60 Greatest Rhythm & Blues Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Baby, What You Want Me to Do
E-Bass [electric bas]:
Marcus Johnson (bassist) (am 1959-08-07)
Gitarre:
Lefty Bates (am 1959-08-07), Jimmy Reed (blues musician) (am 1959-08-07) und Eddie Taylor (electric blues guitarist and singer) (am 1959-08-07)
Mundharmonika:
Jimmy Reed (blues musician) (am 1959-08-07)
Schlagzeug [drums]:
Earl Phillips (am 1959-08-07)
vocals:
Mama Reed (am 1959-08-07) und Jimmy Reed (blues musician) (am 1959-08-07)
recording of:
Baby What You Want Me to Do (am 1959-08-07)
Texter:
Jimmy Reed (blues musician) (bis 1952-08-07)
Komponist(in):
Jimmy Reed (blues musician) (bis 1959-08-07)
publisher:
Arc Music (U.S. rock & blues publisher), Conrad Music (publisher; do NOT use as release label), Seeds of Reed Music und Tristan Music Ltd.
Jimmy Reed?:??
2The Red Rooster
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1961-06)
E-Bass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961-06)
Gitarre:
Howlin’ Wolf (in 1961-06) und Hubert Sumlin (Chicago blues guitarist and singer) (in 1961-06)
Klavier:
Little Johnny Jones (Chicago blues pianist) (in 1961-06)
Kontrabass:
Willie Dixon (in 1961-06)
Schlagzeug:
Sam Lay (in 1961-06)
Sologesang:
Howlin’ Wolf (in 1961-06)
spätere Veröffentlichungen:
Little Red Rooster (The Red Rooster) von Howlin’ Wolf
recording of:
The Red Rooster (in 1961-06)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Hoochie Coochie Music und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
cover recording of:
The Red Rooster
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Hoochie Coochie Music und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Howlin’ Wolf3?:??
3Dust My Broom
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1959-11)
Bass:
Homesick James (in 1959-11)
Gitarre:
Homesick James (in 1959-11) und Elmore James (in 1959-11)
Instrumente:
Little Johnny Jones (Chicago blues pianist) (in 1959-11)
Klavier:
Johnny Jones (Chicago blues pianist) (in 1959-11)
membranophone:
Odie Payne (American Chicago blues drummer) (in 1959-11)
Saxophon:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1959-11)
Schlagzeug:
Sam Myers (blues musician) (in 1959-11)
Tenorsaxophon:
J.T. Brown (saxophonist) (in 1959-11)
Tenorsaxophon [tenor sax]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1959-11) und J.T. Brown (saxophonist) (in 1959-11)
vocals:
Elmore James (in 1959-11)
recording of:
Dust My Broom (in 1959-11)
Texter und Komponist(in):
Elmore James
zusätzlicher Texter und zusätzliche(r) Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
ARC Music (world and ethnic music label), Flair Publishing und MPCA King of Spades
Version von:
I Believe I’ll Dust My Broom
Elmore James?:??
4I'm in the Mood
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1966)
leitende(r) Produzent(in):
Marshall Chess
Produzent(in):
Ralph Bass
Editing:
Ron Malo
Gitarre:
Eddie Burns (American Detroit blues guitarist) und John Lee Hooker (US blues singer, songwriter & guitarist)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Sologesang:
John Lee Hooker (US blues singer, songwriter & guitarist)
aufgenommen bei:
Chess Studios in Chicago, Illinois, Vereinigte Staaten (in 1966)
recording of:
I’m in the Mood
Verfasser(in):
Bernard Besman (producer, label owner and songwriter) und John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
La Cienega Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
John Lee Hooker3?:??
5Got My Mojo Working
recording of:
Got My Mojo Working (Muddy Waters arrangement)
zusätzliche(r) Verfasser(in):
Morgan Field (blues musician)
arranger:
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Dare Music Co.
Version von:
Got My Mojo Working (original version)
Muddy Waters?:??
6Number Nine Train
Tarheel Slim?:??
7Mojo Hand
recorded in:
New York, New York, Vereinigte Staaten (in 1960-11)
Gitarre:
Lightnin’ Hopkins
vocals:
Lightnin’ Hopkins
recording of:
Mojo Hand
Texter und Komponist(in):
Lightnin’ Hopkins
Lightnin’ Hopkins?:??
