De beste muziek uit NOS Langs de Lijn 2020

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Easy Lover
Produzent(in):
Phil Collins (of Genesis)
Bass:
Nathan East
Gitarre:
Daryl Stuermer
Keyboard:
Lesette Wilson
Schlagzeug:
Phil Collins (of Genesis)
Sologesang:
Philip Bailey und Phil Collins (of Genesis)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 20), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 49) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 203)
recording of:
Easy Lover
Verfasser(in):
Philip Bailey, Phil Collins (of Genesis) und Nathan East
publisher:
Concord Music GmbH, Concord Music Publishing LLC, Concord Sounds, Musik-Edition Discoton GmbH, Pun Music Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (in 1984), New East Music (in 1984), Philip Collins Ltd. (in 1984), Sir & Trini Music (in 1984) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1984)
Philip Bailey & Phil Collins45:03
2Circles
recording engineer:
Louis Bell (American producer, engineer, and songwriter)
Programmierung:
Austin Post, Louis Bell (American producer, engineer, and songwriter) und Frank Dukes (Canadian record producer, songwriter, musician)
Produzent(in):
Louis Bell (American producer, engineer, and songwriter), Frank Dukes (Canadian record producer, songwriter, musician) und Post Malone
assistierende(r) Mix:
Scott Desmarais, Robin Florent, Chris Galland und Jeremie Inhaber
Mix:
Manny Marroquin
Gitarre:
Austin Post und Kaan Gunesberk
vocals:
Post Malone
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2019)
aufgenommen bei:
Electric Feel Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
MTV Video Music Award for Song of the Year nominees (Nummer: 2020), Billboard Year-End Hot 100 singles of 2020 (Nummer: 2), Grammy Award: Record of the Year nominees (Nummer: 2021), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 19), Spotify: Top Hits of 2019 (Nummer: 39), Billboard Year-End Hot 100 singles of 2019 (Nummer: 62) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 197)
recording of:
Circles
publisher:
Billy Walsh (American songwriter)
Verfasser(in):
Adam Feeney (Canadian record producer, songwriter, musician), Austin Post, Louis Bell (American producer, engineer, and songwriter), Kaan Gunesberk und Billy Walsh (American songwriter)
publisher:
Kaan Gunesberk Publishing, Posty Co LLC, Sony/ATV, UMPG und WMMW Publishing (ASCAP affiliated)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 2021)
Post Malone4.153:35
3Sky on Fire
Handsome Poets3:34
4Bend & Break
Programmierung und Techniker(in):
Andy Green (producer, engineer)
Produzent(in):
Andy Green (producer, engineer) und Keane
assistierende(r) Mix:
David Treahern und Rob Haggett
Mix:
Mark “Spike” Stent (producer, engineer)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2004, in 2024)
aufgenommen bei:
Helioscentric Studios in Rye, East Sussex, England, Vereinigtes Königreich
recording of:
Bend and Break
Verfasser(in):
Tom Chaplin, Richard Hughes (Keane member) und Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Keane3.453:40
5Venus
Produzent(in):
Shocking Blue
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 33)
recording of:
Venus (Shocking Blue (I’m Your Venus)) (in 1969)
Texter und Komponist(in):
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) und The International Music Network
basiert auf:
The Banjo Song
Shocking Blue4.13:00
6Zoutelande
Techniker(in) und Mix:
Huub Reijnders
Produzent(in):
Ferdy van der Singel
Bassgitarre:
Peter Slager
Gitarre und Sologesang:
Paskal Jacobsen
Keyboard:
Bas Kennis
Schlagzeug:
Norman Drums
vocals:
Geike Arnaert (Belgian singer Geike Arnaert), Bas Kennis, Norman Drums und Peter Slager
aufgenommen bei:
Real World Studios in Box, Wiltshire, England, Vereinigtes Königreich (in 2016)
Teil von:
MIA Award: Song of the Year (Nummer: 2018)
recording of:
Zoutelande (in 2016)
Übersetzer:
Peter Slager
übersetzte Version von:
Frankfurt Oder
BLØF feat. Geike3:39
7Uptown Funk
Programmierung:
Mark Ronson (British DJ and producer)
Techniker(in):
Josh Blair, Wayne Gordon, Inaam Haq, Boo Mitchell, Charles Moniz und Mark Ronson (British DJ and producer)
zusätzliche(r) Techniker(in):
Riccardo Damian (recording engineer), Ken Lewis (recording engineer and mixer), Devin Nakao und Matthew Stevens (Engineer)
