Chartboxx: Movie Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
12001: Odysee Im Weltraum (Also sprach Zarathustra)
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) e Simon Rhodes (senior recording engineer at Abbey Road Studios)
produttore:
David R. Murray
organo :
David Bell (organist)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (dal 1986-11-19 al 1989-03-15)
direttore d'orchestra:
Klaus Tennstedt (conductor) (dal 1986-11-19 al 1989-03-15)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
registrata presso:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, Regno Unito (dal 1986-11-19 al 1989-03-15)
registrazione di:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (dal 1986-11-19 al 1989-03-15)
compositore:
Richard Strauss (German composer) (nel 1896)
editore:
Peters Edition Ltd.
parte di:
Also sprach Zarathustra, op. 30 (TrV 176)
London Philharmonic Orchestra1:45
2E.T. (Theme From Steven Spielberg’s Film E.T.)
Ron Goodwin and His Concert Orchestra3:57
3Spiel mir das Lied vom Tod (Once Upon a Time in the West)
Ennio Morricone5:07
4Miss Marple (Miss Marple’s Theme)
registrazione di:
Murder She Said
compositore:
Ron Goodwin (English composer)
Ron Goodwin and His Concert Orchestra2:05
5Manhattan (Rhapsody in Blue)
pianoforte a coda :
Wayne Marshall (British pianist, organist and conductor)
orchestra:
City of Birmingham Symphony Orchestra
direttore d'orchestra:
Simon Rattle (conductor)
registrazione parziale di:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
orchestratore:
Ferde Grofé (pianist, arranger, conductor and composer) (nel 1924)
compositore:
George Gershwin (composer) (nel 1924)
è stata commissionata da:
Paul Whiteman (nel 1924)
editore:
Harms, Inc. (nel 1924)
eseguita per la prima volta presso:
Aeolian Hall in New York, New York, Stati Uniti (il 1924-02-12)
versione di:
Rhapsody in Blue (original 1924 two-piano manuscript version)
Wayne Marshall / Sir Simon Rattle4:36
6Doktor Schiwago (Lara’s Theme)
Ron Goodwin and His Concert Orchestra2:38
7Rob Roy (Overture: Rob Roy/The Rieving Party)
Carter Burwell4:42
8Philadelphia (La Mamma Morta)
produttore:
Walter Legge (British classical producer)
voce di soprano:
Maria Callas (soprano) (dal 1954-09-17 al 1954-09-18, dal 1954-09-20 al 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (dal 1954-09-17 al 1954-09-18, dal 1954-09-20 al 1954-09-21)
direttore d'orchestra:
Tullio Serafin (conductor) (dal 1954-09-17 al 1954-09-18, dal 1954-09-20 al 1954-09-21)
tecnico di bilanciamento:
Robert Beckett (classical recording engineer, EMI mainly)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1955)
registrata presso:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Regno Unito (dal 1954-09-17 al 1954-09-18, dal 1954-09-20 al 1954-09-21)
registrazione di:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (dal 1954-09-17 al 1954-09-18)
compositore:
Umberto Giordano (Italian opera composer)
librettista:
Luigi Illica
editore:
Edoardo Sonzogno Ltd. e MCPS (UK rights society; do not use this as a label or work publisher!)
parte di:
Andrea Chénier: Atto III
registrazione di:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (dal 1954-09-20 al 1954-09-21)
compositore:
Umberto Giordano (Italian opera composer)
librettista:
Luigi Illica
editore:
Edoardo Sonzogno Ltd. e MCPS (UK rights society; do not use this as a label or work publisher!)
parte di:
Andrea Chénier: Atto III
Maria Callas / Tullio Serafin & Philharmonia Orchestra4:51
9Schindlers Liste (Schindler’s List - Theme)
violino :
Tasmin Little (violinist) (nel 1994)
orchestra:
New World Philharmonic (nel 1994)
direttore d'orchestra:
Iain Sutherland (British conductor) (nel 1994)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1994)
registrazione di:
Main Theme (Schindler’s List) (nel 1994)
compositore:
John Williams (American score composer and conductor) (nel 1993)
editore:
Chester Music Ltd., MCA Music Ltd. e Universal/MCA Music (music publisher; do not use as release label!)
