The Sixties Album: The Album of the Decade

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:01
2Nights in White Satin
leitende(r) Produzent(in):
Hugh Mendl
Produzent(in):
Tony Clark (engineer, Abbey Road)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. und Tyler Music Ltd.
The Moody Blues4.44:26
3House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.154:29
4Something in the Air
Produzent(in):
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
Texter und Komponist(in):
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Songs of Windswept Pacific
Thunderclap Newman43:54
5Both Sides Now
recording of:
Both Sides Now
Texter und Komponist(in):
Joni Mitchell
arranger:
Benedikt Jahnel
publisher:
Crazy Crow Music, Essex Music of Australia Pty. Ltd., Siquomb Pub. Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Collins43:14
6Good Vibrations
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:37
7Walk Right Back (2006 Remastered version)
recording of:
Walk Right Back
Texter und Komponist(in):
Sonny Curtis
The Everly Brothers2:17
8Something's Gotten Hold of My Heart
cover recording of:
Something’s Gotten Hold of My Heart
Texter und Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Gene Pitney3:34
9Darling Be Home Soon
Produzent(in):
Erik Jacobsen
recording of:
Darling Be Home Soon
Texter und Komponist(in):
John Sebastian
The Lovin’ Spoonful3:35
10Albatross
Produzent(in):
Mike Vernon
E-Bass:
John McVie (am 1968-10-06)
Gitarre:
Peter Green (former member of Fleetwood Mac) (am 1968-10-06) und Danny Kirwan (Fleetwood Mac) (am 1968-10-06)
Schlagzeug:
Mick Fleetwood (am 1968-10-06)
phonographisches Urheberrecht (℗) von:
Blue Horizon Records (in 1968) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 52)
recording of:
Albatross (am 1968-10-06)
Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited und Palan Music Publishing Ltd.
Fleetwood Mac43:08
11Apache (1995 Remastered version)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Apache
Komponist(in):
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
The Shadows4.652:52
12For What It's Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:33
13Everybody's Talkin'
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
früheste Veröffentlichung:
Everybody’s Talkin’ von Nilsson (US singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 51)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Harry Nilsson3.92:46
14Where Do You Go To (My Lovely)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und United Artists (in 1969)
recording of:
Where Do You Go To (My Lovely)?
Texter und Komponist(in):
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:44
15Catch the Wind
Produzent(in):
Mickie Most (English record producer) (in 1968-05)
recording of:
Catch the Wind (in 1968-05)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music, Peer Music UK Ltd und Southern Music (publisher)
Donovan5:03
16Moon River (1993 Remastered version)
vocals:
Danny Williams
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Danny Williams3.52:36
17Anyone Who Had a Heart
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (Parlophon) (in 1964)
cover recording of:
Anyone Who Had a Heart
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) und U.S. Songs, Inc. (in 1963)
Cilla Black2:51
18Ferry Cross the Mersey (Mono) [2002 Remastered version]
recording of:
Ferry Cross the Mersey
Texter und Komponist(in):
Gerry Marsden
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Gerry & the Pacemakers42:22
19Just One Look
cover recording of:
Just One Look
Verfasser(in):
Gregory Carroll und Doris Payne
publisher:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies2:27
20Sweets for My Sweet
phonographisches Urheberrecht (℗) von:
Pye International (in 1963)
cover recording of:
Sweets for My Sweet
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. und Trio Music Company
The Searchers3.52:26
21Downtown
vocals:
Petula Clark (English singer & actress) (in 1964)
arranger:
Tony Hatch
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1964)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 227)
recording of:
Downtown (in 1964)
Texter und Komponist(in):
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:03
22The Hippy Hippy Shake
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963) und HMV Records Ltd. (in 1963)
cover recording of:
Hippy Hippy Shake
Texter und Komponist(in):
Chan Romero
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) und Universal Music Careers
The Swinging Blue Jeans3.751:46
23I'm a Believer
recorded in:
New York, New York, Vereinigte Staaten (von 1966-10-15 bis 1966-10-23)
Produzent(in):
Jeff Barry
Akustikgitarre:
Neil Diamond (von 1966-10-15 bis 1966-10-23)
Bass:
Dick Romoff (von 1966-10-15 bis 1966-10-23)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (von 1966-10-15 bis 1966-10-23) und Sal Ditroia (von 1966-10-15 bis 1966-10-23)
Klavier und Tamburin:
Jeff Barry (von 1966-10-15 bis 1966-10-23)
Orgel:
Artie Butler (von 1966-10-15 bis 1966-10-23)
Schlagzeug:
Buddy Salzman (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang:
Davy Jones (The Monkees member) (von 1966-10-15 bis 1966-10-23) und Peter Tork (von 1966-10-15 bis 1966-10-23)
Hintergrundgesang und Sologesang:
Micky Dolenz (von 1966-10-15 bis 1966-10-23)
arranger:
Jeff Barry
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1966) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966, in 1967)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 341)
cover recording of:
I’m a Believer (von 1966-10-15 bis 1966-10-23)
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
recording of:
I’m a Believer
Texter und Komponist(in):
Neil Diamond (in 1966)
publisher:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Stonebridge Music (publisher)
The Monkees4.62:45
3▶CD