The All Time Greatest Duets of the Millennium

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Emotion
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Synthesizer [synthesizers]:
James Newton Howard (American score composer)
Hintergrundgesang:
Barry Gibb und Robin Gibb
vocals:
Samantha Sang
phonographisches Urheberrecht (℗) von:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (in 1977) und Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1978)
produced for:
CAM Productions (US)
aufgenommen bei und remixed at:
Criteria Sound in Miami, Florida, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 14)
cover recording of:
Emotion
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia und Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang & Barry Gibb3.53:50
2I Will Always Love You
cover recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
Dolly Parton & Vince Gill5:04
3Almost Paradise
recording of:
Almost Paradise
Texter:
Dean Pitchford
Komponist(in):
Eric Carmen
publisher:
Ensign Music Corporation
Mike Reno & Ann Wilson3:17
4Ebony & Ivory
Assistent recording engineer:
Mike Stavrou (producer/engineer) (von 1981-02-28 bis 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1981-02-28 bis 1981-10)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistierende(r) Mix:
Jon Jacobs (UK producer/engineer) (am 1982-01-19)
Mix:
Geoff Emerick (British recording engineer) (am 1982-01-19)
E-Bass, Gitarre, Klavier und Vocoder:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10)
Hybrid-Piano und Schlagzeug:
Stevie Wonder (von 1981-02-28 bis 1981-10)
Perkussion, Synthesizer und Hintergrundgesang und Sologesang:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10) und Stevie Wonder (von 1981-02-28 bis 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1981-03-30) und Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1982-01-19)
recording of:
Ebony and Ivory (von 1981-02-28 bis 1981-10)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Parodieversion von:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.23:39
5Seperate Lives
Produzent(in):
Arif Mardin
Gitarre:
Daryl Stuermer
Keyboard:
Nick Glennie‐Smith
Schlagzeug:
Phil Collins (of Genesis)
Sologesang:
Phil Collins (of Genesis) und Marilyn Martin
cover recording of:
Separate Lives (White Nights)
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
recording of:
Separate Lives (White Nights)
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Phil Collins & Marilyn Martin3.54:05
6Can't We Try
Produzent(in):
John Capek und Hank Medress
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1987)
recording of:
Can't We Try
Texter und Komponist(in):
Beverly Chapin-Hill und Dan Hill (Canadian singer/songwriter)
publisher:
A Question of Material Music, EMI April Music Inc., If Dreams Had Wings Music Ltd. und Scoop Music Ltd.
Dan Hill & Vonda Shepard23:53
7Reunited
Produzent(in):
Freddie Perren
recording of:
Reunited
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb5:42
8A Whole New World (Aladdin's Theme)
Programmierung und Produzent(in):
Walter Afanasieff
Synclavier-Programmierung:
Gary Cirimelli und Ren Klyce
zusätzliche Programmierung:
Dan Shea
Techniker(in):
Dana Jon Chappelle
leitende(r) Produzent(in):
Brenda Dash und Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
Mix:
Bruce Botnick
Editing:
Kathleen Fogarty-Bennett
Bass-Synthesizer, Keyboard und Synclavier [synclavier acoustic guitar]:
Walter Afanasieff
Gitarre:
Michael Landau
Synthesizer [Akai]:
Ren Klyce
vocals:
Regina Belle und Peabo Bryson
arranger:
Walter Afanasieff
zusätzlich arranger:
Robbie Buchanan (Canadian producer)
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1992) und Walt Disney Records (in 1992)
recording of:
A Whole New World (Aladdin)
Texter:
Tim Rice
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1992) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1992)
Teil von:
The 65th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1992 winner)
Teil von:
Aladdin (1992 film soundtrack)
Teil von:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson & Regina Belle4.24:02
9Something's Gotten Hold of My Heart
Produzent(in):
Bob Kraushaar
Interpret(in):
Gene Pitney
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
Musikvideos:
Something’s Gotten Hold of My Heart von Marc Almond (English pop singer and songwriter) feat. Gene Pitney
cover recording of:
Something’s Gotten Hold of My Heart
Texter und Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Marc Almond & Gene Pitney2.654:38
10Je t’aime… moi non plus
Produzent(in):
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) und Serge Gainsbourg (in 1968-11)
Orchester:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
Texter und Komponist(in):
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. und Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg & Jane Birkin44:20
11With You I'm Born Again
assistierende(r) Techniker(in):
James Warmack
Techniker(in) und Mix:
F. Byron Clark
Produzent(in):
James di Pasquale und David Shire (American score composer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) und Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
Texter:
Carol Connors
Komponist(in):
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) und Jobete Music (UK) Ltd.
