Sonny Stitt Bud Powell J.J. Johnson

~ Veröffentlichung von Sonny Stitt, Bud Powell & J.J. Johnson (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1All God's Chillun Got Rhythm
recorded in:
New York, New York, Vereinigte Staaten (am 1949-12-11)
Klavier:
Bud Powell (am 1949-12-11)
Kontrabass:
Curley Russell (am 1949-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-12-11)
Tenorsaxophon:
Sonny Stitt (am 1949-12-11)
instrumental recording of:
All God’s Chillun Got Rhythm (am 1949-12-11)
Texter:
Gus Kahn
Komponist(in):
Walter Jurmann und Bronisław Kaper
3:00
2Sonny Side
recorded in:
New York, New York, Vereinigte Staaten (am 1949-12-11)
Klavier:
Bud Powell (am 1949-12-11)
Kontrabass:
Curley Russell (am 1949-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-12-11)
Tenorsaxophon:
Sonny Stitt (am 1949-12-11)
recording of:
Sonnyside (am 1949-12-11)
Komponist(in):
Sonny Stitt
2:23
3Bud's Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1949-12-11)
Klavier:
Bud Powell (am 1949-12-11)
Kontrabass:
Curley Russell (am 1949-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-12-11)
Tenorsaxophon:
Sonny Stitt (am 1949-12-11)
2:36
4Sunset
recorded in:
New York, New York, Vereinigte Staaten (am 1949-12-11)
Klavier:
Bud Powell (am 1949-12-11)
Kontrabass:
Curley Russell (am 1949-12-11)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-12-11)
Tenorsaxophon:
Sonny Stitt (am 1949-12-11)
3:49
5Fine and Dandy (take 1)
recorded in:
New York, New York, Vereinigte Staaten (am 1950-01-26)
Klavier:
Bud Powell (am 1950-01-26)
Kontrabass:
Curley Russell (am 1950-01-26)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1950-01-26)
Tenorsaxophon:
Sonny Stitt (am 1950-01-26)
instrumental recording of:
Fine and Dandy (am 1950-01-26)
Texter:
Paul James (Lyricist, aka James Warburg)
Komponist(in):
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
2:44
6Fine and Dandy (take 2)
recorded in:
New York, New York, Vereinigte Staaten (am 1950-01-26)
Klavier:
Bud Powell (am 1950-01-26)
Kontrabass:
Curley Russell (am 1950-01-26)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1950-01-26)
Tenorsaxophon:
Sonny Stitt (am 1950-01-26)
instrumental recording of:
Fine and Dandy (am 1950-01-26)
Texter:
Paul James (Lyricist, aka James Warburg)
Komponist(in):
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
2:42
7Strike Up the Band
recorded in:
New York, New York, Vereinigte Staaten (am 1950-01-26)
Klavier:
Bud Powell (am 1950-01-26)
Kontrabass:
Curley Russell (am 1950-01-26)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1950-01-26)
Tenorsaxophon:
Sonny Stitt (am 1950-01-26)
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (am 1950-01-26)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Strike up the Band (1927 Gershwin musical)
3:28
8I Want to Be Happy
recorded in:
New York, New York, Vereinigte Staaten (am 1950-01-26)
Klavier:
Bud Powell (am 1950-01-26)
Kontrabass:
Curley Russell (am 1950-01-26)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1950-01-26)
Tenorsaxophon:
Sonny Stitt (am 1950-01-26)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (am 1950-01-26)
Texter:
Irving Caesar und Otto Harbach
Komponist(in):
Vincent Youmans
Teil von:
No, No, Nanette
3:14
9Taking a Chance on Love
recorded in:
New York, New York, Vereinigte Staaten (am 1950-01-26)
Klavier:
Bud Powell (am 1950-01-26)
Kontrabass:
Curley Russell (am 1950-01-26)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1950-01-26)
Tenorsaxophon:
Sonny Stitt (am 1950-01-26)
instrumental recording of:
Taking a Chance on Love (am 1950-01-26)
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
2:35
10Afternoon in Paris (take 1)
recorded in:
New York, New York, Vereinigte Staaten (am 1949-10-17)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1949-10-17)
Kontrabass:
Nelson Boyd (, am 1949-10-17)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1949-10-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-10-17)
Tenorsaxophon:
Sonny Stitt (am 1949-10-17)
recording of:
Afternoon in Paris (am 1949-10-17)
Komponist(in):
John Lewis (pianist, member of Modern Jazz Quartet)
3:07
11Afternoon in Paris (take 2)
recorded in:
New York, New York, Vereinigte Staaten (am 1949-10-17)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1949-10-17)
Kontrabass:
Nelson Boyd (am 1949-10-17)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1949-10-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-10-17)
Tenorsaxophon:
Sonny Stitt (am 1949-10-17)
recording of:
Afternoon in Paris (am 1949-10-17)
Komponist(in):
John Lewis (pianist, member of Modern Jazz Quartet)
3:05
12Elora (take 1)
recorded in:
New York, New York, Vereinigte Staaten (am 1949-10-17)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1949-10-17)
Kontrabass:
Nelson Boyd (, am 1949-10-17)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1949-10-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-10-17)
Tenorsaxophon:
Sonny Stitt (am 1949-10-17)
3:06
13Elora (take 2)
recorded in:
New York, New York, Vereinigte Staaten (am 1949-10-17)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1949-10-17)
Kontrabass [bass]:
Nelson Boyd (am 1949-10-17)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1949-10-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-10-17)
Tenorsaxophon:
Sonny Stitt (am 1949-10-17)
3:11
14Teapot (take 1)
recorded in:
New York, New York, Vereinigte Staaten (am 1949-10-17)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1949-10-17)
Kontrabass:
Nelson Boyd (, am 1949-10-17)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1949-10-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-10-17)
Tenorsaxophon:
Sonny Stitt (am 1949-10-17)
2:45
15Teapot (take 2)
recorded in:
New York, New York, Vereinigte Staaten (am 1949-10-17)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1949-10-17)
Kontrabass:
Nelson Boyd (, am 1949-10-17)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1949-10-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-10-17)
Tenorsaxophon:
Sonny Stitt (am 1949-10-17)
3:04
16Blue Mode (take 1)
recorded in:
New York, New York, Vereinigte Staaten (am 1949-10-17)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1949-10-17)
Kontrabass:
Nelson Boyd (, am 1949-10-17)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1949-10-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-10-17)
Tenorsaxophon:
Sonny Stitt (am 1949-10-17)
3:47
17Blue Mode (take 2)
recorded in:
New York, New York, Vereinigte Staaten (am 1949-10-17)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1949-10-17)
Kontrabass:
Nelson Boyd (, am 1949-10-17)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1949-10-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1949-10-17)
Tenorsaxophon:
Sonny Stitt (am 1949-10-17)
2:49