Essentiel Jazz: Duke Ellington

~ Veröffentlichung von Duke Ellington (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Recording locations and time:
Track 1 - The Plaza Hotel, new York, September 9, 1958
Track 2 - January 23, 1956
Track 3 & 9 - Newport, September 8, 1959
Track 4 - Newport July 6/7, 1956
Track 5 - New York, December 2, 1959
Track 6, 13 & 15 - Hollywood, July 14, 1960
Track 7 - June 30, 1960
Track 8 & 11 - January 27, 1956
Track 10 - Hollywood, December 19, 1936
Track 12 - New York, December 9, 1957
Track 14 - Chicago, February 14, 1940
Track 16 - Newport, July 7, 1956
Track 17 - New York, February 19, 1959

Anmerkung zuletzt geändert am 2016-10-30 02:14 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Take the “A” Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
2:54
2Sophisticated Lady
recorded in:
New York, New York, Vereinigte Staaten (am 1956-01-23)
alto saxophone:
Johnny Hodges (am 1956-01-23)
alto saxophone und Klarinette:
Russell Procope (am 1956-01-23)
baritone saxophone:
Harry Carney (am 1956-01-23)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1956-01-23)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1956-01-23)
Kontrabass:
Jimmy Woode (am 1956-01-23)
Posaune:
Quentin Jackson (am 1956-01-23) und Britt Woodman (am 1956-01-23)
Schlagzeug:
Sam Woodyard (am 1956-01-23)
Tenorsaxophon:
Paul Gonsalves (am 1956-01-23)
Trompete:
William “Cat” Anderson (am 1956-01-23), Willie Cook (US jazz trumpeter) (am 1956-01-23), Ray Nance (am 1956-01-23) und Cootie Williams (am 1956-01-23)
Ventilposaune:
John Sanders (US jazz trombonist) (am 1956-01-23)
Sologesang:
Rosemary Clooney (am 1956-01-23)
Orchester:
Duke Ellington and His Orchestra (am 1956-01-23)
recording of:
Sophisticated Lady (am 1956-01-23)
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:57
3Perdido
recording of:
Perdido (original instrumental version)
Komponist(in):
Juan Tizol
4:29
4I Got It Bad (And That Ain’t Good)
alto saxophone:
Johnny Hodges (am 1956-07-08)
alto saxophone und Klarinette:
Russell Procope (am 1956-07-08)
baritone saxophone:
Harry Carney (am 1956-07-08)
Klarinette:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1956-07-08)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1956-07-08)
Kontrabass:
Jimmy Woode (am 1956-07-08)
Posaune:
Quentin Jackson (am 1956-07-08) und Britt Woodman (am 1956-07-08)
Schlagzeug:
Sam Woodyard (am 1956-07-08)
Tenorsaxophon:
Paul Gonsalves (am 1956-07-08)
Trompete:
William “Cat” Anderson (am 1956-07-08), Willie Cook (US jazz trumpeter) (am 1956-07-08), Ray Nance (am 1956-07-08) und Clark Terry (American swing trumpeter) (am 1956-07-08)
Ventilposaune:
John Sanders (US jazz trombonist) (am 1956-07-08)
aufgenommen bei:
Newport Jazz Festival 1956, Day 3 (1956-07-07 – 1956-07-08)
live instrumental recording of:
I Got It Bad (and That Ain’t Good) (am 1956-07-08)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:36
5In a Mellow Tone
recording of:
In a Mellow Tone
Texter:
Milt Gabler (in 1939)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
2:39
6Mood Indigo
recording of:
Mood Indigo (1930 jazz composition and song)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:45
7Happy Go Lucky Local
recording of:
Happy Go Lucky Local
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1946) und Billy Strayhorn (in 1946)
2:58
8It Don’t Mean a Thing (If It Ain’t Got That Swing)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:49
9Things Ain’t What They Used to Be
alto saxophone:
Johnny Hodges (am 1959-09-08)
alto saxophone und Klarinette:
Russell Procope (am 1959-09-08)
baritone saxophone:
Harry Carney (am 1959-09-08)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1959-09-08)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1959-09-08)
Kontrabass:
Jimmy Woode (am 1959-09-08)
membranophone:
James Johnson (US jazz drummer) (am 1959-09-08) und Sam Woodyard (am 1959-09-08)
Posaune:
Quentin Jackson (am 1959-09-08) und Britt Woodman (am 1959-09-08)
Tenorsaxophon:
Paul Gonsalves (am 1959-09-08)
Trompete:
William “Cat” Anderson (am 1959-09-08), Harold “Shorty” Baker (am 1959-09-08), Willie Cook (US jazz trumpeter) (am 1959-09-08), Andrew “Fats” Ford (trumpeter) (am 1959-09-08), Ray Nance (am 1959-09-08) und Clark Terry (American swing trumpeter) (am 1959-09-08)
Ventilposaune:
John Sanders (US jazz trombonist) (am 1959-09-08)
instrumental recording of:
Things Ain’t What They Used to Be (am 1959-09-08)
Texter:
Ted Persons
Komponist(in):
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
2:55
10Caravan
recording of:
Caravan
Texter:
Irving Mills (in 1937)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) und Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony und Lafleur Music Ltd. (vom 1995-12-12 bis heute)
3:09
11I Let a Song Go Out of My Heart
recording of:
I Let a Song Go Out of My Heart
Texter:
Irving Mills (in 1938), Henry Nemo (in 1938) und John Redmond (House vocalist) (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:38
12Dancers in Love
recording of:
Dancers in Love
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Teil von:
The Perfume Suite
2:17
13Something to Live For
recording of:
Something to Live For (1938 Billy Strayhorn jazz composition)
Texter und Komponist(in):
Billy Strayhorn
2:43
14Solitude
recording of:
(In My) Solitude
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
2:55
15Black Beauty
recording of:
Black Beauty
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
3:11
16Black and Tan Fantasy
alto saxophone:
Johnny Hodges (am 1956-07-07)
alto saxophone und Klarinette:
Russell Procope (am 1956-07-07)
baritone saxophone:
Harry Carney (am 1956-07-07)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1956-07-07)
Kontrabass:
Al Lucas (Canadian jazz bassist) (am 1956-07-07)
Posaune:
Quentin Jackson (am 1956-07-07) und Britt Woodman (am 1956-07-07)
Schlagzeug:
Sam Woodyard (am 1956-07-07)
Tenorsaxophon:
Paul Gonsalves (am 1956-07-07)
Trompete:
William “Cat” Anderson (am 1956-07-07) und Willie Cook (US jazz trumpeter) (am 1956-07-07)
Ventilposaune:
John Sanders (US jazz trombonist) (am 1956-07-07)
aufgenommen bei:
Newport Jazz Festival 1956, Day 3 (1956-07-07 – 1956-07-08)
live recording of:
Black and Tan Fantasy (am 1956-07-07)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Bubber Miley
6:23
17U.M.M.G.
Produzent(in):
Irving Townsend
alto saxophone:
Johnny Hodges (von 1959-02-19 bis 1959-02-25) und Russell Procope (von 1959-02-19 bis 1959-02-25)
baritone saxophone:
Harry Carney (von 1959-02-19 bis 1959-02-25)
Bass:
Jimmy Woode (von 1959-02-19 bis 1959-02-25)
Perkussion:
Chauncey Morehouse (von 1959-02-19 bis 1959-02-25) und Bobby Rosengarden (von 1959-02-19 bis 1959-02-25)
Pianoakkordeon:
Duke Ellington (US composer, pianist & jazz bandleader) (von 1959-02-19 bis 1959-02-25)
Posaune:
Quentin Jackson (von 1959-02-19 bis 1959-02-25), John Sanders (US jazz trombonist) (von 1959-02-19 bis 1959-02-25) und Britt Woodman (von 1959-02-19 bis 1959-02-25)
Schlagzeug:
Sam Woodyard (von 1959-02-19 bis 1959-02-25)
Tenorsaxophon:
Paul Gonsalves (von 1959-02-19 bis 1959-02-25) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (von 1959-02-19 bis 1959-02-25)
Trompete:
William “Cat” Anderson (von 1959-02-19 bis 1959-02-25), Harold “Shorty” Baker (von 1959-02-19 bis 1959-02-25), Andrew “Fats” Ford (trumpeter) (von 1959-02-19 bis 1959-02-25), Ray Nance (von 1959-02-19 bis 1959-02-25) und Clark Terry (American swing trumpeter) (von 1959-02-19 bis 1959-02-25)
remixer:
Larry Keyes (engineer)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1959-02-19 bis 1959-02-25)
recording of:
Upper Manhattan Medical Group
Komponist(in):
Billy Strayhorn
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:28

Nennungen

Veröffentlichung

Teil von:Essentiel Jazz (Reihenfolge: 4)
Discogs:https://www.discogs.com/release/7565320 [Info]