Les Triomphes du rhythm’n’blues, Volume 6: chanteuses # 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Hound Dog
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-08-13)
recording engineer und Mix:
Joel Moss
assistierende(r) Techniker(in):
Tom Hardisty (film score engineer), Brandon Harris (US engineer) und Sue McLean
Produzent(in):
Hummie Mann, Johnny Otis und Marc Shaiman (American score composer and lyricist)
Editing:
Curtis Roush
Gitarre:
Pete Lewis (am 1952-08-13)
Klavier:
Devonia Williams (US R&B pianist/singer) (am 1952-08-13)
Kontrabass [bass]:
Albert Winston (R&B bassist) (am 1952-08-13)
Schlagzeug:
Leard Bell (R&B drummer) (am 1952-08-13)
Vibraphon [vibes]:
Johnny Otis (am 1952-08-13)
vocals:
Big Mama Thornton (am 1952-08-13)
Orchester:
Johnny Otis & His Orchestra (am 1952-08-13)
conductor:
Artie Kane
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2006)
recording of:
Hound Dog (am 1952-08-13)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
Big Mama Thornton4.652:51
2They Call Me Big Mama
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-08-13)
baritone saxophone:
Fred Ford (baritone saxophonist) (am 1952-08-13)
Gitarre:
Pete Lewis (am 1952-08-13)
Klavier:
Devonia Williams (US R&B pianist/singer) (am 1952-08-13)
Kontrabass [bass]:
Albert Winston (R&B bassist) (am 1952-08-13)
Posaune:
George Washington (jazz trombonist) (am 1952-08-13)
Schlagzeug [drums]:
Leard Bell (R&B drummer) (am 1952-08-13)
Tenorsaxophon:
James Von Streeter (am 1952-08-13)
Trompete:
Don Johnson (1950s' R&B trumpeter) (am 1952-08-13)
Vibraphon [vibes]:
Johnny Otis (am 1952-08-13)
Orchester:
Johnny Otis Orchestra (am 1952-08-13)
recording of:
They Call Me Big Mama (am 1952-08-13)
Verfasser(in):
Don Robey und Big Mama Thornton
Big Mama Thornton2:04
3I Ain’t No Fool Either
Big Mama Thornton2:21
4Rock a Bye Baby
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-08-13)
baritone saxophone:
Fred Ford (baritone saxophonist) (am 1952-08-13)
Gitarre:
Pete Lewis (am 1952-08-13)
Klavier:
Devonia Williams (US R&B pianist/singer) (am 1952-08-13)
Kontrabass [bass]:
Albert Winston (R&B bassist) (am 1952-08-13)
Posaune:
George Washington (jazz trombonist) (am 1952-08-13)
Schlagzeug [drums]:
Leard Bell (R&B drummer) (am 1952-08-13)
Tenorsaxophon:
James Von Streeter (am 1952-08-13)
Trompete:
Don Johnson (1950s' R&B trumpeter) (am 1952-08-13)
Vibraphon [vibes]:
Johnny Otis (am 1952-08-13)
vocals:
Big Mama Thornton (am 1952-08-13)
Orchester:
Johnny Otis Orchestra (am 1952-08-13)
Big Mama Thornton2:36
5Let Your Tears Fall, Babe
recorded in:
Houston, Texas, Vereinigte Staaten (in 1952)
Tenorsaxophon:
Bill Harvey (saxophone) (in 1952)
vocals:
Willie Mae "Big Mama" Thornton (Big Mama Thornton) (in 1952)
Orchester:
Billy Harvey Band (in 1952)
aufgenommen bei:
ACA Studio in Houston, Texas, Vereinigte Staaten (in 1952)
recording of:
Let Your Tears Fall Baby (in 1952)
Verfasser(in):
Don Robey
Big Mama Thornton2:45
6Mischievous Boogie
recorded in:
Houston, Texas, Vereinigte Staaten (in 1951)
Trompete:
Joe Scott (40s–60s US blues artist) (in 1951)
Sologesang:
Willie Mae "Big Mama" Thornton (Big Mama Thornton) (in 1951)
Orchester:
Joe Scott Orchestra (40s-50s blues) (in 1951)
aufgenommen bei:
ACA Studio in Houston, Texas, Vereinigte Staaten (in 1951)
recording of:
Mischievous Boogie (in 1951)
Verfasser(in):
Doris Manning
Big Mama Thornton2:33
7Walking Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-08-13)
baritone saxophone:
Fred Ford (baritone saxophonist) (am 1952-08-13)
Gitarre:
Pete Lewis (am 1952-08-13)
Klavier:
Devonia Williams (US R&B pianist/singer) (am 1952-08-13)