8Sweet Sixteen
Produzent(in):
Quincy Jones und Johnny Pate
Bass:
Louis Satterfield (am 1966-11-05)
Gitarre:
B.B. King (am 1966-11-05)
Orgel:
Duke Jethro (am 1966-11-05)
Schlagzeug:
Sonny Freeman (am 1966-11-05)
Tenorsaxophon:
Bobby Forte (saxophonist) (am 1966-11-05)
Trompete:
Kenny Sands (am 1966-11-05)
vocals:
B.B. King (am 1966-11-05)
aufgenommen bei:
International Club in Chicago, Illinois, Vereinigte Staaten (am 1966-11-05)
live cover recording of:
Sweet Sixteen (am 1966-11-05)
Texter und Komponist(in):
A. Nugetre (US songwriter/producer)
publisher:
Progressive Music (publisher)
live recording of:
Sweet Sixteen
Verfasser(in):
Joe Josea und B.B. King
publisher:
Modern Music Publishing Co., Inc., Progressive Music (publisher) und Sidney A. Seidenberg Music Ltd.
recording of:
Sweet Sixteen
Verfasser(in):
Joe Josea und B.B. King
publisher:
Modern Music Publishing Co., Inc., Progressive Music (publisher) und Sidney A. Seidenberg Music Ltd.
B.B. King?:??
9I'm a Man
recording of:
I’m a Man
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
68 Publishing Ltd., Arc Music Corp. (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Bo Diddley?:??
10Goin' Down Slow
cover recording of:
Goin’ Down Slow
Texter und Komponist(in):
James Burke Oden (blues singer and songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Leeds Music, MCA Music Ltd. und Unichappell Music, Inc.
Ray Charles?:??
11Key to the Highway
Little Walter?:??
12It Hurts Me Too
recording of:
It Hurts Me Too
Texter und Komponist(in):
Elmore James und Mel London
Verfasser(in):
Kevin Moore
publisher:
Conrad Music (publisher; do NOT use as release label), Lonmel Publishing (publisher; do NOT use as release label), Rhinelander Music Inc. und Mo’ Than Jus’ Music (in 2000)
Elmore James?:??
13Hoochie Coochie Man
Muddy Waters?:??
14Night Time is the Right Time
Bobby Powell?:??
15Hi Heel Sneakers
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1963)
Produzent(in):
Herb Abramson
Bassgitarre [bass]:
Brenda Lee Jones (in 1963)
Gitarre:
Dean "Cousin Sugar" Young (in 1963)
Klavier und Orgel:
Tommy Tucker (blues) (in 1963)
vocals:
Tommy Tucker (blues) (in 1963)
recording of:
Hi‐Heel Sneakers (in 1963)
Texter und Komponist(in):
Robert Higginbotham (blues)
publisher:
Lily Pond Music und Robert Higginbotham Publisher
Tommy Tucker4?:??
16Honest I Do
recording of:
Honest I Do
Texter und Komponist(in):
Jimmy Reed (blues musician)
Verfasser(in):
Ewart G. Abner, Jr. (record label executive and songwriter)
Jimmy Reed?:??
17Blue Shadows
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-06-02)
alto saxophone [alto sax]:
Earl Brown (alto saxophonist) (am 1960-06-02)
baritone saxophone [baritone sax]:
Big Jim Wynn (US blues saxophonist & pianist) (am 1960-06-02)
Gitarre:
Lowell Fulson (am 1960-06-02)
Klavier:
Lloyd Glenn (am 1960-06-02)
Kontrabass [bass]:
Billy Hadnott (am 1960-06-02)
Schlagzeug [drums]:
Robert Sims (drummer) (am 1960-06-02)
Tenorsaxophon [tenor sax]:
Louis Williams (tenor sax) (am 1960-06-02)
vocals:
Lowell Fulson (am 1960-06-02)
Lowell Fulson?:??
18Dirty Man
Laura Lee?:??
19Rock Me Baby
cover recording of:
Rock Me Baby
Verfasser(in):
Joe Josea und B.B. King
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Powerforce Music, Sidney A. Seidenberg Music Ltd., Universal Music Careers, BMG Music (in 1994) und Modern Sparta Music Ltd. (in 1994)
basiert auf:
Rockin’ and Rollin’
Tina Turner?:??
