Tenors Head-On

~ Veröffentlichung von Bill Perkins, Richie Kamuca (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Cotton Tail
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
Produzent(in):
Howard Rumsey (American jazz double-bassist)
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
Holzblasinstrumente:
Bill Perkins (jazz saxophonist) (in 1956-07)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
Schlagzeug:
Stan Levey (in 1956-07)
Tenorsaxophon:
Richie Kamuca (in 1956-07)
instrumental recording of:
Cotton Tail (in 1956-07)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
4:38
2I Want a Little Girl
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
Produzent(in):
Howard Rumsey (American jazz double-bassist)
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
Holzblasinstrumente:
Bill Perkins (jazz saxophonist) (in 1956-07)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
Schlagzeug:
Stan Levey (in 1956-07)
Tenorsaxophon:
Richie Kamuca (in 1956-07)
instrumental recording of:
I Want a Little Girl (in 1956-07)
Texter:
Billy Moll (songwriter)
Komponist(in):
Murray Mencher (pianist, lyricist and songwriter)
publisher:
Shapiro, Bernstein & Co., Inc.
5:58
3Blues for Two
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
Produzent(in):
Howard Rumsey (American jazz double-bassist)
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
Holzblasinstrumente:
Bill Perkins (jazz saxophonist) (in 1956-07)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
Schlagzeug:
Stan Levey (in 1956-07)
Tenorsaxophon:
Richie Kamuca (in 1956-07)
4:30
4Indian Summer
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
Produzent(in):
Howard Rumsey (American jazz double-bassist)
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
Holzblasinstrumente:
Bill Perkins (jazz saxophonist) (in 1956-07)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
Schlagzeug:
Stan Levey (in 1956-07)
Tenorsaxophon:
Richie Kamuca (in 1956-07)
instrumental recording of:
Indian Summer (in 1956-07)
Texter:
Al Dubin (in 1939)
Komponist(in):
Victor Herbert (American composer) (in 1919)
publisher:
Harms, Inc.
4:41
5Don't Be That Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
Produzent(in):
Howard Rumsey (American jazz double-bassist)
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
Holzblasinstrumente:
Bill Perkins (jazz saxophonist) (in 1956-07)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
Schlagzeug:
Stan Levey (in 1956-07)
Tenorsaxophon:
Richie Kamuca (in 1956-07)
instrumental recording of:
Don’t Be That Way (in 1956-07)
Texter:
Mitchell Parish
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation und The Songwriters Guild
Teil von:
New York, New York (1977 musical film soundtrack)
5:07
6Oh! Look at Me Now
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
Produzent(in):
Howard Rumsey (American jazz double-bassist)
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
Holzblasinstrumente:
Bill Perkins (jazz saxophonist) (in 1956-07)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
Schlagzeug:
Stan Levey (in 1956-07)
Tenorsaxophon:
Richie Kamuca (in 1956-07)
instrumental recording of:
Oh! Look at Me Now (in 1956-07)
Texter:
John DeVries (in 1941)
Komponist(in):
Joe Bushkin (in 1941)
publisher:
Campbell Connelly, Embassy Music Corporation und Hampshire House Publishing Corp.
5:38
7Spain
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
Produzent(in):
Howard Rumsey (American jazz double-bassist)
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
Holzblasinstrumente:
Bill Perkins (jazz saxophonist) (in 1956-07)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
Schlagzeug:
Stan Levey (in 1956-07)
Tenorsaxophon:
Richie Kamuca (in 1956-07)
5:03
8Pick a Dilly
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-07)
recording engineer:
Val Valentin (in 1956-07)
Produzent(in):
Howard Rumsey (American jazz double-bassist)
Bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1956-07)
Holzblasinstrumente:
Bill Perkins (jazz saxophonist) (in 1956-07)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (in 1956-07)
Schlagzeug:
Stan Levey (in 1956-07)
Tenorsaxophon:
Richie Kamuca (in 1956-07)
4:26
9Solid de Sylva
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-10-29)
