Hitsville USA: The Motown Singles Collection 1959–1971

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Money (That’s What I Want)Barrett Strong3.852:38
2Shop Around
Gitarre:
Marvin Tarplin (in 1960)
Instrumente:
The Funk Brothers (in 1960)
Hintergrundgesang:
Claudette Rogers Robinson (in 1960), Warren “Pete” Moore (in 1960), Bobby Rogers (in 1960) und Ronnie White (soul singer, founding member of The Miracles) (in 1960)
Sologesang:
Smokey Robinson (in 1960)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1960)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 495)
recording of:
Shop Around (in 1960)
Verfasser(in):
Berry Gordy und Smokey Robinson
The Miracles2.752:51
3Please Mr. Postman
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer) und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (in 1961-04)
Gitarre:
Eddie Willis (in 1961-04)
Händeklatschen:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Instrumente:
The Funk Brothers (in 1961-04)
Klavier:
Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter) (in 1961-04)
Perkussion:
Eddie “Bongo” Brown (in 1961-04)
Schlagzeug:
Benny Benjamin (US drummer) (in 1961-04) und Marvin Gaye (in 1961-04)
Hintergrundgesang:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Sologesang:
Gladys Horton (in 1961-04)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1961-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 331) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 410)
recording of:
Please Mr. Postman (in 1961-04)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) und Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
The Marvelettes4.62:31
4Jamie
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 26)
recording of:
Jamie
Verfasser(in):
William Stevenson (Motown songwriter) und Barrett Strong
Edward Holland, Jr.2:25
5The One Who Really Loves You
vocals:
The Love Tones
recording of:
The One Who Really Loves You
Texter und Komponist(in):
Smokey Robinson
Mary Wells32:29
6Do You Love Me
Produzent(in):
Berry Gordy Jr.
Gitarre:
Huey Davis (guitarist) (am 1962-06-03)
Instrumente:
The Funk Brothers (am 1962-06-03)
Hintergrundgesang:
Billy Hoggs (in 1962), Joe Billingslea (soul vocalist, songwriter) (am 1962-06-03), Hubert Johnson (singer) (am 1962-06-03) und Sylvester Potts (am 1962-06-03)
Sologesang:
Billy Gordon (The Contours) (am 1962-06-03)
zusätzlich Sologesang:
Billy Hoggs (am 1962-06-03)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1962-06-03)
Musikvideos:
Do You Love Me (music video) von The Contours (60s soul)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 9)
recording of:
Do You Love Me (am 1962-06-03)
Texter und Komponist(in):
Berry Gordy
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
The Contours4.352:54
7Beechwood 4‒5789
Produzent(in):
William "Mickey" Stevenson (Motown songwriter)
recording of:
Beechwood 4‒5789
Verfasser(in):
Marvin Gaye, George Gordy und William Stevenson (Motown songwriter)
publisher:
FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music und Stone Agate Music
The Marvelettes2:14
8You Beat Me to the Punch
Produzent(in):
Smokey Robinson
Hintergrundgesang:
The Love Tones
recording of:
You Beat Me to the Punch
Verfasser(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music Co., Inc.
Mary Wells2:45
9Stubborn Kind of Fellow
Produzent(in):
William Stevenson (Motown songwriter)
Bass:
James Jamerson
flute:
Thomas "Beans" Bowles
Gitarre:
Dave Hamilton (US guitar/vibraphone player)
Klavier:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
Schlagzeug:
Benny Benjamin (US drummer)
Hintergrundgesang:
Rosalind Ashford, Annette Beard, Martha Reeves und Gloria Williams (original lead singer of the Del-Phis)
Sologesang:
Marvin Gaye
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1962-06-29)
mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten
recording of:
Stubborn Kind of Fellow
Komponist(in):
Marvin Gaye, George Gordy und William Stevenson (Motown songwriter)
publisher:
Jobete Music (appears also as: Jobete Msc.)
Marvin Gaye32:45
10Two Lovers
Produzent(in):
Smokey Robinson
recording of:
Two Lovers (am 1962-08-06)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Mary Wells2:48
11You’ve Really Got a Hold on Me
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 10) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
You’ve Really Got a Hold on Me
Texter und Komponist(in):
Smokey Robinson (in 1962-10)
publisher:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Miracles4.52:59
12Come and Get These Memories
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
Come and Get These Memories
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Martha and the Vandellas42:26
13Pride and Joy
recording of:
Pride and Joy (Gaye/Whitfield/Stevenson)
Verfasser(in):
Marvin Gaye, William Stevenson (Motown songwriter) und Norman Whitfield
Marvin Gaye42:08
14Fingertips, Part 2