20If You Need Me
recording of:
If You Need Me
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett und Sonny Sanders
publisher:
Belinda (beendet), Cotillion Music Inc. (BMI) und Lupine Music
Wilson Pickett?:??
21Boom Boom
recorded in:
Sausalito, California (Kalifornien), Vereinigte Staaten (in 1992-08)
leitende(r) Produzent(in):
Mike Kappus
Produzent(in):
Roy Rogers (US blues guitarist & producer)
Bassgitarre [bass]:
Richard Cousins (in 1992-08)
Gitarre:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1992-08) und Jimmie Vaughan (blues guitarist and singer) (in 1992-08)
Keyboard [keyboards]:
Jimmy Pugh (US jazz keyboardist) (in 1992-08)
Schlagzeug:
Kevin Hayes (drums) (in 1992-08)
vocals:
John Lee Hooker (US blues singer, songwriter & guitarist) (in 1992-08)
recording of:
Boom Boom (in 1992-08)
Texter und Komponist(in):
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Conrad Publishing Co. Inc. und Tristan Music Ltd.
John Lee Hooker3.5?:??
22Fannie Mae
recording of:
Fannie Mae
Texter und Komponist(in):
Morris Levy (in 1959), Clarence Lewis (in 1959) und Waymon Glasco (1911-1976 blues musician) (in 1959)
Verfasser(in):
Buster Brown (1911-1976 blues musician)
publisher:
EMI Longitude Music, FROST Music Corp, Jonware Music Co. (US publisher) und Olivia Pub. Co. (BMI-affiliated)
Buster Brown?:??
23All I Could Do Was Cry
Joe Tex?:??
24Too Much Monkey Business
Bass:
Hughie Leggat (am 1969-09-13)
Gitarre:
Chuck Berry (am 1969-09-13) und Ron Marinelli (am 1969-09-13)
Schlagzeug:
Dan Taylor (drums) (am 1969-09-13)
Sologesang:
Chuck Berry (am 1969-09-13)
aufgenommen bei:
Toronto Rock and Roll Revival (1969-09-13)
aufgenommen bei:
Varsity Stadium in Toronto, Ontario, Kanada (am 1969-09-13)
live recording of:
Too Much Monkey Business (am 1969-09-13)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry?:??
25Pretty Girls Everywhere
Eugene Church?:??
26When Something is Wrong with My Baby
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-11-15)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Keyboard:
Isaac Hayes (am 1966-11-15)
vocals:
Dave Prater (soul artist) (am 1966-11-15) und Sam Moore (singer, ex “Sam and Dave”) (am 1966-11-15)
recording of:
When Something Is Wrong With My Baby (am 1966-11-15)
Komponist(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Sam & Dave4?:??
27For Your Precious Love
recording of:
For Your Precious Love
Verfasser(in):
Arthur Brooks (Soul singer (ex-Impressions), sibling to Harrison and Richard), Richard Brooks (Soul singer/songwriter (“For Your Precious Love”)) und Jerry Butler (soul singer)
publisher:
Sunflower Music Inc (publisher) und Gladstone Music (vom 1958 bis ????)
The Impressions?:??
28Rainbow
recording of:
Rainbow (in 1962)
Texter und Komponist(in):
Curtis Mayfield
publisher:
Conrad Music (publisher; do NOT use as release label), Placid Music Corp. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Gene Chandler?:??
29You Keep Me Hangin' On
Joe Simon?:??
30Endless Sleep
recording of:
Endless Sleep
Texter und Komponist(in):
Jody Reynolds
publisher:
Elizabeth Music und Johnstone-Montei Music
Jody Reynolds?:??
31Patches
cover recording of:
Patches
Verfasser(in):
Ronald Dunbar (Songwriter, A&R director and record producer) und Norman Johnson (US soul singer, R&B songwriter & producer)
Clarence Carter?:??
32Tell it Like it Is
recording of:
Tell It Like It Is
Verfasser(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) und Olrap Publishing Co., Inc.
Aaron Neville?:??
33He Will Break Your Heart
recording of:
He Will Break Your Heart
Verfasser(in):
Jerry Butler (soul singer), Calvin Carter, Leiber, Curtis Mayfield, S. Cooke (American singer and songwriter, “King of Soul”) und Stoller
Komponist(in):
Jerry Butler (soul singer), Calvin Carter und Curtis Mayfield
publisher:
Tristan Music Ltd.
