Ultimate Broadway

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Oklahoma
voce:
Alfred Drake (actor, singer)
direttore d'orchestra:
Jay Blackton
orchestratore:
Robert Russell Bennett (American composer and arranger)
registrazione di:
Oklahoma (dal 1943-10-20 al 1944-05-24)
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Williamson Music Company
parte di:
Oklahoma! (Rodgers & Hammerstein musical)
Alfred Drake2:32
2If I Loved You
voce:
Jan Clayton e John Raitt
direttore d'orchestra:
Joseph Littau
orchestratore:
Robert Russell Bennett (American composer and arranger) e Don Walker (orchestrator)
registrazione di:
If I Loved You (Carousel) (nel 1945)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company e Williamson Music, Inc.
parte di:
Carousel (Rodgers & Hammerstein musical)
Jan Clayton, John Raitt4:23
3You’ll Never Walk Alone
direttore d'orchestra:
Joseph Littau
orchestratore:
Robert Russell Bennett (American composer and arranger) e Don Walker (orchestrator)
registrazione di:
You’ll Never Walk Alone (Carousel) (il 1945-05-16)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company e Williamson Music, Inc.
parte di:
Carousel (Rodgers & Hammerstein musical)
Christine Johnson, Jan Clayton2:42
4There’s No Business Like Show Business
tecnico di registrazione:
Ernie Oelrich (il 1966-06-05)
produttore:
Andy Wiswell
voce:
Ethel Merman (il 1966-06-05), Jerry Orbach (il 1966-06-05), Rufus Smith (il 1966-06-05) e Bruce Yarnell (il 1966-06-05)
direttore d'orchestra:
Franz Allers (European-American conductor) (il 1966-06-05)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1966-06-05)
registrazione di:
There’s No Business Like Show Business (from “Annie Get Your Gun”) (il 1966-06-05)
paroliere e compositore:
Irving Berlin
editore:
Irving Berlin Ltd., Irving Berlin Music Company e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Annie Get Your Gun
Ethel Merman, Original Cast3:11
5Once in Love With Amy
registrata a:
New York, New York, Stati Uniti (il 1949-02-15)
voce:
Ray Bolger (US actor, singer and dancer) (il 1949-02-15)
registrazione di:
Once in Love With Amy (Where’s Charly?) (il 1949-02-15)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp.
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Ray Bolger4:23
6Some Enchanted Evening
voce:
Ezio Pinza (operatic bass)
direttore d'orchestra:
Salvatore Dell’Isola (nel 1949-04)
orchestratore:
Robert Russell Bennett (American composer and arranger)
registrazione di:
Some Enchanted Evening (South Pacific) (nel 1949)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company e Williamson Music, Inc.
parte di:
South Pacific (Rodgers & Hammerstein musical)
Ezio Pinza3:03
7Diamonds Are a Girl’s Best Friend
voce:
Carol Channing
registrazione di:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes) (nel 1949)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Leo Robin (US composer, lyricist & songwriter) e Jule Styne
editore:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) e Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
parte di:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Carol Channing3:00
8Getting to Know You
voce:
Gertrude Lawrence
voce principale:
Gertrude Lawrence
direttore d'orchestra:
Frederick Dvonch
orchestratore:
Robert Russell Bennett (American composer and arranger)
registrazione di:
Getting to Know You (The King and I) (nel 1951)
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company
parte di:
The King and I (Rodgers & Hammerstein musical)
Gertrude Lawrence3:30
9Shall We Dance?
voce:
Yul Brynner e Gertrude Lawrence
voce principale:
Yul Brynner e Gertrude Lawrence
direttore d'orchestra:
Frederick Dvonch
orchestratore:
Robert Russell Bennett (American composer and arranger)
registrazione di:
Shall We Dance? (The King and I) (nel 1951)
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Rodgers & Hammerstein Theatrical Europe Ltd. e Williamson Music Company
parte di:
The King and I (Rodgers & Hammerstein musical)
Gertrude Lawrence, Yul Brynner2:53
10I Could Have Danced All Night
voce:
Julie Andrews (English actress/vocalist) (il 1956-03-25) e Philippa Bevans (il 1956-03-25)
direttore d'orchestra:
Franz Allers (European-American conductor) (il 1956-03-25)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1956)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1956-03-25)
registrazione di:
I Could Have Danced All Night (My Fair Lady) (il 1956-03-25)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
parte di:
My Fair Lady (full musical)
Julie Andrews3:30
11I’ve Grown Accustomed to Her Face
voce principale:
Rex Harrison (actor)
registrazione di:
I’ve Grown Accustomed to Her Face (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe (nel 1956)
editore:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
My Fair Lady (full musical)
Rex Harrison5:17
12The Party’s Over
voce principale:
Judy Holliday
registrazione di:
The Party’s Over (Bells Are Ringing) (nel 1956)
paroliere:
Betty Comden e Adolph Green
compositore:
Jule Styne
editore:
Chappell & Co., Stratford Music Corporation e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Bells Are Ringing (stage musical)
registrazione parziale di:
Bells Are Ringing (stage musical)
paroliere:
Betty Comden e Adolph Green
compositore:
Jule Styne
Judy Holliday3:16
13Maria
produttore:
Goddard Lieberson
voce principale [Tony]:
Larry Kert (il 1957-09-29)
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1957-09-29)
direttore d'orchestra:
Max Goberman (il 1957-09-29)
orchestratore:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal e Sid Ramin
registrata presso:
Columbia 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1957-09-29)
registrazione di:
West Side Story: Maria (Tony) (il 1957-09-29)
paroliere:
Stephen Sondheim (nel 1956)
compositore:
Leonard Bernstein (American conductor, composer, pianist) (nel 1956)
editore:
Campbell Connelly & Co. Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
parte di:
West Side Story
Larry Kert52:39
14Tonight
produttore:
Goddard Lieberson
voce principale [Maria]:
Carol Lawrence (il 1957-09-29)
voce principale [Tony]:
Larry Kert (il 1957-09-29)
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1957-09-29)
direttore d'orchestra:
Max Goberman (il 1957-09-29)
orchestratore:
Leonard Bernstein (American conductor, composer, pianist), Irwin Kostal e Sid Ramin
registrata presso:
Columbia 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1957-09-29)
registrazione di:
West Side Story: Tonight (Maria, Tony) (il 1957-09-29)
paroliere:
Stephen Sondheim (nel 1956)
compositore:
Leonard Bernstein (American conductor, composer, pianist) (nel 1956)
editore:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) e The Leonard Bernstein Music Publishing Co., LLC
parte di:
West Side Story
Larry Kert, Carol Lawrence43:55
15Seventy Six Trombones
voce principale:
Robert Preston (US stage & film actor)
registrazione di:
Seventy-Six Trombones (The Music Man)
paroliere e compositore:
Meredith Willson
editore:
MPL UK Publishing
parte di:
The Music Man
Robert Preston3:03
16Everything’s Coming up Roses
produttore:
Goddard Lieberson
voce:
Ethel Merman (il 1959-05-24)
voce principale:
Ethel Merman
direttore d'orchestra:
Milton Rosenstock (conductor, composer, arranger) (il 1959-05-24)
orchestratore:
Robert Ginzler e Sid Ramin
registrazione di:
Everything’s Coming Up Roses (Gypsy) (il 1959-05-24)
paroliere:
Stephen Sondheim
compositore:
Jule Styne
editore:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
Gypsy
Ethel Merman3:08
17The Sound of Music
voce principale:
Mary Martin (US film and musical actor/singer)
registrazione di:
The Sound of Music (The Sound of Music)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music Publishing (do not use as a release label!) e Williamson Music Company
parte di:
The Sound of Music (Rodgers & Hammerstein musical)
Mary Martin2:48
18Try to Remember
voce principale:
Jerry Orbach
registrazione di:
Try to Remember (The Fantasticks) (nel 1960)
paroliere:
Tom Jones (musical theatre lyricist)
compositore:
Harvey Schmidt
editore:
Chappell & Co., Chappell Music (UK) e Warner/Chappell Music Ltd. (1996–2019)
Jerry Orbach2:49
19Camelot
voce:
Richard Burton (Welsh actor, twice married to Elizabeth Taylor)
orchestra:
The Camelot Orchestra ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
direttore d'orchestra:
Franz Allers (European-American conductor)
registrazione di:
Camelot (from "Camelot") (nel 1960)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
Camelot (full musical)
Richard Burton2:32
20If Ever I Would Leave You
voce:
Robert Goulet (singer, actor)
voce principale:
Robert Goulet (singer, actor)
orchestra:
The Camelot Orchestra ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
direttore d'orchestra:
Franz Allers (European-American conductor)
registrazione di:
If Ever I Would Leave You (from “Camelot”) (nel 1960)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
parte di:
Camelot (full musical)
Robert Goulet3:13
21Hello, Dolly!
voce:
Carol Channing
voce principale:
Carol Channing
registrazione di:
Hello, Dolly! (il 1964-01-19)
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
Carol Channing5:43
22If I Were a Rich Man
tecnico di registrazione:
Ernie Oelrich
voce principale [Tevye]:
Zero Mostel (actor) (il 1964-09-27)
direttore d'orchestra:
Milton Greene (orchestrator, musical director, conductor, arranger) (il 1964-09-27)
arrangiatore voci:
Milton Greene (orchestrator, musical director, conductor, arranger)
orchestratore:
Don Walker (orchestrator)
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1964-09-27)
registrazione di:
If I Were a Rich Man (Fiddler on the Roof) (il 1964-09-27)
paroliere:
Sheldon Harnick
compositore:
Jerry Bock
editore:
Chappell & Co. e Sunbeam Music Corp.
parte di:
Fiddler on the Roof
Zero Mostel4:54
2▶CD

Accreditamenti

Pubblicazione

stampata a:U.S.A.
produttore esecutivo:Clive Davis (record producer, A&R executive and music industry chief executive)
fabbricata da e distribuito da:Arista Records, Inc. (manufacturing and distribution company, do not add releases here)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1998)
ASIN:US: B000007SNS [info]