Produzent(in):
Jeff Bhasker, Bruno Mars (US singer) und Mark Ronson (British DJ and producer)
assistierende(r) Mix:
John Hanes (audio engineer, mixer)
Mix:
Serban Ghenea
baritone saxophone:
Ian Hendrickson-Smith
drum machine [LinnDrum] und E-Gitarre:
Mark Ronson (British DJ and producer)
E-Bass:
Jamareo Artis
E-Gitarre:
Carlos Alomar
Keyboard und Talkbox:
Jeff Bhasker
Posaune:
Ray Mason (trombone) und Kameron Whalum
Schlagzeug und Sologesang:
Bruno Mars (US singer)
Tenorsaxophon:
Dwayne Dugger und Neal Sugarman
Trompete:
David Guy, Jimmy King (American trumpeter) und Michael Leonhart
zusätzlich Keyboard:
Phredley Brown
phonographisches Urheberrecht (℗) von:
Mark Ronson (British DJ and producer) (in 2014)
aufgenommen bei:
Cherry Beach Studios in Toronto, Ontario, Kanada, Daptone Studios in Bushwick, New York, New York, Vereinigte Staaten, Dunham Studios in Brooklyn, New York, New York, Vereinigte Staaten, Enormous Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Levcon Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Royal Studios in Memphis, Tennessee, Vereinigte Staaten, The Armory in Vancouver, British Columbia, Kanada und Zelig Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 1), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 5), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 6), Stereogum: The 200 Best Songs of the 2010s (Nummer: 19), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2016 winner), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 66), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 76) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 417)
recording of:
Uptown Funk
Verfasser(in):
Jeff Bhasker, Bruno Mars (US singer), Charlie Wilson (R&B singer), Devon Gallaspy, Lonnie Simmons (producer, songwriter), Mark Ronson (British DJ and producer), Nicholas Williams, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Robert Wilson (US vocalist/bassist, member of Gap Band), Ronnie Wilson (Gap Band member) und Rudolph Taylor (Memphis soul singer)
publisher:
Imagem CV, Mars Force Songs, LLC, Songs of Zelig (BMI-affiliated), Sony/ATV Ballad, Sony/ATV Songs LLC, Tig7 Publishing LLC, Trinlanta Publishing, Way Above Music und ZZR Music, LCC
basiert auf:
All Gold Everything
Mark Ronson feat. Bruno Mars3.554:30
8Beautiful Day
recording of:
Beautiful Day
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) und Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd., Mother Music, PolyGram International Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020), Universal Music Publishing BV (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International BV (Global Licensing & Royalty Review division, Universal Music Publishing Group) und Universal Music Publishing International Ltd.
Revision von:
Always
U24:06
9Whatever It Takes
recording engineer und Produzent(in):
Joel Little
Mix:
John Hanes (audio engineer, mixer)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2017) und KIDinaKORNER (in 2017)
aufgenommen bei:
Golden Age West in Auckland, Auckland (Region Auckland), North Island, Neuseeland
Teil von:
Billboard Year-End Hot 100 singles of 2018 (Nummer: 37)
recording of:
Whatever It Takes
publisher:
Joel Little
Verfasser(in):
Joel Little, Ben McKee (American bassist, Imagine Dragons), Daniel Platzman, Dan Reynolds (American singer/songwriter, producer) und Wayne Sermon
publisher:
EMI Blackwood Music Inc., Imagine Dragons Publishing, KIDinaKORNER und Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
Imagine Dragons3.93:20
10Don’t Dream It’s Over
recording engineer:
Tchad Blake und Dennis Kirk
assistierende(r) Techniker(in):
Glen Holguin (engineer)
Produzent(in):
Mitchell Froom
Mix:
Michael Frondelli
Bass:
Nick Seymour (Nicholas More Seymour)
Conga, Mbira [kalimba] und shakers:
Jorge Bermudez
E-Gitarre [Gibson Les Paul Goldtop] und Sologesang:
Neil Finn
E-Gitarre [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
Keyboard und Orgel:
Mitchell Froom
Schlagzeug:
Paul Hester (Australian drummer for Crowded House/Split Enz)
Hintergrundgesang:
Noel Crombie, Jim Gilstrap, Andy Milton und Joe Satriani
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 5)
recording of:
Don’t Dream It’s Over
