A Guide to Classical Music: The Guitar

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Concerto in D major for Lute, Two Violins and Continuo, RV 93: I. (Allegro giusto)
guitar:
Celin Romero (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto for Lute in D major, RV 93: I. Allegro giusto (Arr. for Guitar by Pepe Romero) (in 1984-06)
guitar arranger:
Pepe Romero (classical and flamenco guitarist)
arrangement of:
Concerto for Lute in D major, RV 93: I. Allegro giusto
Antonio Vivaldi4:10
2Concerto in D major for Lute, Two Violins and Continuo, RV 93: II. Largo
guitar:
Celin Romero (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Romero) (in 1984-06)
guitar arranger:
Pepe Romero (classical and flamenco guitarist)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
Antonio Vivaldi3:54
3Concerto in D major for Lute, Two Violins and Continuo, RV 93: III. Allegro
guitar:
Celin Romero (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto for Lute in D major, RV 93: III. Allegro (Arr. for Guitar by Pepe Romero) (in 1984-06)
guitar arranger:
Pepe Romero (classical and flamenco guitarist)
arrangement of:
Concerto for Lute in D major, RV 93: III. Allegro
Antonio Vivaldi2:28
4Suite in E minor, BWV 996: I. Praeludium
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: I. Präludium. Presto (catch-all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: I. Präludium. Presto
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
Johann Sebastian Bach2:54
5Suite in E minor, BWV 996: II. Allemande
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: II. Allemande (catch-all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: II. Allemande
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
Johann Sebastian Bach2:19
6Suite in E minor, BWV 996: III. Courante
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: III. Courante (catch-all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: III. Courante
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
Johann Sebastian Bach2:48
7Suite in E minor, BWV 996: IV. Sarabande
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: IV. Sarabande (catch-all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: IV. Sarabande
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
Johann Sebastian Bach3:52
8Suite in E minor, BWV 996: V. Bourrée
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: V. Bourrée (catch-all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: V. Bourrée
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
Johann Sebastian Bach1:16
9Suite in E minor, BWV 996: VI. Gigue
producer and balance engineer:
Wolfgang Mitlehner
classical guitar:
Göran Söllscher (classical guitarist) (in 1983-04)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1983-04)
recording of:
Suite in E minor, BWV 996: VI. Gigue (catch-all for arrangements) (in 1983-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite in E minor, BWV 996: VI. Gigue
part of:
Suite in E minor, BWV 996 (catch-all for arrangements)
Johann Sebastian Bach3:18
10Guitar Quintet no. 4 in D major, G. 448: I. Pastorale
castanets and sistrum:
Tristan Fry (in 1978-12)
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": I. Pastorale (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quintet for 2 violins, viola & 2 cellos in D major, G. 270 (op. 10/6) : I, Pastorale
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini4:29
11Guitar Quintet no. 4 in D major, G. 448: II. Allegro maestoso
castanets and sistrum:
Tristan Fry (in 1978-12)
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": II. Allegro maestoso (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quintet for 2 violins, viola & 2 cellos in D major, G. 270 (op. 10/6) : II, Allegro maestoso
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini5:03
12Guitar Quintet no. 4 in D major, G. 448: III. Grave assai - IV. Fandango
castanets and sistrum:
Tristan Fry (in 1978-12)
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
compilation of:
Quintet for Guitar and Strings, no. 4 in D, "Fandango", G. 448: III. Grave assai by Academy of St Martin in the Fields Chamber Ensemble (Academy of St Martin in the Fields), Pepe Romero (classical and flamenco guitarist) and Quintet for Guitar and Strings, no. 4 in D, "Fandango", G. 448: IV. Fandango by Academy of St Martin in the Fields Chamber Ensemble (Academy of St Martin in the Fields), Pepe Romero (classical and flamenco guitarist)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": III. Grave assai (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): I, Grave assai
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": IV. Fandango (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): II, Fandango
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini7:24
13Cavatina
engineer:
Lars Finnström (engineer) (from 1981-05 until 1981-06)
classical guitar:
Göran Söllscher (classical guitarist) (from 1981-05 until 1981-06)
guitar arranger:
John Williams (classical guitarist)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) and PolyGram AB (in 1981)
recorded at:
Mastersound Recording Studios (Skurup) in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Sweden (from 1981-05 until 1981-06)
recording of:
Cavatina (theme from The Deer Hunter, for guitar) (from 1981-05 until 1981-06)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
Stanley Myers3:36
14Concerto no. 1 in A major for Guitar and Orchestra, op. 30: I. Allegro maestoso
producer:
Paul Myers (classical record producer)
guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
balance engineer:
John Dunkerley (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Guitar Concerto in A major, op. 30: I. Allegro maestoso (in 1986-12)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer) (until 1808)
part of:
First Grand Concerto for Guitar, op. 30
Mauro Giuliani9:01
15Concerto no. 1 in A major for Guitar and Orchestra, op. 30: II. Andante siciliano
producer:
Paul Myers (classical record producer)
guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
balance engineer:
John Dunkerley (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Guitar Concerto in A major, op. 30: II. Andantino siciliano (in 1986-12)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer) (until 1808)
