 1919)
part of:
Cello Concerto in E minor, op. 85
Edward Elgar12:21