Pop & Wave, Volume 2: More Hits From the Fantastic 80’s (1998 rerelease)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Amazon lists the original release and this retitled release under the same ASIN. The single ASIN is releated to both EANs and all artwork for the differing releases. The newer version's cover art is ordered first and is retrieved for this ASIN.

Annotazione modificata l'ultima volta il 2013-08-30 18:47 UTC.

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Just Can’t Get Enough
tecnico:
John Fryer (British producer and engineer) e Eric Radcliffe (UK producer / engineer / musician)
produttore:
Depeche Mode e Daniel Miller (British music producer and founder of Mute Records)
voce principale:
Dave Gahan (nel 1981-07)
diritti fonografici (℗) detenuti da:
Mute Records (not for release label use! early 80s copyright for Mute) (nel 1981) e Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1981)
registrata presso:
Blackwing Studios (London, UK) in London (Greater London), England, Regno Unito (nel 1981-07)
prodotta presso:
Blackwing Studios (London, UK) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 66) e Indie 88: Top 500 Indie Rock Songs (numero: 460)
registrazione di:
Just Can’t Get Enough
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (conclusa), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Depeche Mode4.253:35
2The Great Commandment
diritti fonografici (℗) detenuti da:
Metronome Musik GmbH (marketing & distribution dept. spun off from Metronome Records GmbH — do not use as a release label) (nel 1987)
registrazione di:
The Great Commandment
paroliere:
Marcus Meyn
compositore:
Oliver Kreyssig, Heiko Maile e Marcus Meyn
editore:
Blue Box Publishing Promotion Karin Wirthmann e Golden Cloud Ltd.
Camouflage54:12
3Big in Japan
produttore:
Orlando
diritti fonografici (℗) detenuti da:
WEA MUSIK GMBH (company, not a label) (dal 1984 a oggi) e wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (nel 1984)
edit di:
Big in Japan (album version) di Alphaville (German synth pop band)
registrazione di:
Big in Japan
paroliere:
Marian Gold
compositore:
Marian Gold, Lloyd Bernhard e Frank Mertens (German synthpop keyboardist Frank Sorgatz)
editore:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.63:55
4West End Girls
tecnico:
David Jacob
produttore:
Stephen Hague
voce aggiuntiva:
Helena Springs (, dal 1984 al 1986)
esecutore:
Chris Lowe (1/2 of Pet Shop Boys) (dal 1984 al 1986) e Neil Tennant (dal 1984 al 1986)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito (dal 1984 al 1986)
lavorazione tecnica effettuata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 189) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 433)
registrazione di:
West End Girls (dal 1984 al 1986)
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
editore:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (dal 1984 a oggi) e CBS, Inc. (US broadcasting company; file no releases here!) (dal 1984 a oggi)
Pet Shop Boys4.24:45
5Blue Monday 1988
produttore:
Quincy Jones e New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order44:09
6Don’t Leave Me This Way
produttore:
Mike Thorne (UK producer & keyboardist)
voce:
Sarah Jane Morris
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:31
7Tears Run Rings
registrazione di:
Tears Run Rings
paroliere e compositore:
Marc Almond (English pop singer and songwriter)
Marc Almond54:21
8Dreaming
tecnico:
Pete Coleman e Tom Lord‐Alge
produttore:
Orchestral Manoeuvres in the Dark
tecnico di missaggio:
Tom Lord‐Alge
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1988)
registrazione di:
Dreaming
paroliere e compositore:
Paul Humphreys (Orchestral Manoeuvres in the Dark) e Andy McCluskey
editore:
Virgin Music, Inc. (US arm of Virgin’s publishing company) e Virgin Music (Publishers) Ltd. (nel 1988)
Orchestral Manoeuvres in the Dark33:57
9What Is Love?
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
voce principale:
Howard Jones (English singer, songwriter)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1983) e Warner Music UK Ltd. (not for release label use!) (nel 1984)
registrazione di:
What Is Love?
paroliere:
William Bryant (UK lyricist, writer and speaker) e Howard Jones (English singer, songwriter)
compositore:
Howard Jones (English singer, songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group e Warner Chappell Publishing
Howard Jones4.53:38
10Sometimes
produttore:
Flood (British producer Mark Ellis)
tecnico di missaggio:
Flood (British producer Mark Ellis), Daniel Miller (British music producer and founder of Mute Records) e Mike Pela
tromba :
Guy Barker
parte di:
Cachitos Nochevieja 2022 (numero: 107)