Syreeta & Billy Preston3:36
12Wherever Would I Be
recording of:
Wherever Would I Be?
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Dusty Springfield & Daryl Hall3:49
13Save Your Love
recording of:
Save Your Love
Verfasser(in):
John Edward (British musician, writer and record producer) und Sue Edward
publisher:
Hollywood Music (song publisher)
Renée and Renato3:07
14Someone Loves You Honey
Instrumente:
Joe Gibbs & The Professionals (Jamaica, reggae)
Hintergrundgesang:
J.C. Lodge (Jamaican reggae singer, aka June Lodge)
Interpret(in):
J.C. Lodge (Jamaican reggae singer, aka June Lodge)
recording of:
Someone Loves You Honey (1978 song)
Texter und Komponist(in):
Don DeVaney (songwriter)
June Lodge & Prince Mohammed3:50
15Don't Look Any Further
recording engineer:
Jeremy Smith (producer/engineer)
drum machine-Programmierung und Partner-Koproduzent(in):
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Produzent(in):
Dennis Lambert
Bass-Synthesizer und E-Gitarre [Valley Arts Stratocaster]:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Bassgitarre:
Nathan East
cabasa, shakers, Tama / Dundun / Talking Drum, Tamburin und Timbales:
Paulinho da Costa (Brazilian percussionist)
Synthesizer:
Dennis Lambert
Gast vocals:
Siedah Garrett
Interpret(in):
Siedah Garrett
arranger:
Dennis Lambert und Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
aufgenommen bei:
Soundcastle Studios (former LA location) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Look Any Further
Verfasser(in):
Franne Golde, Duane Hitchings und Dennis Lambert
publisher:
BMG Platinum Songs US, Universal Music Careers und VMG Worldwide
Siedah Garrett & Dennis Edwards44:03
16Yes, I'm Ready
Interpret(in):
KC (Harry Wayne Casey of the Sunshine Band)
cover recording of:
Yes, I’m Ready
Texter und Komponist(in):
Barbara Mason
publisher:
Embassy Music Corporation und Jamie Music Publishing Co.
Teri DeSario & K.C.3:15
17Too Much, Too Little, Too Late
Produzent(in):
Jack Gold
Interpret(in):
Johnny Mathis (US pop/soul singer) und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
Verfasser(in):
Nat Kipner (Australian producer, songwriter, label owner & publisher) und John McIntyre Vallins
publisher:
Homewood House Music und MCA Music Ltd.
Johnny Mathis & Deniece Williams42:56
18Sisters Are Doin' It for Themselves
recording engineer:
Shelley Yakes
zusätzlich recording engineer:
Shelly Yakus
assistierende(r) Techniker(in):
Jay Willis
Techniker(in):
Dr. Dave Frazer, Don Smith (producer, engineer and mixer) und Adam Williams
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Mix:
Don Smith (producer, engineer and mixer) und Dave Stewart (UK guitarist/singer for Eurythmics)
Bass und Bassgitarre:
Nathan East
Gitarre:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) und Dave Stewart (UK guitarist/singer for Eurythmics)
Gitarre und Keyboard:
Dave Stewart (UK guitarist/singer for Eurythmics)
Keyboard:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Orgel:
Benmont Tench
Schlagzeug:
Stan Lynch
Chorgesang:
The Charles Williams Singers
Sologesang:
Aretha Franklin und Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
vocals:
Aretha Franklin und Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographisches Urheberrecht (℗) von:
RCA Ltd. (UK arm of RCA) (in 1985), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1985) und BMG Records (UK) Limited (1987–1996) (in 1991)
Remaster:
Sisters Are Doin’ It for Themselves von Eurythmics
recording of:
Sisters Are Doin’ It for Themselves
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics & Aretha Franklin3.655:49