parte di:
Schindler's List
parte di:
Three Pieces from Schindler’s List
Tasmin Little, New World Philharmonic5:03
10Platoon (Adagio for Strings Op.11)
The Philadelphia Orchestra6:22
11Tod in Venedig (Adagietto)
James Conlon / Gürzenich-Orchester Köln4:23
12Barry Lyndon (Sarabande)
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (nel 2002)
direttore d'orchestra:
Alex Briger (Australian conductor) (nel 2002)
esecutore:
Alexander Briger (Australian conductor)
arrangiatore:
Simon Hale
registrazione di:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
compositore:
George Frideric Handel (German‐British baroque composer)
arrangiamento di:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Academy of St Martin in the Fields3:23
13Das Piano (The Heart Asks Pleasure First)
Michael Nyman1:35
14Hannibal (Aria Goldberg Variations BWV 988)
tecnico di registrazione:
Daniel Michel (recording engineer)
produttore:
Alain Lanceron
pianoforte :
Maria Tipo (pianist) (dal 1986-06-26 al 1986-06-28)
registrata presso:
Salle Wagram in Paris, Île-de-France, Francia (dal 1986-06-26 al 1986-06-28)
registrazione di:
Goldberg-Variationen, BWV 988: Aria (opening) (dal 1986-06-26 al 1986-06-28)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Notebook for Anna Magdalena Bach (1725) (numero: 26)
parte di:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Maria Tipo3:04
15Das Zimmer meines Sohnes (La Stanza de Figlio)
Nicola Piovani4:05
16Es war einmal in Amerika (Deborah’s Theme)
Ennio Morricone4:23
17Romeo & Julia (Balcony Scenne)
tecnico:
Andy Bradfield
co-produttore:
Craig Armstrong (Scottish score composer) e Marius de Vries
produttore:
Craig Armstrong (Scottish score composer) e Nellee Hooper
tecnico di missaggio:
Craig Armstrong (Scottish score composer)
orchestra:
The London Session Orchestra
direttore d'orchestra:
Craig Armstrong (Scottish score composer)
arrangiatore e orchestratore:
Craig Armstrong (Scottish score composer)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1997)
registrazione di:
William Shakespeare’s Romeo + Juliet: Balcony Scene
compositore:
Craig Armstrong (Scottish score composer), Marius de Vries e Nellee Hooper
editore:
Melankolic e Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
parte di:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
Craig Armstrong5:18
18Ocean’s Eleven (Clair de Lune)
pianoforte :
Dame Moura Lympany (British pianist) (nel 1988)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1988)
registrazione di:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
compositore:
Claude Debussy (French composer) (dal 1890 al 1905)
parte di:
Classic 100: Piano (2004) (numero: 3)
compresa in:
Granblue Fantasy (video game soundtrack)
parte di:
Suite bergamasque, L. 75, CD 82 (for piano)
Moura Lympany4:57
19American Beauty (Any Other Name)
tecnico di registrazione:
Dennis Sands (American sound engineer)
assistente tecnico:
Tom Hardisty (film score engineer) e David Marquette
produttore:
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) e Thomas Newman (American score composer)
tecnico di missaggio:
Tom Hardisty (film score engineer) e Dennis Sands (American sound engineer)
assistente editor:
Jordan Corngold
editor:
Bill Bernstein
esecutore:
Nikolaj Bloch e Sally Herbert (violinist, composer, and conductor)
diritti fonografici (℗) detenuti da:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, nel 1999, nel 2000)
mixata presso:
Signet Sound Studios in Los Angeles, California, Stati Uniti
registrazione di:
Any Other Name
orchestratore:
Thomas Pasatieri
compositore:
Thomas Newman (American score composer)
editore:
Cherry Lane Music e Cherry Lane Music Publishing Company Inc.
parte di:
American Beauty (1999)
Nikolaj Bloch, Sally Herbert34:04
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