The Classics at the Movies, Volume 3

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

These CD's appear to have been available individually as well as part of a Box Set.

The Details of the Box Set are:
Title: The Classics at the Movies (Four Compact Disc Collection)
Publisher: Tring International
Catalog Code: TFP046 Barcode: 5020214304621

The set comprises
The Classics at the Movies, Volume 1 - Catalog Code: VAR 216 - Barcode: 5020214221621
The Classics at the Movies, Volume 2 - Catalog Code: VAR 217 - Barcode: 5020214221720
The Classics at the Movies, Volume 3 - Catalog Code: VAR 218 - Barcode: 5020214221829
The Classics at the Movies, Volume 4 - Catalog Code: VAR 219 - Barcode: 5020214221928

Annotation last modified on 2011-01-13 15:04 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Radetzky March (From ‘The Age of Innocence’)
orchestra:
Orchester der Wiener Volksoper, Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Wiener Johann Strauss Orchester
conductor:
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Alfred Gehardt (fictitious conductor), Paul Kantschieder (conductor), Frank Meyer (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss I2:58
2Symphony No. 9: Ode to Joy (From ‘The Dead Poets Society’)
alto vocals:
Eva Bandova (alto, an Alfred Scholz pseudonym)
bass vocals:
Josef Bacek (operatic bass, an Alfred Scholz pseudonym)
choir vocals:
Bratislava Opera Chorus (Alfred Scholz related), Great Festival Choir and London Festival Chorus
soprano vocals:
Magdalena Paloczaj (soprano, an Alfred Scholz pseudonym)
tenor vocals:
Peter Kottwald (tenor, an Alfred Scholz pseudonym)
orchestra:
Festivalový orchestr Praha (Prague Festival Orchestra), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) and Symphonic Festival Orchestra and Choir
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
compilation of:
Symphony no. 9 in D minor: IVa. Presto by Philharmonia Slavonica (Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Symphony no. 9 in D minor: IVb. O Freunde, nicht diese Töne! by Philharmonia Slavonica (Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven23:41
3Song of India (From ‘Atlantic City’)
Nikolai Rimsky-Korsakoff2:34
4Sleeping Beauty Overture (From ‘The Parent Trap’)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66)
Pyotr Ilyich Tchaikovsky3:33
5Tosca: “E lucevan le stelle” (From ‘Moonstruck’)
Giacomo Puccini3:08
6Piano Concerto No. 2: I. Moderato (From ‘The Seven Year Itch’ and ‘Brief Encounter’)
recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergei Rachmaninoff10:07
7Madama Butterfly: “Un bel dì, vedremo” (From ‘Fatal Attraction’)
Giacomo Puccini7:16
8Adagio for Strings (From ‘Platoon’ and ‘The Elephant Man’)
Samuel Barber5:43
9Die Fledermaus: „Du and Du” (From ‘Strictly Ballroom’)
recording of:
Du und du, op. 367
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 367)
Johann Strauss II4:10
10Carmina burana: “O Fortuna” (From ‘Excalibur’)
baritone vocals:
Rudolf Knoll (operatic baritone)
choir vocals:
Salzburg Mozarteum Chorus
soprano vocals:
Gerda Hartmann (soprano)
tenor vocals:
Richard Brünner (tenor)
orchestra:
The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name) and Salzburg Mozarteum Orchestra
conductor:
Hymisher Greenburg (probably a pseudonym of Alfred Sholz) and Kurt Prestel (conductor, chorus master)
chorus master:
Ernst Hinreiner (conductor)
phonographic copyright (℗) by:
Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996)
compilation of:
Carmina Burana: Fortuna imperatrix mundi: O Fortuna by Salzburg Mozarteum Chorus, Russian State Chorus, Salzburg Boys Choir, Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO), Russian State Symphony Orchestra (“New Russia” State Symphony Orchestra), Kurt Prestel (conductor, chorus master), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) and Carmina Burana: Fortuna Imperatrix Mundi: II. Fortune plango vulnera by Mozarteum Orchester (Salzburg Mozarteum Orchestra) & Chor Salzburg, Kurt Prestel (conductor, chorus master)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff5:36