The Platinum Collection

~ Release by Hall and Oates (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1She's Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.655:17
2Goodnight and Goodmorning
recorded in:
New York, New York, United States (in 1972)
engineer:
Gene Paul
producer:
Arif Mardin
bass:
Michael McCarthy (bass) (in 1972) and Mike Patto (English singer, in Spooky Tooth, Patto, Timebox, Boxer) (in 1972)
drums (drum set), percussion and percussion [drums, percussion]:
Jim Helmer (Drums) (in 1972)
guitar:
John Oates (in 1972) and Jerry Ricks (in 1972)
horn, strings and woodwind:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1972)
keyboard and mandolin:
Daryl Hall (in 1972)
vocals:
Daryl Hall (in 1972) and John Oates (in 1972)
arranger:
Daryl Hall & John Oates and Arif Mardin
recording of:
Goodnight and Goodmorning (in 1972)
lyricist:
Darryl Hall (bass) and John Oates
composer:
Daryl Hall and John Oates
publisher:
Young Ideas Publishing Company
3:18
3I'm Sorry
recorded in:
New York, New York, United States (in 1972)
engineer:
Gene Paul
producer:
Arif Mardin
bass:
Michael McCarthy (bass) (in 1972) and Mike Patto (English singer, in Spooky Tooth, Patto, Timebox, Boxer) (in 1972)
drums (drum set), percussion and percussion [drums, percussion]:
Jim Helmer (Drums) (in 1972)
guitar:
John Oates (in 1972) and Jerry Ricks (in 1972)
horn, strings and woodwind:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1972)
keyboard and mandolin:
Daryl Hall (in 1972)
vocals:
Daryl Hall (in 1972) and John Oates (in 1972)
arranger:
Daryl Hall & John Oates and Arif Mardin
recording of:
I’m Sorry (in 1972)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Chappell & Co. and Young Ideas Publishing Company
3:07
4Fall in Philadelphia
recorded in:
New York, New York, United States (in 1972)
engineer:
Gene Paul
producer:
Arif Mardin
bass:
Michael McCarthy (bass) (in 1972) and Mike Patto (English singer, in Spooky Tooth, Patto, Timebox, Boxer) (in 1972)
drums (drum set), percussion and percussion [drums, percussion]:
Jim Helmer (Drums) (in 1972)
guitar:
John Oates (in 1972) and Jerry Ricks (in 1972)
horn, strings and woodwind:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1972)
keyboard and mandolin:
Daryl Hall (in 1972)
vocals:
Daryl Hall (in 1972) and John Oates (in 1972)
arranger:
Daryl Hall & John Oates and Arif Mardin
recording of:
Fall in Philadelphia (in 1972)
lyricist:
John Oates
composer:
Daryl Hall
publisher:
Young Ideas Publishing Company
3:59
5Waterwheel
recorded in:
New York, New York, United States (on 1972-05-18)
engineer:
Gene Paul
producer:
Arif Mardin
bass:
Michael McCarthy (bass) (on 1972-05-18) and Mike Patto (English singer, in Spooky Tooth, Patto, Timebox, Boxer) (on 1972-05-18)
drums (drum set), percussion and percussion [drums, percussion]:
Jim Helmer (Drums) (on 1972-05-18)
guitar:
John Oates (on 1972-05-18)
horn, strings and woodwind:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1972-05-18)
keyboard and mandolin:
Daryl Hall (on 1972-05-18)
vocals:
Daryl Hall (on 1972-05-18) and John Oates (on 1972-05-18)
arranger:
Daryl Hall & John Oates and Arif Mardin
recording of:
Waterwheel (on 1972-05-18)
lyricist:
John Oates
composer:
Daryl Hall
publisher:
Young Ideas Publishing Company
3:54
6Lilly (Are You Happy)
recorded in:
New York, New York, United States (in 1972)
engineer:
Gene Paul
producer:
Arif Mardin
bass:
Michael McCarthy (bass) (in 1972) and Mike Patto (English singer, in Spooky Tooth, Patto, Timebox, Boxer) (in 1972)
drums (drum set), percussion and percussion [drums, percussion]:
Jim Helmer (Drums) (in 1972)
guitar:
John Oates (in 1972) and Jerry Ricks (in 1972)
horn, strings and woodwind:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1972)
keyboard and mandolin:
Daryl Hall (in 1972)
vocals:
Daryl Hall (in 1972) and John Oates (in 1972)
arranger:
Daryl Hall & John Oates and Arif Mardin
recording of:
Lilly (Are You Happy) (in 1972)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Young Ideas Publishing Company
4:10
7When the Morning Comes
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
acoustic guitar:
John Oates (in 1973)
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar:
Hugh McCracken (in 1973)
mandolin and lead vocals:
Daryl Hall (in 1973)
mellotron:
Chris Bond (producer, active circa 1970s) (in 1973)
oboe:
Joe Farrell (in 1973)
percussion:
Ralph MacDonald (in 1973)
recording of:
When the Morning Comes (in 1973)
lyricist and composer:
Daryl Hall
2.53:12
8Had I Known You Better Then
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
acoustic guitar:
John Oates (in 1973) and Jerry Ricks (in 1973)
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set) and percussion:
Rick Marotta (US drummer/percussionist) (in 1973)
electric guitar:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
lead vocals:
John Oates (in 1973)
recording of:
Had I Known You Better Then (in 1973)
composer:
John Oates
33:24
9Las Vegas Turnaround (The Stewardess Song)
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
acoustic guitar:
Chris Bond (producer, active circa 1970s) (in 1973) and John Oates (in 1973)
bass:
Gordon Edwards (funk/soul bassist) (in 1973)
congas:
Pancho Morales (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric piano:
Daryl Hall (in 1973)
organ:
Pat Rebillot (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
recording of:
Las Vegas Turnaround (The Stewardess Song) (in 1973)
lyricist and composer:
John Oates
22:58
10I'm Just a Kid (Don't Make Me Feel Like a Man)3:19
11Lady Rain
recording of:
Lady Rain
writer:
Daryl Hall and John Oates
4:28
12Can't Stop the Music (He Played It Much Too Long)2:47
13Is It a Star4:47
14Beanie G. And the Rose Tattoo
recording of:
Beanie G. and the Rose Tattoo
lyricist and composer:
Daryl Hall
3:01
15You're Much Too Soon24:06
1670's Scenario4:00

Credits

Release

part of:Warner Platinum (The Platinum Collection) (order: 45)
Discogs:https://www.discogs.com/release/2046794 [info]