| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | It Takes Two | Marvin Gaye & Kim Weston | 3 | 2:58 |
| 2 | Behind a Painted Smile | The Isley Brothers | | 2:48 |
| 3 | Reach Out and Touch | Diana Ross | | 2:58 |
| 4 | You Are- recording engineer:
- Calvin Harris
- Techniker(in):
- Jim Cassell
- assistierende(r) Produzent(in):
- Brenda Harvey–Richie
- Produzent(in):
- James Anthony Carmichael und Lionel Richie
- Mix:
- Calvin Harris, Michael Johnson , Fred Law und Stephan Smith
- Bratsche / Viola:
- Allan Harshman
- E-Gitarre:
- David Cochrane und Darrell Jones
- Geige / Violine:
- Assa Drori, Joy Lyle und Paul Shure
- Harfe:
- Gayle Levant
- Holzblasinstrumente und Saxophon:
- Gary Herbig
- Kontrabass:
- Ray Brown und Morty Corb
- Perkussion:
- Paulinho da Costa
- Posaune:
- Lew McCreary und Bill Reichenbach, Jr.
- Saiteninstrumente:
- Rollice Dale, Assa Drori, Henry Ferber, Ronald Folsom, Allan Harshman , William Henderson , Armand Kaproff, Dennis Karmazyn, William Kurasch, Joy Lyle, Erno Neufeld, Nathan Ross, Myron Sandler, David Schwartz , Frederick Seykora, Paul Shure, David Speltz, Mari Tsumura und Tibor Zelig
- Schlagzeug:
- John “JR” Robinson
- Synthesizer [bass [synthesized]]:
- David Cochrane
- Trompete:
- Bob Findley, Gary Grant , Jerry Hey, Walter Johnson und Warren Luening
- Vocoder:
- Michael Boddicker
- Hintergrundgesang:
- David Cochrane , Howard Kenney, Richard Marx, Lionel Richie und Deborah Thomas
- arranger:
- James Anthony Carmichael
- vocals arranger:
- Lionel Richie
- concertmaster:
- Harry Bluestone
- aufgenommen bei:
- A&M Recording Studios in Hollywood, Los Angeles, California , Vereinigte Staaten
- mixed at:
- Motown / Hitsville U.S.A Recording Studios in West Hollywood, California , Vereinigte Staaten
- recording of:
- You Are
- Verfasser(in):
- Brenda Harvey–Richie und Lionel Richie
- publisher:
- Brenda Richie Publishing und Brockman Music
| Lionel Richie | 3.65 | 4:59 |
| 5 | Got to Be There | Michael Jackson | 3 | 3:21 |
| 6 | I Second That Emotion | Smokey Robinson & The Miracles | | 2:41 |
| 7 | War | Edwin Starr | 4.2 | 3:22 |
| 8 | Standing in the Shadows of Love | Four Tops | | 2:37 |
| 9 | The Girl’s Alright With Me | The Spinners | | 3:24 |
| 10 | Come See About Me | The Supremes | 5 | 2:40 |
| 11 | Silly Wasn’t I | Valerie Simpson | | 2:08 |
| 12 | 4 Seasons of Loneliness | Boyz II Men | 4 | 4:55 |
| 13 | Back at One- recording engineer:
- Tommy Vicari (andere Instrumente [orchestra])
- Schlagzeug [drum]-Programmierung:
- Brian McKnight
- assistierende(r) leitende(r) Produzent(in):
- Damien Smith
- leitende(r) Produzent(in):
- Bruce Carbone, Kedar Massenburg und Herb Trawick
- Produzent(in):
- Brian McKnight
- assistierende(r) Mix:
- Tom Bender
- Mix:
- Mick Guzauski
- Bass, Keyboard, Hintergrundgesang und Hintergrundgesang und Sologesang:
- Brian McKnight
- arranger:
- Brian McKnight
- Orchestrator(in):
- Bill K. Meyers
- aufgenommen bei:
- Capitol Studios in Hollywood, Los Angeles, California , Vereinigte Staaten (andere Instrumente [orchestra])
- mixed at:
- Barking Doctor Recording in Mount Kisco, New York, Vereinigte Staaten
- recording of:
- Back at One
- Texter, Verfasser(in) und Komponist(in):
- Brian McKnight
- publisher:
- Cancelled Lunch Music, PolyGram International Publishing, Inc. und Universal PolyGram International Publishing, Inc.
| Brian McKnight | 3 | 4:23 |
| 14 | Glow | Rick James | | 5:41 |
| 15 | Slow Motion | Gerald Alston | | 5:02 |
| 16 | Baby, I’m for Real | The Originals | 4 | 3:19 |
| 17 | Don’t Mess With Bill | The Marvelettes | | 2:50 |
| 18 | You’ve Really Got a Hold on Me | The Miracles | 4.5 | 2:58 |
| 19 | The Way You Do the Things You Do | The Underdogs | | 2:41 |
| 20 | I Need Your Lovin’ | Teena Marie | | 3:47 |
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