Jerry Butler & Curtis Mayfield?:??
34The Entertainer
Tony Clark?:??
35Hello Stranger
recording of:
Hello Stranger
Texter und Komponist(in):
Barbara Lewis
Barbara Lewis?:??
36Goodnight My Love
recording of:
Goodnight My Love (Pleasant Dreams)
Verfasser(in):
John Marascalco und George Motola
publisher:
Chappel-Morris, House of Fortune und Quintet Music (Leiber & Stoller)
Jesse Belvin?:??
37Ya Ya
Lee Dorsey?:??
38Tell Mama
recording of:
Tell Mama
Verfasser(in):
Clarence Carter, Marcus Daniel und Wilbur Terrell
publisher:
Lowery Music Corp.
Etta James?:??
39Oo Poo Pah Doo
Jessie Hill?:??
40Oh What a Night
recording of:
Oh, What a Night
Verfasser(in):
Johnny Funches und Marvin Junior
publisher:
Conrad Music (publisher; do NOT use as release label)
The Dells?:??
41Duke of Earl
recording of:
Duke of Earl
Verfasser(in):
Earl Edwards (soul singer-songwriter), Eugene Dixon und Bernice Williams (songwriter)
publisher:
Conrad Music (publisher; do NOT use as release label)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Gene Chandler2?:??
42Just One Look
Doris Troy?:??
43Hold On, I'm Coming
cover recording of:
Hold On, I’m Comin’
Verfasser(in):
Isaac Hayes, Hayes, Porter und David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Solomon Burke?:??
44Stagger Lee
recording of:
Stagger Lee (Lloyd Price version)
Verfasser(in):
Harold Logan und Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) und Travis Music Co.
Version von:
Stagger Lee (“Stackolee” etc., traditional)
Lloyd Price?:??
45Kansas City
Wilbert Harrison?:??
46Knock on Wood
Eddie Floyd?:??
47Every Beat of My Heart
cover recording of:
Every Beat of My Heart
Texter und Komponist(in):
Johnny Otis
Gladys Knight & the Pips?:??
48Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billy Stewart?:??
49Searchin' for My Baby
Bobby Moore?:??
50The Book of Love
The Monotones?:??
51Crying in the Chapel
Sonny Til & the Orioles?:??
52I Had a Talk with My Man
Mitty Collier?:??
53It's Just a Matter of Time
recording of:
It’s Just a Matter of Time
Verfasser(in):
Belford C. Hendricks (composer, pianist, conductor, arranger and record producer), Brook Benton und Clyde Otis (American songwriter and record producer)
publisher:
Alley Music Corp., Carlin Music Corporation, Eden Music, Inc., The Clyde Otis Music Group, Inc. (publisher; do NOT use as release label) und Trio Music Co., Inc.
Brook Benton?:??
54Trouble in Mind
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Instrumente:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
Klavier:
Nina Simone (am 1960-06-30)
vocals:
Nina Simone (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
Bearbeitung von:
Trouble in Mind (live, 1960‐06‐30: Newport, Rhode Island, USA) von Nina Simone
live cover recording of:
Trouble in Mind (am 1960-06-30)
Texter und Komponist(in):
Richard M. Jones (US jazz pianist)
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) und Universal‐MCA Music Publishing (US)
Nina Simone4?:??
55Mother-in-Law
recording of:
Mother‐in‐Law
Texter und Komponist(in):
Allen Toussaint
publisher:
EMI Unart Catalog Inc. und J. Albert & Son Pty. Ltd.
Ernie K‐Doe?:??
56Yes We Can
recording of:
Yes We Can Can
Texter und Komponist(in):
Allen Toussaint
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Lee Dorsey?:??
57We're Gonna Make It
vocals:
Little Milton (US blues singer and guitarist Milton Campbell)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten
cover recording of:
We’re Gonna Make It
Verfasser(in):
Gene Barge, Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp.
Little Milton3?:??
58Walkin' the Dog
recording of:
Walking the Dog
Texter und Komponist(in):
Rufus Thomas (US blues & funk singer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und East/Memphis Music
Rufus Thomas?:??
59Lipstick Traces
Benny Spellman?:??
60You Better Move On
Arthur Alexander?:??