101 Barbecue Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Red Red Wine (edit)
Produzent(in):
Ray “Pablo” Falconer und UB40
arranger:
UB40
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) und DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
Texter und Komponist(in):
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Bang Records (Bert Berns label) (in 1968)
UB403.83:00
2I'm Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:35
3The Best (edit)
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.854:07
4Hot N Cold
sonstige Unterstützung:
Gary "G" Silver (Aufgabe: production coordinated)
Programmierung:
benny blanco (producer Benjamin Levin) und Dr. Luke
Techniker(in):
Nick Banns, Tatiana Gottwald, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Tina Kennedy und Emily Wright
Produzent(in):
Dr. Luke
zusätzliche(r) Produzent(in):
benny blanco (producer Benjamin Levin)
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea
Bassgitarre [bass]:
Dr. Luke
Gitarre [guitars]:
Dr. Luke und Max Martin (Swedish record producer)
Schlagzeug [drums]:
benny blanco (producer Benjamin Levin) und Dr. Luke
Sologesang:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Music Group (label group, not normally a release label) (in 2008)
produced for:
Kasz Money Productions, Inc.
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dr. Luke's in New York, New York, Vereinigte Staaten und Legacy Recording Studio (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 25), Billboard Year-End Hot 100 singles of 2008 (Nummer: 36), BILLIONS CLUB und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 321)
recording of:
Hot n Cold
Verfasser(in):
Łukasz Gottwald, Max Martin (Swedish record producer) und Katy Perry
publisher:
Kasz Money Publishing (ASCAP affiliated), Maratone, Maratone AB und When I’m Rich You’ll Be My Bitch
Katy Perry4.153:41
5She's So Lovely
Programmierung, Techniker(in), Produzent(in) und Mix:
Andy Green (producer, engineer)
Musikvideos:
She’s So Lovely von Scouting for Girls
recording of:
She’s So Lovely
Texter und Komponist(in):
Roy Stride
Scouting for Girls3.353:44
6Wake Up Boo!
Techniker(in):
Andy Wilkinson (UK engineer)
Produzent(in):
The Boo Radleys
Mix:
Al Clay
recording of:
Wake Up Boo!
Texter und Komponist(in):
Martin Carr
The Boo Radleys33:05
7Alright
Techniker(in):
John Cornfield
Produzent(in):
Sam Williams (producer & musician. ex‐member of The Animalhouse)
Mix:
John Cornfield und Sam Williams (producer & musician. ex‐member of The Animalhouse)
Bassgitarre:
Mick Quinn (von 1994-01 bis 1994-07)
Gitarre:
Mick Quinn (von 1994-02 bis 1994-08)
Klavier und Sologesang:
Gaz Coombes (von 1994-02 bis 1994-08)
Schlagzeug:
Danny Goffey (von 1994-02 bis 1994-08)
Hintergrundgesang:
Danny Goffey (von 1994-02 bis 1994-08) und Mick Quinn (von 1994-02 bis 1994-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
aufgenommen bei:
Sawmills Studio in Golant, Cornwall, England, Vereinigtes Königreich (von 1994-02 bis 1994-08)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 65)
recording of:
Alright (von 1994-02 bis 1994-08)
Verfasser(in):
Gaz Coombes, Danny Goffey und Mick Quinn
publisher:
EMI Music (do not use as release label! this is a music publisher)
Supergrass3.73:01
8Fun, Fun, Fun
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
Sologesang:
Mike Love (Beach Boys) (am 1964-01-01)
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-01-01)
recording of:
Fun, Fun, Fun (am 1964-01-01)
Texter und Komponist(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corporation (USA, affiliated with ASCAP), Elmwin Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Irving Music, Inc. und Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
sub-publisher:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo)
The Beach Boys42:19
9Fantastic Day
Produzent(in):
Bob Sargeant
recording of:
Fantastic Day
Texter und Komponist(in):
Nick Heyward
Haircut One Hundred2.53:14
10She Moves in Her Own Way
assistierende(r) Techniker(in):
Iain Dowling und Ben Mason (Independent filmmaker/musician)
Techniker(in):
Todd Burke und Tony Hoffer
Produzent(in):
Tony Hoffer
assistierende(r) Mix:
Keith Gary und Will Hensley (engineer)
Mix:
Michael Brauer (engineer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2006)
Musikvideos:
She Moves in Her Own Way von The Kooks (UK band)
recording of:
She Moves in Her Own Way
Texter:
Luke Pritchard und Max Rafferty
Komponist(in):
Paul Garred, Hugh Harris (of The Kooks), Luke Pritchard und Max Rafferty
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
The Kooks3.92:48
11Smile (radio edit)
Techniker(in):
