100 Eighties Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
2The Only Way Is Up
registrazione cover di:
The Only Way Is Up
autore:
Johnny Henderson (southern soul songwriter) e George Jackson (US soul songwriter/vocalist)
editore:
Big Life Music (nel 1988) e Malaco Music (publisher related to Malaco Records) (nel 1988)
Yazz & The Plastic Population4:29
3Get Down on It
registrazione di:
Get Down on It
autore:
Ronald Bell, Kool & the Gang e James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
editore:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
Kool & the Gang43:32
4Word Up
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1986) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1986)
video musicali:
Word Up! di Cameo (American soul-influenced funk group)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 70) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 81)
registrazione di:
Word Up!
autore:
Larry Blackmon e Tomi Jenkins
editore:
All Seeing Eye Music, Better Days Music e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:15
5Nightshift
produttore:
Dennis Lambert
produttore associato:
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa) e Jeremy Smith (producer/engineer)
arrangiatore:
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1984)
edit di:
Nightshift di Commodores (US funk/soul band with Lionel Richie)
registrazione di:
Nightshift
autore:
Franne Golde, Dennis Lambert e Walter Orange
arrangiatore:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Zomba Enterprises, Inc.
Commodores4.354:18
6Don’t Push It Don’t Force It
registrazione di:
Don't Push It, Don't Force It (Leon Haywood song)
paroliere e compositore:
Leon Haywood (funk and soul singer, songwriter, record producer)
editore:
Jim-Edd Music
Leon Haywood53:28
7Running in the Family
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
registrazione di:
Running in the Family
autore:
Wally Badarou, Phil Gould e Mark King (bass guitarist and vocalist)
Level 423.43:57
8Don’t Stop the Music
registrazione di:
Don’t Stop the Music
autore:
Jonah Ellis, Alisa Peoples e Lonnie Simmons (producer, songwriter)
editore:
BMG Platinum Songs US e BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yarbrough & Peoples3:33
9Eloise
tecnico e produttore:
Jon Kelly (engineer at Air London Studios)
diritti fonografici (℗) detenuti da:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 1985), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione cover di:
Eloise
paroliere e compositore:
Paul Ryan (UK singer, songwriter & producer) (nel 1968)
editore:
Carlin Music Corporation e Hill & Range (publisher)
The Damned3.55:10
10Never Knew Love Like This Before
produttore:
Reggie Lucas e James Mtume (jazz/funk musician)
registrazione di:
Never Knew Love Like This Before
autore:
Reggie Lucas e James Mtume (jazz/funk musician)
editore:
Frozen Butterfly Publishing Co.
Stephanie Mills3:26
11I Should Have Known Better
basso elettrico :
John McKenzie (English blues bassist)
chitarra acustica :
Graham Lyle
membranofono :
Simon Kirk
percussione :
Martin Ditcham
registrata presso:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Regno Unito
registrazione di:
I Should Have Known Better (1984 song)
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Graham Lyle
editore:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) e Rondor Music (London) Ltd.
Jim Diamond54:06
12Perfect Strangers
tecnico:
Nick Blagona (engineer/producer)
produttore:
Roger Glover
basso elettrico :
Roger Glover (nel 1984-08)
batteria :
Ian Paice (nel 1984-08)
chitarra elettrica :
Ritchie Blackmore (nel 1984-08)
organo Hammond e tastiera :
Jon Lord (nel 1984-08)
voce principale:
Ian Gillan (nel 1984-08)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1984)
registrata presso:
Le Mobile in Carlsbad, California, Stati Uniti (nel 1984-08)
mixata presso:
Tennessee Tonstudio in Hamburg, Germania
registrazione di:
Perfect Strangers (nel 1984-08)
autore:
Ritchie Blackmore, Ian Gillan e Roger Glover
editore:
Blackmore Music Ltd., Chappell & Co., Inc. (USA), EMI April Music Inc., EMI Music Publishing (do not use as a release label!), HEC Music, Pussy Music Ltd., Rugged Music, Ltd. e Thames Overtures Ltd.
