Substance 1987

~ Pubblicazione di New Order (visualizza tutte le versioni di questa pubblicazione: 26 disponibili)

Annotazione

2.3 incorrectly listed as "Mesh" on the release; the track is in fact "Cries and Whispers".

Annotazione modificata l'ultima volta il 2011-08-31 02:02 UTC.

Elenco tracce

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#TitoloValutazioneDurata
1Ceremony
produttore:
Martin Hannett
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1987)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 24)
registrazione di:
Ceremony
paroliere:
Ian Curtis
paroliere aggiunto:
Peter Hook e Bernard Sumner
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
2.54:23
2Everything's Gone Green
produttore:
Martin Hannett
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1987)
registrazione di:
Everything’s Gone Green
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e WB Music Corp. (1929–2019)
35:31
3Temptation
tecnico:
Michael Johnson (UK recording engineer and producer)
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1987)
registrazione di:
Temptation (New Order)
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
3.46:59
4Blue Monday
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1983, nel 1987)
campionamenti:
Uran di Kraftwerk
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (numero: 61) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 235)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
3.77:29
5Confusion
tecnico:
Michael Johnson (UK recording engineer and producer)
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1987)
registrazione di:
Confusion
autore:
Arthur Baker (American record producer and DJ), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Shakin’ Baker Music e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
3.354:43
6Thieves Like Us
tecnico:
Michael Johnson (UK recording engineer and producer)
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1987)
registrazione di:
Thieves Like Us
autore:
Arthur Baker (American record producer and DJ), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Shakin’ Baker Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e WB Music Corp. (1929–2019)
3.356:37
7Perfect Kiss
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1987)
registrazione di:
The Perfect Kiss
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Warner Bros. Music (publisher; do NOT use as release label) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
si basa su:
Perfect Pit
3.658:02
8Subculture
tecnico:
John Robie
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1987)
registrazione di:
Sub-Culture (nel 1984)
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Warner Bros. Music (publisher; do NOT use as release label) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
34:48
9Shellshock
produttore:
New Order (UK synth pop band) e John Robie
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1987)
registrazione di:
Shellshock
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order), John Robie e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Ensign Music Corporation, Indulgent Music (BMI) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
16:29
10State of the Nation
tecnico:
Michael Johnson (UK recording engineer and producer)
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986, nel 1987)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
State of the Nation
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
16:32
11Bizarre Love Triangle
tecnico:
Michael Johnson (UK recording engineer and producer) e Steve Peck (producer and engineer)
produttore:
New Order (UK synth pop band)
editor:
Latin Rascals e Shep Pettibone
remixer:
Shep Pettibone
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986, nel 1987) e Warner Music UK Ltd. (not for release label use!) (nel 1986)
remixata per:
Mastermix Productions
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
remix di:
Bizarre Love Triangle di New Order (UK synth pop band)
registrazione di:
Bizarre Love Triangle
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
1.56:45
12True Faith
produttore:
Stephen Hague e New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1987)
registrazione di:
True Faith
autore:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
parte di:
American Psycho
3.755:53
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