Jim Beam: The Best of 40 Shots of Rock

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Ashes to Ashes
registrazione di:
Ashes to Ashes
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Tintoretto Music
David Bowie4:22
2Rush You
tecnico:
Kevin Shirley (producer & mixer)
produttore:
Mike Chapman (Australian producer and songwriter)
tecnico di missaggio:
Mike Chapman (Australian producer and songwriter) e Kevin Shirley (producer & mixer)
batteria [drums] :
Frank Celenza
chitarra :
Suze DeMarchi e Dave Leslie
chitarra basso [bass] :
Eddie Parise
voce:
Dave Leslie e Eddie Parise
voce principale [vocals]:
Suze DeMarchi
diritti fonografici (℗) detenuti da:
The Imago Recording Company (nel 2007)
registrazione di:
Rush You
autore:
Suze DeMarchi, Dave Leslie e Eddie Parise
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music Publishing
Baby Animals4:09
3When the River Runs Dry
registrazione di:
When the River Runs Dry
autore:
John Archer (guitarist in Hunters & Collectors), Doug Falconer, Jack Howard (trumpeter), Rob Miles (Hunters & Collectors art/design & live sound), Barry Palmer (Australian Guitarist) e Mark Seymour
Hunters & Collectors35:02
4Clocks
registrazione di:
Clocks
autore:
Guy Berryman, Jonny Buckland, Will Champion e Chris Martin (lead singer of Coldplay)
editore:
BMG Music Publishing Ltd.
Coldplay4:11
5Good Times
Hoodoo Gurus22:34
6So Long
Fischer‐Z5:00
7Boys in Town
basso :
Rick Grossman
batteria :
Richard Harvey (Australian drummer)
chitarra :
Bjarn Ohlin e Mark McEntee
tastiera :
Bjarn Ohlin
voce:
Christina Amphlett
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Warner Music International (trademark of Warner Music International the company) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983)
registrazione di:
Boys in Town
autore:
Chrissy Amphlett, Mark McEntee e Jeremy Paul (bassist, Air Supply, Divinyls)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!) e EMI Songs
Divinyls32:51
8Dogs Are Talking
The Angels3:22
9I Was Made for Lovin’ You
tecnico di registrazione e tecnico di missaggio:
Jay Messina
assistente tecnico:
Jim Galante e Jon Mathias (engineer)
produttore:
Vini Poncia
batteria :
Anton Fig
tastiera e voce di accompagnamento:
Vini Poncia
voce principale:
Paul Stanley (KISS frontman)
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979)
è stato produttore per:
Mad Vincent Productions
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti e The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
I Was Made for Lovin’ You
autore:
Desmond Child, Vini Poncia e Paul Stanley (KISS frontman)
editore:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (nel 1979) e Mad Vincent Music (publisher) (nel 1979)
sub-editore:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS4.454:27
10Lay Down Your Arms
Jimmy Barnes3:58
11Under the Milky Way
registrazione di:
Under the Milky Way
autore:
Karin Jansson e Steve Kilbey
editore:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) e Universal/MCA Music Publishing Pty Ltd
The Church4:17
12Horse With No Name
tecnico:
Robin Black (engineer) e Ken Scott (UK record producer & engineer)
produttore:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Ian Samwell
produttore aggiunto:
America (US folk/soft rock band) e Jeff Dexter
tecnico di missaggio:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
batteria :
Kim Haworth (nel 1971)
chitarra a 12 corde :
Gerry Beckley (nel 1971)
chitarra acustica e voce principale:
Dewey Bunnell (nel 1971)
chitarra basso :
Dan Peek (nel 1971)
percussione :
Ray Cooper (percussionist) (nel 1971)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971, nel 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (nel 1972) e Rhino Entertainment Company (not for release label use!) (nel 2011)
registrata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1971)
registrazione di:
A Horse With No Name (nel 1971)
paroliere e compositore:
Dewey Bunnell
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
America4.254:09
13Before Too Long
diritti fonografici (℗) detenuti da:
Paul Kelly (Australian singer/songwriter) (nel 1986)
registrazione di:
Before Too Long (Paul Kelly song)
paroliere e compositore:
Paul Kelly (Australian singer/songwriter)
editore:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing e Sony/ATV Music Publishing Australia Pty Ltd.
Paul Kelly3.53:21
14Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.94:27
15Carry On
Motor Ace4:22
16Ship of Fools
produttore:
Karl Wallinger
diritti fonografici (℗) detenuti da:
Ensign Records Ltd. (company; do NOT use as release label) (nel 1986)
registrazione di:
Ship of Fools
paroliere e compositore:
Karl Wallinger
editore:
Polygram Music, PolyGram Music Publishing Ltd. e Welk Music Ltd.
World Party4:10
17Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:43
18Shape I’m In
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Ltd (nel 1979)
registrazione di:
Shape I'm In
compositore:
Jeff Burstin, Joe Camilleri e Tony Faehse
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Publishing e Warner/Chappell Pty. Ltd.
Jo Jo Zep and the Falcons3:31
19Don’t Throw Stones
registrazione di:
Don’t Throw Stones
autore:
Stephen Cummings e Andrew Pendlebury
The Sports3:27
20Running
registrazione di:
Running
autore:
Dann Hume
editore:
Second Pressing Pty Ltd
Evermore34:24
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