Rock Around the Clock...

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra :
Bill Haley (il 1954-04-12)
chitarra elettrica :
Danny Cedrone (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
voce:
Bill Haley (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:12
2Great Balls of Fire
chitarra :
Roland Janes (nel 1957-10)
pianoforte :
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (nel 1957-10)
voce:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (nel 1957-10)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1957-10)
registrazione di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis1:52
3Long Tall SallyLittle Richard2:02
4Roll Over Beethoven
registrazione di:
Roll Over Beethoven
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Chuck Berry3:44
5Blue Suede Shoes
batteria :
W.S. Holland (nel 1955-12)
chitarra :
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12) e Jay Perkins (nel 1955-12)
contrabbasso :
Clayton Perkins (nel 1955-12)
voce:
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1955, dal 1956 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 5) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 95)
registrazione di:
Blue Suede Shoes (nel 1955-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:16
6Tutti Fruitti
registrazione di:
Tutti Frutti
paroliere:
Dorothy LaBostrie (American songwriter) e Richard Wayne Penniman
compositore:
Dorothy LaBostrie (American songwriter), Joe Lubin e Richard Wayne Penniman
editore:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Phonogram GmbH (nel 1983)
Little Richard2:24
7Wake Up Little Susie
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 21) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 311)
registrazione di:
Wake Up Little Susie (nel 1957)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:02
8LucilleLittle Richard2:16
9Donna
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Aberbach Musikverlag (German publisher) e Carlin Music Corporation
Ritchie Valens4.82:29
10The Great Pretender
registrazione di:
The Great Pretender
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
registrazione cover di:
The Great Pretender
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
The Platters53:22
11Venus
voce:
Frankie Avalon (American actor, singer)
direttore d'orchestra e maestro del coro:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Chancellor Records Inc. (nel 1959)
registrazione di:
Venus
paroliere e compositore:
Ed Marshall
editore:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:23
12('Til) I Kissed You
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 28)
registrazione di:
(’Til) I Kissed You (il 1959-07-07)
paroliere e compositore:
Don Everly
The Everly Brothers2:26
13Red River Rock
registrazione strumentale cover di:
Red River Rock
compositore:
Tom King (50s & 60s songwriter), Ira Mack e Fred Mendelsohn
editore:
Burlington Music Co., Ltd. e Mole Hole Music
si basa su:
Red River Valley
registrazione cover di:
Red River Rock
compositore:
Tom King (50s & 60s songwriter), Ira Mack e Fred Mendelsohn
editore:
Burlington Music Co., Ltd. e Mole Hole Music
si basa su:
Red River Valley
Johnny and the Hurricanes2:11
14Ooby Dooby
produttore:
Sam Phillips (founder of Sun Records)
batteria :
Billy Pat Ellis (nel 1956)
chitarra :
Roy Orbison (nel 1956) e Johnny 'Guitar' Wilson (nel 1956)
contrabbasso :
Jack Kennelly (nel 1956)
mandolino :
James Morrow (nel 1956)
voce:
Roy Orbison (nel 1956)
registrazione di:
Ooby Dooby (nel 1956)
paroliere e compositore:
Wade Moore e Dick Penner
editore:
Hi Lo Music, Peer International Corporation (BMI) e Southern Music Publishing Company Limited
Roy Orbison52:12
15Good Golly Miss MollyLittle Richard2:07
16Bye Bye Love
registrata a:
Nashville, Tennessee, Stati Uniti (il 1957-03-01)
basso :
Floyd D. 'Lightnin'' Chance (il 1957-03-01)
batteria :
Murrey Harman (Session drummer and songwriter) (il 1957-03-01)
chitarra :
Don Everly (il 1957-03-01), Phil Everly (il 1957-03-01) e Hank Garland (il 1957-03-01)
chitarra elettrica :
Chet Atkins (il 1957-03-01)
pianoforte :
Floyd Cramer (il 1957-03-01)
voce:
Don Everly (il 1957-03-01) e Phil Everly (il 1957-03-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 207)
registrazione di:
Bye Bye Love (il 1957-03-01)
autore:
Boudleaux Bryant e Felice Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:26
17Be Bop a Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐a‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
editore:
Lowery Music Co. Inc.
Gene Vincent4.352:39
18When Will I Be Loved
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione di:
When Will I Be Loved? (il 1960-02-18)
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:04
19Whole Lotta Shakin' Goin' On
produttore:
Jack Clement e Sam Phillips (founder of Sun Records) (nel 1957)
batteria :
Jimmy Van Eaton (il 1957-02-05)
chitarra :
Roland Janes (il 1957-02-05)
pianoforte :
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1957-02-05)
voce:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (il 1957-02-05)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1957), Sun Record Company (nel 1957) e Charly Records (dal 2008 a oggi)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1957-02-05)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 61)
registrazione cover di:
Whole Lotta Shakin’ Goin’ On (il 1957-02-05)
autore:
Sunny David (US rockabilly pianist & songwriter) e Dave “Curly” Williams
editore:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) e Whole Lotta Shakin' Music
registrazione di:
Whole Lotta Shakin’ Goin’ On
autore:
Sunny David (US rockabilly pianist & songwriter) e Dave “Curly” Williams
editore:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) e Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:53
20Sweet Little Sixteen
registrazione di:
Sweet Little Sixteen
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:18
21La Bamba
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 142) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 346)
registrazione di:
La bamba (additional lyrics by Ritchie Valens) (il 1958-11-17)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Ritchie Valens4.752:06
2CD