recording engineer:
Val Valentin (am 1956-10-29)
Produzent(in):
Richard Bock (record producer) und Woody Woodward
Bassklarinette, flute, Holzblasinstrumente und Klarinette:
Bill Perkins (jazz saxophonist) (am 1956-10-29)
Klavier:
Hampton Hawes (am 1956-10-29)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-10-29)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-10-29)
Tenorsaxophon:
Richie Kamuca (am 1956-10-29) und Bill Perkins (jazz saxophonist) (am 1956-10-29)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1956-10-29)
recording of:
Solid Desylva (am 1956-10-29)
Komponist(in):
Bill Perkins (jazz saxophonist)
4:32
10Just Friends
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-10-29)
recording engineer:
Val Valentin (am 1956-10-29)
Produzent(in):
Richard Bock (record producer) und Woody Woodward
Bassklarinette, flute, Holzblasinstrumente und Klarinette:
Bill Perkins (jazz saxophonist) (am 1956-10-29)
Klavier:
Hampton Hawes (am 1956-10-29)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-10-29)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-10-29)
Tenorsaxophon:
Richie Kamuca (am 1956-10-29) und Bill Perkins (jazz saxophonist) (am 1956-10-29)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1956-10-29)
recording of:
Just Friends (am 1956-10-29)
Texter:
Sam M. Lewis (1930s lyricist)
Komponist(in):
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
instrumental recording of:
Just Friends (am 1956-10-29)
Texter:
Sam M. Lewis (1930s lyricist)
Komponist(in):
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
5:11
11All of Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-10-29)
recording engineer:
Val Valentin (am 1956-10-29)
Produzent(in):
Richard Bock (record producer) und Woody Woodward
Bassklarinette, flute, Holzblasinstrumente und Klarinette:
Bill Perkins (jazz saxophonist) (am 1956-10-29)
Klavier:
Hampton Hawes (am 1956-10-29)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-10-29)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-10-29)
Tenorsaxophon:
Richie Kamuca (am 1956-10-29) und Bill Perkins (jazz saxophonist) (am 1956-10-29)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1956-10-29)
instrumental recording of:
All of Me (am 1956-10-29)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
4:33
12Limehouse Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-10-29)
recording engineer:
Val Valentin (am 1956-10-29)
Produzent(in):
Richard Bock (record producer) und Woody Woodward
Bassklarinette, flute, Holzblasinstrumente und Klarinette:
Bill Perkins (jazz saxophonist) (am 1956-10-29)
Klavier:
Hampton Hawes (am 1956-10-29)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-10-29)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-10-29)
Tenorsaxophon:
Richie Kamuca (am 1956-10-29) und Bill Perkins (jazz saxophonist) (am 1956-10-29)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1956-10-29)
recording of:
Limehouse Blues (am 1956-10-29)
Texter:
Douglas Furber
Komponist(in):
Philip Braham
publisher:
Harms, Inc. und Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
instrumental recording of:
Limehouse Blues (am 1956-10-29)
Texter:
Douglas Furber
Komponist(in):
Philip Braham
publisher:
Harms, Inc. und Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
3:19
13Sweet and Lovely
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-10-29)
recording engineer:
Val Valentin (am 1956-10-29)
Produzent(in):
Richard Bock (record producer) und Woody Woodward
Bassklarinette, flute, Holzblasinstrumente und Klarinette:
Bill Perkins (jazz saxophonist) (am 1956-10-29)
Klavier:
Hampton Hawes (am 1956-10-29)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1956-10-29)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-10-29)
Tenorsaxophon:
Richie Kamuca (am 1956-10-29) und Bill Perkins (jazz saxophonist) (am 1956-10-29)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1956-10-29)
instrumental recording of:
Sweet and Lovely (am 1956-10-29)
Texter:
Harry Tobias
Komponist(in):
Gus Arnheim und Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) und Range Road Music Inc. (in 1931)
5:02

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Veröffentlichungsgruppe

Wikidata:Q86664290 [Info]