Deep Purple44:12
13If I Could Turn Back Time
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
assistente tecnico:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Guy Roche
produttore:
Guy Roche e Diane Warren (US songwriter)
batteria e tamburello :
Mark T. Williams
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra aggiunto:
Gene Black e Glenn Sciurba
chitarra basso :
John Pierce (US session bassist)
tastiera :
Alan Pasqua e Guy Roche
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain e Maria Vidal (American singer-songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989), The David Geffen Company (legal rights relating to Geffen Records) (nel 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti e Criterion Studios in Los Angeles, California, Stati Uniti
mixata presso:
The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 386)
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3.754:01
14My Prerogative
assistente tecnico di registrazione e assistente tecnico di missaggio:
Jim Hanneman
tecnico di registrazione:
Dennis Mitchell (engineer)
programmazione degli strumenti:
Markell Riley
produttore:
Gene Griffin
tecnico di missaggio:
Gene Griffin, Dennis Mitchell (engineer) e Teddy Riley (US R&B singer & producer)
sassofono basso , sintetizzatore e sintetizzatore basso :
Teddy Riley (US R&B singer & producer)
schiocchi di dita :
Bobby Brown (R&B singer, New Edition member)
voce di accompagnamento:
Bernard Bill, Lee Drakeford, Aaron Hall (R&B singer) e Teddy Riley (US R&B singer & producer)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1988)
è stato produttore per:
G.R. Productions
registrata presso:
Axis Studios in Manhattan, New York, New York, Stati Uniti
mixata presso:
Soundworks (New York) in New York, New York, Stati Uniti
video musicali:
My Prerogative di Bobby Brown (R&B singer, New Edition member)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 98) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 460)
registrazione di:
My Prerogative
autore:
Bobby Brown (R&B singer, New Edition member), Gene Griffin e Teddy Riley (US R&B singer & producer)
editore:
Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music–Z Tunes LLC e Virgin Music (Publishers) Ltd.
Bobby Brown44:50
15No Sleep Till Brooklyn
tecnico:
Steve Ett
co-produttore:
Beastie Boys
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
chitarra elettrica ospite :
Kerry King (co‐founder of Slayer)
diritti fonografici (℗) detenuti da:
Def Jam Recordings (US) (nel 1986)
registrazione di:
No Sleep Till Brooklyn
paroliere:
Adam Horovitz, Michael Diamond (member of Beastie Boys) e Adam Yauch
compositore:
Adam Horovitz e Rick Rubin (US record producer, former co‐president of Columbia Records)
Beastie Boys3.754:09
16Heat of the Moment
tecnico e produttore:
Mike Stone (producer and engineer, 1960s–80s)
basso elettrico :
John Wetton
batteria e percussione :
Carl Palmer
chitarra :
Steve Howe
tastiera :
Geoff Downes (English keyboardist)
voce:
Geoff Downes (English keyboardist), Steve Howe e John Wetton
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1982), The David Geffen Company (legal rights relating to Geffen Records) (nel 1982) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1982)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
video musicali:
Heat of the Moment (music video) di Asia (UK progressive rock band)
registrazione di:
Heat of the Moment
autore:
Geoff Downes (English keyboardist) e John Wetton
editore:
BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (dal 1982 a oggi), Almond Legg Music Corp. (dal 1982 a oggi), WB Music Corp. (1929–2019) (dal 1982 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Asia4.53:50
17Don’t Pay the Ferryman
registrazione di:
Don’t Pay the Ferryman
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
Chris de Burgh3:50
18Upside Down
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
voce:
Diana Ross
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
remixer:
Russ Terrana
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1980) e Motown Records (not for label use; use “Motown” instead) (nel 1980)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 89)
registrazione di:
Upside Down
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony/ATV Songs LLC e Tommy Jymi Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:05
19Happy Talk
registrazione cover di:
Happy Talk (South Pacific)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Rodgers & Hammerstein Theatrical Europe Ltd.
parte di:
South Pacific (Rodgers & Hammerstein musical)
Captain Sensible33:27
20Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:03
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