| # | Title | Rating | Length |
|---|
| 1 | Good Rockin’ Tonight- engineer and producer:
- Sam Phillips
- bass:
- Bill Black (in 1954, from 1954-09-12 until 1954-09-16)
- electric guitar:
- Scotty Moore (from 1954-09-12 until 1954-09-16)
- guitar:
- Scotty Moore (in 1954) and Elvis Presley (in 1954, from 1954-09-12 until 1954-09-16)
- vocals:
- Elvis Presley (from 1954-09-12 until 1954-09-16)
- phonographic copyright (℗) by:
- BMG Music (in 1954) and BMG Entertainment (in 1955)
- recorded at:
- Sun Studio in Memphis, Tennessee, United States (in 1954, from 1954-09-12 until 1954-09-16)
- cover recording of:
- Good Rockin’ Tonight (on 1954-09-10)
- lyricist and composer:
- Roy Brown (in 1947-07)
- publisher:
- Brown Angel Music Publishing , Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music , Trio Music Co., Inc. and Wixen Music UK Ltd.
| 5 | 2:13 |
| 2 | That’s All Right | | 1:58 |
| 3 | Baby, Let’s Play House | 3.85 | 2:18 |
| 4 | Lawdy, Miss Clawdy | | 2:10 |
| 5 | My Baby Left Me- bass:
- Bill Black (on 1956-01-30, from 1956-01-30 until 1956-02-03)
- drums (drum set):
- D.J. Fontana (on 1956-01-30, from 1956-01-30 until 1956-02-03)
- guitar:
- Elvis Presley (on 1956-01-10, from 1956-01-30 until 1956-02-03) and Scotty Moore (on 1956-01-30, from 1956-01-30 until 1956-02-03)
- piano:
- Shorty Long (on 1956-01-30, from 1956-01-30 until 1956-02-03)
- phonographic copyright (℗) by:
- BMG Entertainment (in 1956) and BMG Music (in 1956)
- recorded at:
- RCA Studios in New York, New York, United States (on 1956-01-30, from 1956-01-30 until 1956-01-31, on 1956-02-03)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 29)
- cover recording of:
- My Baby Left Me (from 1956-01-30 until 1956-02-03)
- lyricist and composer:
- Arthur “Big Boy” Crudup
- publisher:
- Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
- recording of:
- My Baby Left Me
- lyricist and composer:
- Arthur “Big Boy” Crudup
- publisher:
- Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
| 3.25 | 2:14 |
| 6 | So Glad You’re Mine | | 2:22 |
| 7 | I Got a Woman | | 2:26 |
| 8 | Shake, Rattle and Roll | | 2:29 |
| 9 | When It Rains, It Really Pours | | 1:51 |
| 10 | Trying to Get to You- cover recording of:
- Trying to Get to You
- writer:
- Rose Marie McCoy and Charles Singleton
- publisher:
- Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music , Edward B. Marks Music Co. , Gladys Music, Motion Music Co., Motion Music Company , Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
| | 2:33 |
| 11 | Mystery Train | | 2:30 |
| 12 | Trouble | | 2:18 |
| 13 | Big Boss Man- producer:
- Felton Jarvis
- bass:
- Bob Moore (from 1967-09-10 until 1967-09-11)
- drums (drum set):
- D.J. Fontana (from 1967-09-10 until 1967-09-11) and Buddy Harman (from 1967-09-10 until 1967-09-11)
- guitar:
- Harold Bradley (from 1967-09-10 until 1967-09-11), Charlie McCoy (from 1967-09-10 until 1967-09-11), Scotty Moore (from 1967-09-10 until 1967-09-11), Jerry Reed (from 1967-09-10 until 1967-09-11) and Chip Young (from 1967-09-10 until 1967-09-11)
- harmonica:
- Charlie McCoy (from 1967-09-10 until 1967-09-11)
- organ:
- Hoyt Hawkins (from 1967-09-10 until 1967-09-11) and Charlie McCoy (from 1967-09-10 until 1967-09-11)
- piano:
- Floyd Cramer (from 1967-09-10 until 1967-09-11)
- saxophone:
- Boots Randolph (from 1967-09-10 until 1967-09-11)
- steel guitar:
- Pete Drake (from 1967-09-10 until 1967-09-11)
- vocals:
- The Jordanaires (from 1967-09-10 until 1967-09-11) and Millie Kirkham (from 1967-09-10 until 1967-09-11)
- phonographic copyright (℗) by:
- BMG Music
- recorded at:
- RCA Studio B in Nashville, Tennessee, United States (from 1967-09-10 until 1967-09-11)
- cover recording of:
- Big Boss Man (on 1967-09-10)
- writer:
- Luther Dixon and Al Smith
- publisher:
- Arc Music Corp. , Conrad Music , Conrad Publishing Co. Inc., EMI Unart Catalog Inc., EMI United Partnership Ltd., Mijac Music, Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC, Tristan Music Ltd., フジパシフィックミュージック SBK事業部 , ヤマハミュージックエンタテインメントホールディングス and ロックンロール ミュージック
- cover recording of:
- Big Boss Man (from 1967-09-10 until 1967-09-11)
- writer:
- Luther Dixon and Al Smith
- publisher:
- Arc Music Corp. , Conrad Music , Conrad Publishing Co. Inc., EMI Unart Catalog Inc., EMI United Partnership Ltd., Mijac Music, Sony/ATV Music Publishing (UK), Sony/ATV Songs LLC, Tristan Music Ltd., フジパシフィックミュージック SBK事業部 , ヤマハミュージックエンタテインメントホールディングス and ロックンロール ミュージック
| 4 | 2:53 |
| 14 | Reconsider Baby | 2.5 | 3:44 |
| 15 | I Feel So Bad | | 2:55 |
| 16 | Hi‐Heel Sneakers | | 4:33 |
| 17 | Down in the Alley | | 2:51 |
| 18 | A Mess of Blues | 2 | 2:42 |
| 19 | Stranger in My Own Home Town | | 4:25 |
| 20 | Pledging My Love | | 2:50 |
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