Everybody Digs Bill Evans: Complete 1958/59 Winter Trio Sessions

~ Veröffentlichung von Bill Evans (alle Versionen dieser Veröffentlichung ansehen, 21 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Minority
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-15)
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Bass und Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
cover recording of:
Minority (am 1958-12-15)
Komponist(in):
Gigi Gryce
publisher:
Jacogg Publications und Twenty-Eighth Street Music
55:22
2Young and Foolish
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Bass und Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
instrumental cover recording of:
Young and Foolish (am 1958-12-15)
Texter:
Arnold Horwitt
Komponist(in):
Albert Hague
publisher:
Chappell & Co. und Chappell Music (UK)
55:51
3Lucky to Be Me
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
instrumental cover recording of:
On the Town: Lucky to Be Me (am 1958-12-15)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Warner Bros. (holding: file NO releases) und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
On the Town
3:37
4Night and Day
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1958-12-15)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
57:33
5Epilogue
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
recording of:
Epilogue (am 1958-12-15)
Komponist(in):
Bill Evans (pianist)
publisher:
Folkways Music und TRO-Acorn Music
0:40
6Tenderly
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
instrumental cover recording of:
Tenderly (am 1958-12-15)
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
3:31
7Peace Piece
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1956-12-15)
recording of:
Peace Piece (am 1958-12-15)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music und TRO-Acorn Music
4.56:41
8What Is There to Say?
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
instrumental cover recording of:
What Is There to Say? (am 1958-12-15)
Texter:
Yip Harburg
Komponist(in):
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment und T.B. Harms Co.
54:51
9Oleo
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
cover recording of:
Oleo (am 1958-12-15)
Komponist(in):
Sonny Rollins (American saxophonist)
publisher:
Jazz Horn Music Corporation, Prestige Music (US drum & bass) und Sony/ATV Songs (SOCAN)
44:06
10Epilogue
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
recording of:
Epilogue (am 1958-12-15)
Komponist(in):
Bill Evans (pianist)
publisher:
Folkways Music und TRO-Acorn Music
0:40
11You and the Night and the Music
recording engineer:
Jack Higgins (recording engineer) (am 1959-01-19)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1959-01-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-19)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1959-01-19)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-01-19)
instrumental cover recording of:
You and the Night and the Music (am 1959-01-19)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
The Band Wagon (1953 film)
7:22
12How Am I to Know?
recording engineer:
Jack Higgins (recording engineer) (am 1959-01-19)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1959-01-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-19)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1959-01-19)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-01-19)
instrumental cover recording of:
How Am I to Know? (am 1959-01-19)
Texter:
Dorothy Parker
Komponist(in):
Jackie King
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
6:20
13Woody'n You (take 1)
recording engineer:
Jack Higgins (recording engineer) (am 1959-01-19)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1959-01-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-19)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1959-01-19)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-01-19)
cover recording of:
Woody ’n’ You (am 1959-01-19)
Komponist(in):
Dizzy Gillespie
4:26
14Woody'n You (take 2)
recording engineer:
Jack Higgins (recording engineer) (am 1959-01-19)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1959-01-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-19)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1959-01-19)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-01-19)
cover recording of:
Woody ’n’ You (am 1959-01-19)
Komponist(in):
Dizzy Gillespie
4:11
15My Heart Stood Still
recorded in:
New York, New York, Vereinigte Staaten (in 1959-01)
recording engineer:
Jack Higgins (recording engineer) (am 1959-01-19)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1959-01-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-19)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1959-01-19)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-01-19)
instrumental cover recording of:
My Heart Stood Still (am 1959-01-19)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
One Dam Thing After Another
5:21
16On Green Dolphin Street
recorded in:
New York, New York, Vereinigte Staaten (in 1959-01)
recording engineer:
Jack Higgins (recording engineer) (am 1959-01-19)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1959-01-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-19)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1959-01-19)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-01-19)
instrumental cover recording of:
On Green Dolphin Street (am 1959-01-19)
Texter:
Ned Washington (in 1947)
Komponist(in):
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. und Patti Washington Music
8:08