Cantatas

~ Uitgave van Johann Sebastian Bach; Karl Richter, Münchener Bach‐Orchester (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1cd: Advent un Weihnachten
2cd: Advent un Weihnachten
3cd: Advent un Weihnachten
4cd: Advent un Weihnachten
5cd: Ostern
6cd: Ostern
7cd: Ostern
8cd: Ostern
9cd: Ostern
10cd: Himmelfahrt - Pfingsten - Trinitatis
11cd: Himmelfahrt - Pfingsten - Trinitatis
12cd: Himmelfahrt - Pfingsten - Trinitatis
13cd: Himmelfahrt - Pfingsten - Trinitatis
14cd: Himmelfahrt - Pfingsten - Trinitatis
15cd: Himmelfahrt - Pfingsten - Trinitatis
16cd: Sonntage nach Trinitatis I
17cd: Sonntage nach Trinitatis I
18cd: Sonntage nach Trinitatis I
19cd: Sonntage nach Trinitatis I
20cd: Sonntage nach Trinitatis I
#TitelArtiestWaarderingDuur
1Kantate, BWV 51 "Jauchzet Gott in allen Landen!": I. Aria (Soprano) "Jauchzet Gott in allen Landen!"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Karl-Heinz Schneider (producer)
trompet:
Willi Bauer (trumpet player) (in 1959-08)
sopraanvocalen:
Maria Stader (soprano) (in 1959-08)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
balanstechnicus:
Walter Alfred Wettler
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1959)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1959-08)
is een opname van:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1959-08)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
deel van:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:42
2Kantate, BWV 51 "Jauchzet Gott in allen Landen!": II. Recitativo (Soprano) "Wir beten zu dem Tempel an"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Karl-Heinz Schneider (producer)
trompet:
Willi Bauer (trumpet player) (in 1959-08)
sopraanvocalen:
Maria Stader (soprano) (in 1959-08)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
balanstechnicus:
Walter Alfred Wettler
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1959)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1959-08)
is een opname van:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (in 1959-08)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
deel van:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:24
3Kantate, BWV 51 "Jauchzet Gott in allen Landen!": III. Aria (Soprano) "Höchster, mache deine Güte"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Karl-Heinz Schneider (producer)
trompet:
Willi Bauer (trumpet player) (in 1959-08)
sopraanvocalen:
Maria Stader (soprano) (in 1959-08)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
balanstechnicus:
Walter Alfred Wettler
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1959)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1959-08)
is een opname van:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (in 1959-08)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
deel van:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:28
4Kantate, BWV 51 "Jauchzet Gott in allen Landen!": IV. Choral (Soprano) "Sei Lob und Preis mit Ehren"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Karl-Heinz Schneider (producer)
trompet:
Willi Bauer (trumpet player) (in 1959-08)
sopraanvocalen:
Maria Stader (soprano) (in 1959-08)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
balanstechnicus:
Walter Alfred Wettler
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1959)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1959-08)
is een opname van:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (in 1959-08)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
deel van:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach3:49
5Kantate, BWV 51 "Jauchzet Gott in allen Landen!": V. Aria (Soprano) "Alleluja!"
leidinggevend producent:
Prof. Dr. Hans Hickmann
producent:
Karl-Heinz Schneider (producer)
trompet:
Willi Bauer (trumpet player) (in 1959-08)
sopraanvocalen:
Maria Stader (soprano) (in 1959-08)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1959-08)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
balanstechnicus:
Walter Alfred Wettler
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1959)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1959-08)
is een opname van:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (in 1959-08)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
deel van:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach2:32
6Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": I. Coro "Was Gott tut, das ist wohlgetan"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch
fluit:
Aurèle Nicolet (flutist) (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie [horn I]:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie [horn II]:
Christoph Brandt (horn player) (in 1976-03, in 1976-10, in 1977-06)
oboe d’amore:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
pauk:
Mathias Holm (German timpanist) (in 1976-03, in 1976-10, in 1977-06)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": I. Choral "Was Gott tut, das ist wohlgetan" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
deel van:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach5:21
7Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": II. Duetto (Alto, Tenore) 'Was Gott tut, das ist wohlgetan---'
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch
hoornfamilie [horn I]:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie [horn II]:
Christoph Brandt (horn player) (in 1976-03, in 1976-10, in 1977-06)
oboe d’amore:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
pauk:
Mathias Holm (German timpanist) (in 1976-03, in 1976-10, in 1977-06)
altvocalen:
Julia Hamari (Hungarian mezzo-soprano) (in 1976-03, in 1976-10, in 1977-06)
tenorvocalen:
Peter Schreier (German tenor and conductor) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": II. Duetto (Alt, Tenor) "Was Gott tut, das ist wohlgetan" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
deel van:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach2:58
8Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": III. Aria (Soprano) "Was Gott tut, das ist wohlgetan"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch
fluit:
Peter-Lukas Graf (flutist) (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie [horn I]:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie [horn II]:
Christoph Brandt (horn player) (in 1976-03, in 1976-10, in 1977-06)