part of:
First Grand Concerto for Guitar, op. 30
Mauro Giuliani6:23
16Concerto no. 1 in A major for Guitar and Orchestra, op. 30: III. Alla polacca
producer:
Paul Myers (classical record producer)
guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
Enrique García Asensio (conductor) and George Malcolm (English harpsichordist, conductor) (in 1986-12)
balance engineer:
John Dunkerley (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Guitar Concerto in A major, op. 30: III. Alla polacca (in 1986-12)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer) (until 1808)
part of:
First Grand Concerto for Guitar, op. 30
Mauro Giuliani7:05
17Recuerdos de la Alhambra
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega (Spanish composer and guitarist)
arrangement of:
FINE ON THE OUTSIDE
Francisco Tárrega4:41
18Concerto in E minor for Guitar and Orchestra, op. 140 "Petit Concerto de Société": I. Allegro
guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of:
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140: I. Allegro
composer:
Ferdinando Carulli (composer)
part of:
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140
Ferdinando Carulli7:16
19Concerto in E minor for Guitar and Orchestra, op. 140 "Petit Concerto de Société": II. Largo
guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of:
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140: II. Largo
composer:
Ferdinando Carulli (composer)
part of:
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140
Ferdinando Carulli3:03
20Concerto in E minor for Guitar and Orchestra, op. 140 "Petit Concerto de Société": III. Allegro
guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of:
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140: III. Allegro
composer:
Ferdinando Carulli (composer)
part of:
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140
Ferdinando Carulli5:13
21Choro no. 1 "Choro tipico"
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Choros nº 1, W161
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1920)
part of:
Appleby Catalogue (W) (number: W161)
Heitor Villa‐Lobos4:55
22Preludes for Solo Guitar, W 419: Prelude no. 1 in E minor: Andantino espressivo
producer:
Hans Hirsch (producer at Deutsche Grammophon)
classical guitar:
Narciso Yepes (classical guitarist) (in 1970-10)
guitar:
Narciso Yepes (classical guitarist)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
engineered at:
Studio des Dames in Paris, Île-de-France, France (in 1970-10)
recording of:
Cinco prelúdios, W419, nº 1: Andante espressivo (in 1970-10)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos4:40
23Preludes for Solo Guitar, W 419: Prelude no. 2 in E major: Andantino espressivo
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Cinco prelúdios, W419, nº 2: Andantino
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos3:08
24Preludes for Solo Guitar, W 419: Prelude no. 3 in A minor: Andante
guitar:
Celin Romero
recording of:
Cinco prelúdios, W419, nº 3: Andante
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos5:50
25Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-08)
orchestra:
Academy of St Martin in the Fields (in 1978-08)
conductor:
Sir Neville Marriner (conductor) (in 1978-08)
recording of:
Concierto de Aranjuez: I. Allegro con spirito (in 1978-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo6:13
26Concierto de Aranjuez for Guitar and Orchestra: II. Adagio
cor anglais:
Barry Davis (classical oboist) (in 1978-08)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-08)
orchestra:
Academy of St Martin in the Fields (in 1978-08)
conductor:
Sir Neville Marriner (conductor) (in 1978-08)
recording of:
Concierto de Aranjuez: II. Adagio (in 1978-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
recording of:
Concierto de Aranjuez: II. Adagio (in 1979)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo12:06
27Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-08)
orchestra:
Academy of St Martin in the Fields (in 1978-08)
conductor:
Sir Neville Marriner (conductor) (in 1978-08)
recording of:
Concierto de Aranjuez: III. Allegro gentile (in 1978-08)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo5:23
28Romance d'Amour
classical guitar and guitar:
Göran Söllscher (classical guitarist) (in 1983-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Mastersound Studio (Skurup) in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Sweden (in 1983-11)
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits") (in 1983-11)
composer:
[anonymous] (special purpose artist) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) and Narciso Yepes (classical guitarist)
arrangement of:
Romance de Amor
recording of:
Romance d’amour (in 1983-11)
composer:
[anonymous] (special purpose artist)
sub-publisher:
Public Music AB
[unknown]2:25
29Suite espanola, op. 47: Granada (Serenata)
classical guitar and guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: I. Granada (Serenata) (for solo piano)
Isaac Albéniz4:34
30Suite espanola, op. 47: Sevilla (Sevillanas)
classical guitar and guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for solo piano)
Isaac Albéniz4:20
31Suite espanola, op. 47: Asturias (Leyenda)
classical guitar:
Pepe Romero (classical and flamenco guitarist)
additional arranger:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements) (in 1983)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (transcription for guitar, Tárrega)
composer:
Isaac Albéniz (Spanish composer)
arranger:
Francisco Tárrega (Spanish composer and guitarist)
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz6:15
32El amor brujo (The Love Magician): Danza ritual del fuego (Ritual Fire Dance)
guitar:
Celedonio Romero, Celin Romero, Celino Romero and Pepe Romero (classical and flamenco guitarist)
recording of:
El amor brujo: VIII. Danza ritual del fuego
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla4:27
33Primavera Porteña
guitar:
Göran Söllscher (classical guitarist)
recording of:
Primavera porteña
composer:
Astor Piazzolla (composer and bandoneón player) (in 1970)
part of:
Las cuatro estaciones porteñas (The Four Seasons of Buenos Aires)
Astor Piazzolla3:52