Produzent(in):
Berry Gordy
Bass:
James Jamerson (am 1962-06-01) und Larry Moses (bass player) (am 1962-06-01)
Bongos, Mundharmonika und Sologesang:
Stevie Wonder (am 1962-06-01)
Schlagzeug:
Marvin Gaye (am 1962-06-01)
arranger:
Clarence Paul
aufgenommen bei:
Regal Theater in Chicago, Illinois, Vereinigte Staaten (am 1962-06-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 13)
live teilweise recording of:
Fingertips (am 1962-06-01)
Verfasser(in):
Henry Cosby und Clarence Paul
publisher:
Jobete Music Co., Inc. und Stone Agate Music
Stevie Wonder53:12
15(Love Is Like a) Heat Wave
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 154) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 257)
recording of:
(Love Is Like a) Heat Wave
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music und Stone Agate Music Division
Martha and the Vandellas42:48
16Mickey’s Monkey
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Gitarre:
Marv Tarplin
Instrumente:
The Funk Brothers
Schlagzeug:
Benny Benjamin (US drummer)
Hintergrundgesang:
"Jockey Jack" Gibson (DJ), Rosalind Ashford, Annette Beard, The Marvelettes, Warren “Pete” Moore, Martha Reeves, Claudette Robinson, Bobby Rogers, Ronnie White (soul singer, founding member of The Miracles), The Temptations (Motown soul vocal group) und Mary Wilson
Sologesang:
Smokey Robinson
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1963-07-09 bis 1963-07-10)
recording of:
Mickey’s Monkey
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
The Miracles2:47
17Leaving Here
recording of:
Leaving Here (am 1963-11-26)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Music Ltd., Jobete Music (appears also as: Jobete Msc.) und Jobete Music (UK) Ltd.
Edward Holland, Jr.42:34
18The Way You Do the Things You Do
Produzent(in):
Smokey Robinson
Instrumente:
The Funk Brothers (am 1964-01-23)
Hintergrundgesang:
Melvin Franklin (am 1964-01-23), David Ruffin (soul singer, member of The Temptations) (am 1964-01-23), Otis Williams (US baritone singer, member of The Temptations & The Distants) (am 1964-01-23) und Paul Williams (member of The Temptations) (am 1964-01-23)
Sologesang:
Eddie Kendricks (am 1964-01-23)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-01-23)
recording of:
The Way You Do the Things You Do
Verfasser(in):
Smokey Robinson und Bobby Rogers
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations2.52:42
19My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:50
20Devil With the Blue Dress
recording of:
Devil With the Blue Dress
Verfasser(in):
Frederic Earl ‘Shorty’ Long (soul singer, musician, songwriter and producer) und William Stevenson (Motown songwriter)
Shorty Long3:14
21Every Little Bit Hurts
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 16)
recording of:
Every Little Bit Hurts
Texter und Komponist(in):
Ed Cobb
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music
Brenda Holloway43:00
22Baby I Need Your Loving
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 32) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 390)
recording of:
Baby I Need Your Loving
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia, Jobete Music Co., Inc., Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Four Tops4.52:46
23Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas3.552:41
24My Smile Is Just a Frown (Turned Upside Down)
recording of:
My Smile Is Just a Frown (Turned Upside Down)
Verfasser(in):
Bradford, Robinson und Stevenson (Motown songwriter)
Carolyn Crawford3:04
25Needle in a Haystack
Produzent(in):
Norman Whitfield
Sologesang:
Caldin "Carolyn" Gill
recording of:
Needle in a Haystack (von 1964-07-17 bis 1964-07-30)
Verfasser(in):
N. Whitfield und W. Stevenson (Motown songwriter)
publisher:
EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. und Jobete Music (UK) Ltd.
The Velvelettes2:32
26Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.352:38
27Come See About Me
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (am 1964-07-13)
Hintergrundgesang:
Florence Ballard (am 1964-07-13) und Mary Wilson (am 1964-07-13)
Sologesang:
Diana Ross (am 1964-07-13)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-07-13)
recording of:
Come See About Me (am 1964-07-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
The Supremes52:42
28How Sweet It Is (to Be Loved by You)
Produzent(in):
Lamont Dozier, Berry Gordy, Brian Holland (Motown producer & songwriter) und William Stevenson (Motown songwriter)
recording of:
How Sweet It Is (to Be Loved by You) (am 1964-07-10)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye32:59
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Nennungen

Veröffentlichungsgruppe

Teil von:Hitsville USA: The Motown Singles Collection (Nummer: 1) (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/168665 [Info]
Allmusic:https://www.allmusic.com/album/mw0000616732 [Info]
Wikidata:Q5872629 [Info]