Darren Lewis, Iyiola Babalola (drum n bass producer Iyiola Babalola) und Mike Pelanconi
Produzent(in):
Darren Lewis, Future Cut und Iyiola Babalola (drum n bass producer Iyiola Babalola)
assistierende(r) Mix:
Dan Porter
Mix:
Future Cut und Mike Pelanconi
Bassgitarre:
Clive Hunte
Keyboard:
Darren Lewis, John Ellis (UK session bassist/keyboardist/vocalist/producer) und Iyiola Babalola (drum n bass producer Iyiola Babalola)
Posaune:
Trevor Edwards
Saxophon:
Michael Rose (Saxophonist)
Schlagzeug:
Paul Powell
Trompete:
Eddie Thornton
Sologesang:
Lily Allen
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
mixed at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Teil von:
Amazon – Best Songs of 2007: Editor Picks (Nummer: 6)
recording of:
Smile
Texter:
Lily Allen, Darren Lewis und Iyiola Babalola (drum n bass producer Iyiola Babalola)
zusätzliche(r) Verfasser(in):
Clement “Coxsone” Dodd
Komponist(in):
Jackie Mittoo
publisher:
Sparta Florida Music Group und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
basiert auf:
Free Soul
Lily Allen3.73:15
12The Tide Is High (edit)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) und Frank Infante (in 1980)
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1980)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.453:50
13Tom Hark
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 75)
recording of:
Tom Hark (The Piranhas revision with added lyrics)
Texter:
Bob Grover
Komponist(in):
Rupert Bopape
Revision von:
Tom Hark (Original instrumental)
The Piranhas4.52:42
14Tubthumping
Techniker(in):
Neil Ferguson (Chumbawamba)
Produzent(in):
Chumbawamba
phonographisches Urheberrecht (℗) von:
Chumbawamba (in 1997)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
aufgenommen bei:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-09)
Bearbeitung von:
Tubthumping (album version) von Chumbawamba
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 23)
recording of:
Tubthumping (in 1997-02)
publisher:
Chumbawamba (in 1997)
Verfasser(in):
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) und Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Leosong (publisher) (in 1997)
Chumbawamba3.653:33
15My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack3.94:00
16Tequila
Produzent(in):
Edwyn Collins
remixer:
Mint Royale
recording of:
Tequila (Terrorvision cover)
Verfasser(in):
Chuck Rio (Daniel Flores)
zusätzliche(r) Verfasser(in):
Terrorvision (British rock band)
basiert auf:
Tequila
Terrorvision3.54:07
17Drinking in L.A.
recording of:
Drinking in L.A.
Verfasser(in):
Bran Van 3000, James Di Salvio, Duane Larson und Haig Vartzbedian
quotes lyrics from:
Gin & Juice
Bran Van 300033:40
18Steal My Sunshine
recording of:
Steal My Sunshine
Verfasser(in):
Marc Costanzo und Gregg Diamond
publisher:
Big Meanie, BMG Songs, Inc., Buddah Music, Inc., EMI April Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label) und Gregg Diamond Music
basiert auf:
More, More, More
LEN54:00
19Dancing in the Moonlight
cover recording of:
Dancing in the Moonlight
Texter und Komponist(in):
Sherman Kelly
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader43:29
20Bohemian Like You
Produzent(in):
David Sardy (American score composer) und Courtney Taylor‐Taylor
Mix:
David Sardy (American score composer)
Bass und Keyboard:
Zia McCabe
Gast-Orgel:
Erik Gavriluk
Gitarre:
Peter Holmström und Courtney Taylor‐Taylor
Schlagzeug und Hintergrundgesang:
Brent DeBoer
Slide-Gitarre:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
Musikvideos:
Bohemian Like You von The Dandy Warhols
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 449)
recording of:
Bohemian Like You
Texter und Komponist(in):
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Dandy Warhols Music (BMI)
The Dandy Warhols3.853:32
21Echo Beach
assistierende(r) Techniker(in):
Laurence Diana
Techniker(in):
Richard Manwaring (Producer)
Produzent(in):
Mike Howlett
phonographisches Urheberrecht (℗) von:
Dindisc Ltd (in 1980) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (in 1979-08)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 87)
recording of:
Echo Beach
Texter und Komponist(in):
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.63:33
22The Final Countdown
Produzent(in):
Kevin Elson
phonographisches Urheberrecht (℗) von:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1987) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
The Final Countdown
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe4.053:59
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Nennungen

Veröffentlichung

ASIN:UK: B003IFMXKO [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0002014467 [Info]