Texter und Komponist(in):
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing und Roundhead Music (Neil Finn)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 2)
Crowded House3.93:53
11Love Don’t Hate It
Duncan Laurence22:52
12Smooth
Assistent recording engineer:
Steve Fontano
recording engineer und Mix:
David Thoener
Programmierung und Editing:
Mark Dobson (engineer)
Mastering:
Stephen Marcussen (mastering engineer)
Produzent(in):
Matt Serletic
assistierende(r) Mix:
Andy Haller
Bassgitarre:
Benny Rietveld (bass guitar player)
Conga:
Raul Rekow
Gitarre:
Carlos Santana
Keyboard:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
Perkussion:
Karl Perazzo
Posaune:
Jeff Cressman und Jose Abel Figueroa
Schlagzeug:
Rodney Holmes
Trompete:
Julius Melendez und Bill Ortiz
Gast Sologesang und Sologesang:
Rob Thomas (Matchbox Twenty)
Interpret(in):
Rob Thomas (Matchbox Twenty)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1999) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (vom 2005 bis heute)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
mixed at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California (Kalifornien), Vereinigte Staaten
Teil von:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much (Nummer: 2000) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 206)
recording of:
Smooth
Texter:
Rob Thomas (Matchbox Twenty)
Komponist(in):
Itaal Shur und Rob Thomas (Matchbox Twenty)
publisher:
Bidnis, Inc., EMI April Music Inc., EMI Blackwood Music Inc., Itaal Shur Music und U Rule Music
Santana feat. Rob Thomas3.054:50
13Drive By
Produzent(in):
Espionage (NY-based Norwegian songwriting/production team) und Butch Walker
assistierende(r) Mix:
Doug Johnson (Label executive. Also engineer, songwriter, producer)
Mix:
Mark Endert
Bass:
Hector Maldanado
Gitarre:
Jimmy Stafford (member of Train)
Keyboard:
Jerry Becker
Schlagzeug:
Scott Underwood (Drummer for Train)
vocals:
Pat Monahan
mixed at:
Indian River Studios in Florida, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 19) und Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 45)
recording of:
Drive By
Verfasser(in):
Amund Bjørklund, Espen Lind und Pat Monahan
Train3.153:15
14It Takes Two
vocals:
Kim Weston
recording of:
It Takes Two
Verfasser(in):
Sylvia Moy und William Stevenson (Motown songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music
Marvin Gaye & Kim Weston32:56
15Budapest
Programmierung und Produzent(in):
Cam Blackwood
Techniker(in):
Cam Blackwood und Liam Thorne
assistierende(r) Produzent(in):
Liam Thorne
assistierende(r) Mix:
Sean Julliard
Mix:
Cenzo Townshend (engineer)
Bass-Synthesizer [bass synth] und Keyboard [keys]:
Cam Blackwood
Gitarre [guitars] und Perkussion:
Cam Blackwood und George Ezra
Keyboard [keyboards]:
George Ezra
vocals:
George Ezra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
produced for:
Big Life Management
aufgenommen bei:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Decoy Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 89)
recording of:
Budapest
Verfasser(in):
George Ezra Barnett und Joel Pott
publisher:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
George Ezra3.653:22
16Power Over Me
Dermot Kennedy3:26
17A Little Less Conversation
assistierende(r) Techniker(in):
Dan Milazzo und Claudius Mittendorfer (engineer, producer, mixer)
Techniker(in):
Ray Bardani
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (von 1968-03-07 bis 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographisches Urheberrecht (℗) von:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-03-07 bis 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
Remix von:
A Little Less Conversation von Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (von 1968-03-07 bis 1968-06-23)
Verfasser(in):
Mac Davis (US country singer, songwriter & actor) und Billy Strange
publisher:
Carlin Music Corporation und Elvis Presley Music
recording of:
A Little Less Conversation
Verfasser(in):
Mac Davis (US country singer, songwriter & actor) und Billy Strange
publisher:
Carlin Music Corporation und Elvis Presley Music
Elvis Presley vs. JXL3.43:30
18Tarantuella (Finishtune Grote Wielerwedstrijden)
Rein van den Broek2:38
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