registrazione di:
Sometimes
autore:
Andy Bell (singer / songwriter for Erasure) e Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Warner/Chappell Music GmbH & Co. KG Germany
Erasure2.73:37
11(Feels Like) Heaven
produttore:
Peter Wilson (UK Producer)
arrangiatore:
Chic Medley e Kevin Patterson (songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1983)
registrazione di:
(Feels Like) Heaven
paroliere e compositore:
Eddie Jordan (songwriter) e Kevin Patterson (songwriter)
editore:
Carlin Music Corp.
Fiction Factory43:29
12Wishing (If I Had a Photograph of You)
tecnico:
Dave Hutchins (UK engineer)
produttore:
Mike Howlett
batteria :
Ali Score
chitarra :
Paul Reynolds (UK guitarist, in A Flock of Seagulls)
chitarra basso :
Frank Maudsley
tastiera e voce principale:
Mike Score
diritti fonografici (℗) detenuti da:
Zomba Productions Limited (nel 1983) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
registrata presso:
Conny Plank's Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germania
mixata presso:
Union Studios (Established in 1963 as 'Studio Allach') in München (Munich), Bayern (Baviera), Germania
registrazione di:
Wishing (If I Had a Photograph of You)
autore:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score e Mike Score
editore:
Zomba Enterprises, Inc. e Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4.155:30
13Love Action (I Believe in Love)
produttore:
The Human League e Martin Rushent
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1981)
video musicali:
Love Action (I Believe In Love) di The Human League
registrazione di:
Love Action (I Believe in Love)
paroliere e compositore:
Ian Burden e Philip Oakey
editore:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (nel 1981), Dinsong Ltd. (nel 1981), Sound Diagrams (publisher) (nel 1981) e Virgin Music (Publishers) Ltd. (nel 1981)
The Human League33:50
14To Cut a Long Story Short
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980)
mixata presso:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito
registrazione di:
To Cut a Long Story Short
paroliere e compositore:
Gary Kemp
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. e Reformation Publishing Co. Ltd.
Spandau Ballet3.53:20
15Shout
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984) e Chris Hughes (producer, aka “Merrick”) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Sandy McLelland (nel 1984)
voce principale:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1984, nel 1985) e Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014)
video musicali:
Shout di Tears for Fears
registrazione di:
Shout (nel 1984)
autore:
Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. e Virgin Music (Publishers) Ltd.
Tears for Fears4.456:30
16Such a Shame
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984)
registrazione di:
Such a Shame
paroliere e compositore:
Mark Hollis
editore:
Hollis Songs Ltd., Island Music (Island Music Ltd.), Island Music Ltd., Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.), Universal–Songs of PolyGram International, Inc. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk3:59
17The Lovecats
produttore:
Steve Nye (producer, engineer and pianist), Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Phil Thornalley
tecnico di missaggio:
Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Phil Thornalley
batteria :
Andy Anderson (drummer for The Cure)
chitarra basso :
Phil Thornalley
chitarra e tastiera e voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
vibrafono :
Lol Tolhurst
diritti fonografici (℗) detenuti da:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 448)
registrazione di:
The Lovecats
paroliere e compositore:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
editore:
APB Music Co.
The Cure3.83:39
18Vienna
produttore:
Conny Plank (German producer and sound engineer) e Ultravox
basso :
Chris Cross (UK bassist for Ultravox) (nel 1980-04)
batteria :
Warren Cann (nel 1980-04)
chitarra :
Midge Ure (nel 1980-04)
tastiera e violino :
Billy Currie (nel 1980-04)
voce:
Midge Ure (nel 1980-04)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 2025)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1980-04)
mixata presso:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (nel 1980-05)
edit di:
Vienna (original album mix) di Ultravox
video musicali:
Vienna (music video) di Ultravox e Vienna (uncut) di Ultravox
registrazione di:
Vienna (nel 1980-04)
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.354:38
2CD

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parte di:Pop & Wave (numero: 2) (ordine: 16)
Discogs:https://www.discogs.com/master/341524 [info]