Mass in B minor, BWV 232

~ Uitgave van Johann Sebastian Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter (Bekijk alle versies van deze uitgave, 5 beschikbaar)

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#TitelArtiestWaarderingDuur
1Mass in B minor, BWV 232: Kyrie: Kyrie eleison (I)
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach12:16
2Mass in B minor, BWV 232: Kyrie: Christe eleison
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
altvocalen:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
sopraanvocalen:
Maria Stader (soprano) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
uitvoerend artiest:
Maria Stader (soprano) (in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:49
3Mass in B minor, BWV 232: Kyrie: Kyrie eleison (II)
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:52
4Mass in B minor, BWV 232: Gloria: Gloria in excelsis Deo
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:01
5Mass in B minor, BWV 232: Gloria: Et in terra pax
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:49
6Mass in B minor, BWV 232: Gloria: Laudamus te
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
altvocalen:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:31
7Mass in B minor, BWV 232: Gloria: Gratias agimus tibi
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:28
8Mass in B minor, BWV 232: Gloria: Domine Deus
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
sopraanvocalen:
Maria Stader (soprano) (in 1961-02, in 1961-04)
tenorvocalen:
Ernst Haefliger (tenor) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:36
9Mass in B minor, BWV 232: Gloria: Qui tollis peccata mundi
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:03
10Mass in B minor, BWV 232: Gloria: Qui sedes ad dexteram Patris
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
altvocalen:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:29
11Mass in B minor, BWV 232: Gloria: Quoniam tu solus sanctus
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
basvocalen:
Kieth Engen (operatic bass) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:52
12Mass in B minor, BWV 232: Gloria: Cum Sancto Spiritu
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:11
13Mass in B minor, BWV 232: Credo: Credo in unum Deum
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:39
14Mass in B minor, BWV 232: Credo: Patrem omnipotentem
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:09
15Mass in B minor, BWV 232: Credo: Et in unum Dominum
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
altvocalen:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
sopraanvocalen:
Maria Stader (soprano) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
uitvoerend artiest:
Maria Stader (soprano) (in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:26
16Mass in B minor, BWV 232: Credo: 2.4 Et incarnatus est
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:41
17Mass in B minor, BWV 232: Credo: Crucifixus
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:05
18Mass in B minor, BWV 232: Credo: Et resurrexit
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:28
19Mass in B minor, BWV 232: Credo: Et in Spiritum Sanctum
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:38
20Mass in B minor, BWV 232: Credo: Confiteor unum baptisma
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:06
21Mass in B minor, BWV 232: Credo: Et expecto resurrectionem
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:14
22Mass in B Minor, BWV 232: Sanctus: Sanctus, Domine Deus (Chorus)
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:47
23Mass in B minor, BWV 232: Sanctus: Osanna in excelsis (I)
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:55
24Mass in B Minor, BWV 232: Benedictus: Benedictus qui venit (Tenor)
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
tenorvocalen:
Ernst Haefliger (tenor) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:56
25Mass in B minor, BWV 232: Sanctus: Osanna in excelsis (II)
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:56
26Mass in B minor, BWV 232: Agnus Dei: Agnus Dei
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
altvocalen:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:36
27Mass in B minor, BWV 232: Agnus Dei: Dona nobis pacem
opnametechnicus:
Walter Alfred Wettler
producent:
Karl-Heinz Schneider (producer)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
contrabas:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
fagot:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) en Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
fluit:
Walther Theurer (in 1961-02, in 1961-04)
hoornfamilie [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) en Edgar Shann (oboist) (in 1961-02, in 1961-04)
orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trompet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
viool:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
opgenomen bij:
Hochschule für Musik und Theater München in München (Munich), Bayern (Beieren), Duitsland (in 1961-02, in 1961-04)
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1961-02)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Dona nobis pacem
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:25