oboe d’amore:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
pauk:
Mathias Holm (German timpanist) (in 1976-03, in 1976-10, in 1977-06)
sopraanvocalen:
Edith Mathis (soprano) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": III. Aria (Sopran) "Was Gott tut, das ist wohlgetan" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
deel van:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:41
9Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": IV. Aria (Basso) "Was Gott tut, das ist wohlgetan"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch
hoornfamilie [horn I]:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie [horn II]:
Christoph Brandt (horn player) (in 1976-03, in 1976-10, in 1977-06)
oboe d’amore:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
pauk:
Mathias Holm (German timpanist) (in 1976-03, in 1976-10, in 1977-06)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": IV. Aria (Bass) "Was Gott tut, das ist wohlgetan" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
deel van:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:32
10Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": V. Aria (Alto) "Was Gott tut, das ist wohlgetan"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch
hoornfamilie [horn I]:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie [horn II]:
Christoph Brandt (horn player) (in 1976-03, in 1976-10, in 1977-06)
oboe d’amore:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
pauk:
Mathias Holm (German timpanist) (in 1976-03, in 1976-10, in 1977-06)
altvocalen:
Julia Hamari (Hungarian mezzo-soprano) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": V. Aria (Alt) "Was Gott tut, das ist wohlgetan" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
deel van:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:54
11Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": VI. Choral "Was Gott tut, das ist wohlgetan"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch
fluit:
Aurèle Nicolet (flutist) (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie [horn I]:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie [horn II]:
Christoph Brandt (horn player) (in 1976-03, in 1976-10, in 1977-06)
oboe d’amore:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
pauk:
Mathias Holm (German timpanist) (in 1976-03, in 1976-10, in 1977-06)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": VI. Choral "Was Gott tut, das ist wohlgetan" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
deel van:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach2:12
12Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch
althobo:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe I]:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe II]:
Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
orgel:
Elmar Schloter (organist) (in 1976-03, in 1976-10, in 1977-06)
altvocalen:
Julia Hamari (Hungarian mezzo-soprano) (in 1976-03, in 1976-10, in 1977-06)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
sopraanvocalen:
Edith Mathis (soprano) (in 1976-03, in 1976-10, in 1977-06)
tenorvocalen:
Peter Schreier (German tenor and conductor) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach4:15
13Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch
althobo:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe I]:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe II]:
Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
orgel:
Elmar Schloter (organist) (in 1976-03, in 1976-10, in 1977-06)
tenorvocalen:
Peter Schreier (German tenor and conductor) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach1:07
14Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch
althobo:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe I]:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe II]:
Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
orgel:
Elmar Schloter (organist) (in 1976-03, in 1976-10, in 1977-06)
altvocalen:
Julia Hamari (Hungarian mezzo-soprano) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach5:52
15Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch
althobo:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe I]:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe II]:
Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
orgel:
Elmar Schloter (organist) (in 1976-03, in 1976-10, in 1977-06)
sopraanvocalen:
Edith Mathis (soprano) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach0:59
16Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch
althobo:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe I]:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe II]:
Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
orgel:
Elmar Schloter (organist) (in 1976-03, in 1976-10, in 1977-06)
basvocalen:
Dietrich Fischer‐Dieskau (baritone) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] ([anoniem], special purpose artist)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach3:29
17Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde"
opnametechnicus:
Hans‐Peter Schweigmann (engineer)
co-leidinggevend producent:
Helen Kuzaj (producer)
producent:
Dr. Gerd Ploebsch
althobo:
Edgar Shann (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe I]:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
hobo [oboe II]:
Robert Eliscú (in 1976-03, in 1976-10, in 1977-06)
hoornfamilie:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
orgel:
Elmar Schloter (organist) (in 1976-03, in 1976-10, in 1977-06)
koor:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
orkest:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
was dirigent:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
fonografisch auteursrecht (℗):
Polydor International GmbH (not for release label use!) (in 1978)
opgenomen bij:
Herkulessaal in München (Munich), Bayern (Beieren), Duitsland (in 1976-03, in 1976-10, in 1977-06)
is een opname van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (in 1977-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Georg Albinus (in 1649)
deel van:
Breitkopf 389 Choralgesänge (nummer: 350)
deel van:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach1:37
21cd: Sonntage nach Trinitatis I
22cd: Sonntage nach Trinitatis II
23cd: Sonntage nach Trinitatis II
24cd: Sonntage nach Trinitatis II
25cd: Sonntage nach Trinitatis II
26cd: Sonntage nach Trinitatis II