The Hobbit: The Battle of the Five Armies (special edition, 24bit/48kHz)

~ Veröffentlichung von Howard Shore (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Fire and Water
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Fire and Water (The Hobbit: The Battle of the Five Armies)
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.755:58
2Shores of the Long Lake
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Shores of the Long Lake
Verfasser(in):
Howard Shore (Canadian score composer)
Howard Shore1.754:01
3Beyond Sorrow and Grief (extended version)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Beyond Sorrow and Grief
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore14:12
4Guardians of the Three (extended version)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Guardians of the Three
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore15:49
5The Ruins of Dale
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
The Ruins of Dale
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.753:40
6The Gathering of the Clouds (extended version)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
The Gathering of the Clouds
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore15:53
7Mithril
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Mithril
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.93:08
8Bred for War
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Bred for War
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.653:20
9A Thief in the Night
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
A Thief in the Night
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.54:14
10The Clouds Burst
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
The Clouds Burst
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.754:13
11Battle for the Mountain
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Battle for the Mountain
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.54:39
12The Darkest Hour
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
The Darkest Hour
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.55:33
13Sons of Durin
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Sons of Durin
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.654:25
14The Fallen
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
The Fallen
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.754:57
15Ravenhill
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Ravenhill
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore2.755:48
16To the Death (extended version)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
To the Death
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore17:23
17Courage and Wisdom
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Courage and Wisdom
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore2.155:10
18The Return Journey
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
The Return Journey
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.54:18
19There and Back Again
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
There and Back Again
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore1.754:20
20The Last Goodbye
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios) und Jason Huss (New Zealand engineer)
leitende(r) Produzent(in):
Billy Boyd (Scottish actor and musician) und Fran Walsh
Partner-Produzent(in):
Stephen Gallagher (New Zealand composer and editor)
Produzent(in) und Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Olga FitzRoy
Gitarre:
Adam Goldsmith, John Parricelli und Dario Rossetti-Bonell
Zymbal:
Edward Cervenka (percussionist and cimbalom player)
Sologesang:
Billy Boyd (Scottish actor and musician)
conductor:
Robert Ziegler (conductor)
arranger und Orchestrator(in):
Victoria Kelly
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, Park Road Post in Wellington (Wellington Region), North Island, Neuseeland und Roundhead Studios in Auckland, Auckland (Region Auckland), North Island, Neuseeland
recording of:
The Last Goodbye (End credits song for “The Hobbit: The Battle of the Five Armies”)
Texter:
Philippa Boyens und Fran Walsh
Komponist(in):
Billy Boyd (Scottish actor and musician)
Billy Boyd3.754:07
21Ironfoot (extended version)
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Ironfoot
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore16:12
22Dragon‐Sickness
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Dragon‐Sickness
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore13:53
23Thrain
recording engineer:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) und Nigel Scott
assistierende(r) Techniker(in):
Simon Gooding, Brian Mahoney (Sound engineer) und Brett Stanton (Sound engineer)
Techniker(in):
Graham Kennedy (technical engineer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Editing:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Chorgesang:
London Voices
Orchester:
New Zealand Symphony Orchestra
conductor:
Conrad Pope
chorus master:
Terry Edwards (British choir director) und Ben Parry (British conductor)
Orchestrator(in):
Conrad Pope und James Sizemore (Composer and producer)
concertmaster:
Vesa-Matti Leppänen (violinist)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich und Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Neuseeland
mixed at:
Park Road Post in Wellington (Wellington Region), North Island, Neuseeland
recording of:
Thrain
Komponist(in):
Howard Shore (Canadian score composer)
Howard Shore13:25