Carmina Burana

~ Veröffentlichung von Carl Orff; Philharmonia Orchestra, Philharmonia Chorus, Riccardo Muti (alle Versionen dieser Veröffentlichung ansehen, 10 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Carmina burana: Fortuna imperatrix mundi: I. O Fortuna
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
teilweise recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:42
2Carmina burana: Fortuna imperatrix mundi: II. Fortune plango vulnera
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
Fortune plango vulnera (Poem, CB 16)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:33
3Carmina burana: I. Primo vere: III. Veris leta
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff4:06
4Carmina burana: I. Primo vere: IV. Omnia Sol temperat
Produzent(in):
John Mordler (producer)
Baritongesang:
Jonathan Summers (baritone) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff2:11
5Carmina burana: I. Primo vere: V. Ecce gratum
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff2:30
6Carmina burana: Uf dem anger: VI. Tanz
Produzent(in):
John Mordler (producer)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff1:42
7Carmina burana: Uf dem anger: VII. Floret silva noblis
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff3:11
8Carmina burana: Uf dem anger: VIII. Charmer, gip die varwe mir
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir) (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff3:14
9Carmina burana: Uf dem anger: IX. Reie - Swaz hie gat umbe - Chume, chum geselle min
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff4:15
10Carmina burana: Uf dem anger: X. Were diu werlt alle min
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem anger: 10. Were diu werlt alle min) (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff0:52
11Carmina burana: II. In taberna: XI. Estuans interius
Produzent(in):
John Mordler (producer)
Baritongesang:
Jonathan Summers (baritone) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff2:11
12Carmina burana: II. In taberna: XII. Olim lacus colueram
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tenor-Gesang:
John van Kesteren (tenor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff3:21
13Carmina burana: II. In taberna: XIII. Ego sum abbas
Produzent(in):
John Mordler (producer)
Baritongesang:
Jonathan Summers (baritone) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff1:27
14Carmina burana: II. In taberna: XIV. In taberna quando sumus
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff3:07
15Carmina burana: III. Cour d’amours: XV. Amor volat undique
Produzent(in):
John Mordler (producer)
Chorgesang:
Southend Boys’ Choir (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Soprangesang:
Arleen Augér (soprano) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Michael Crabb (organist, conductor, chorus master) (von 1979-03-02 bis 1979-03-04)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff3:21
16Carmina burana: III. Cour d’amours: XVI. Dies, nox et omnia
Produzent(in):
John Mordler (producer)
Baritongesang:
Jonathan Summers (baritone) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:24
17Carmina burana: III. Cour d’amours: XVII. Stetit puella
Produzent(in):
John Mordler (producer)
Soprangesang:
Arleen Augér (soprano) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:42
18Carmina burana: III. Cour d’amours: XVIII. Circa mea pectora
Produzent(in):
John Mordler (producer)
Baritongesang:
Jonathan Summers (baritone) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:57
19Carmina burana: III. Cour d’amours: XIX. Si puer cum puellula
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:02
20Carmina burana: III. Cour d’amours: XX. Veni, veni, venias
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff0:56
21Carmina burana: III. Cour d’amours: XXI. In trutina
Produzent(in):
John Mordler (producer)
Soprangesang:
Arleen Augér (soprano) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:22
22Carmina burana: III. Cour d’amours: XXII.Tempus est iocundum
Produzent(in):
John Mordler (producer)
Baritongesang:
Jonathan Summers (baritone) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30) und Southend Boys’ Choir (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Soprangesang:
Arleen Augér (soprano) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30) und Michael Crabb (organist, conductor, chorus master) (von 1979-03-02 bis 1979-03-04)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:09
23Carmina burana: III. Cour d’amours: XXIII. Dulcissime
Produzent(in):
John Mordler (producer)
Soprangesang:
Arleen Augér (soprano) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff0:42
24Carmina burana: Blanziflor et helena: XXXIV. Ave formosissima
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:04
25Carmina burana: Fortuna imperatrix mundi: XXV. O Fortuna
Produzent(in):
John Mordler (producer)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
conductor:
Riccardo Muti (conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
Tonmeister(in):
Peter Bown (sound engineer, last name often misprinted as “Brown”)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-03-02 bis 1979-03-04, am 1979-03-30)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1979-03)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:44