Kontrabass [bass]:
Albert Winston (R&B bassist) (am 1952-08-13)
Posaune:
George Washington (jazz trombonist) (am 1952-08-13)
Schlagzeug:
Leard Bell (R&B drummer) (am 1952-08-13)
Tenorsaxophon:
James Von Streeter (am 1952-08-13)
Trompete:
Don Johnson (1950s' R&B trumpeter) (am 1952-08-13)
Vibraphon [vibes]:
Johnny Otis (am 1952-08-13)
vocals:
Big Mama Thornton (am 1952-08-13)
Orchester:
Johnny Otis Orchestra (am 1952-08-13)
recording of:
Walking Blues (am 1952-08-13)
Verfasser(in):
Don Robey und Big Mama Thornton
Big Mama Thornton3:01
8Nightmare
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-08-13)
baritone saxophone:
Fred Ford (baritone saxophonist) (am 1952-08-13)
Gitarre:
Pete Lewis (am 1952-08-13)
Klavier:
Devonia Williams (US R&B pianist/singer) (am 1952-08-13)
Kontrabass [bass]:
Albert Winston (R&B bassist) (am 1952-08-13)
Posaune:
George Washington (jazz trombonist) (am 1952-08-13)
Schlagzeug [drums]:
Leard Bell (R&B drummer) (am 1952-08-13)
Tenorsaxophon:
James Von Streeter (am 1952-08-13)
Trompete:
Don Johnson (1950s' R&B trumpeter) (am 1952-08-13)
Vibraphon [vibes]:
Johnny Otis (am 1952-08-13)
vocals:
Big Mama Thornton (am 1952-08-13)
Orchester:
Johnny Otis Orchestra (am 1952-08-13)
Big Mama Thornton2:53
9I’m a Bad Bad Girl
recording of:
I’m a Bad, Bad Girl
Texter und Komponist(in):
Gladys DeJesus
Esther Phillips2:57
10Cherry Wine
recording of:
Cherry Wine
Texter und Komponist(in):
Henry Glover
Esther Phillips2:21
11Looking for a Man
Esther Phillips2:45
12The Deacon Moves In
recording of:
The Deacon Moves In
Verfasser(in):
Rose Marks (manager and songwriter) und Billy Ward (US r&b/soul vocalist)
Esther Phillips2:47
13Ring a Ding Doo
Esther Phillips2:55
14Better Beware
recording of:
Better Beware
Verfasser(in):
Johnny Otis und Rick Darnell
Esther Phillips2:39
15Hollerin’ and Dreamin’
Esther Phillips2:58
16The Storm
Esther Phillips3:09
17Aged and Mellow
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-01-16)
alto saxophone:
Preston Love (am 1952-01-16)
baritone saxophone:
Floyd Turnham (am 1952-01-16)
Gitarre:
Peter Lewis (am 1952-01-16)
Klavier:
Devonia Williams (US R&B pianist/singer) (am 1952-01-16)
Kontrabass:
Mario Delagarde (1950s US bass player) (am 1952-01-16)
Posaune:
George Washington (jazz trombonist) (am 1952-01-16)
Schlagzeug:
Leard Bell (R&B drummer) (am 1952-01-16)
Tenorsaxophon:
Ben Webster (am 1952-01-16)
Trompete:
Don Johnson (1950s' R&B trumpeter) (am 1952-01-16)
vocals:
Esther Phillips (Little Esther) (am 1952-01-16)
recording of:
Aged and Mellow (am 1952-01-16)
Verfasser(in):
Preston Love und Johnny Otis
Esther Phillips2:47
18Teardrops From My Eyes
recorded in:
New York, New York, Vereinigte Staaten (in 1950-09)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Tenorsaxophon:
Budd Johnson (in 1950-09)
vocals:
Ruth Brown (in 1950-09)
Orchester:
Budd Johnson Orchestra (in 1950-09)
recording of:
Teardrops From My Eyes (in 1950-09)
Texter und Komponist(in):
Rudolph Toombs
publisher:
Rightsong Music Inc. und Simon House
Ruth Brown2:53
19Mama, He Treats Your Daughter Mean
recording of:
(Mama) He Treats Your Daughter Mean
Verfasser(in):
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) und John Wallace (bass player for Harry Chapin) (in 1952)
Ruth Brown2:55
20Wild, Wild Young Men
recorded in:
New York, New York, Vereinigte Staaten (am 1953-04-10)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1953-04-10)
Gitarre:
Rector Bailey (am 1953-04-10)
Klavier:
Van Walls (R&B pianist) (am 1953-04-10)
Kontrabass [bass]:
George Duvivier (am 1953-04-10)
Schlagzeug [drums]:
Connie Kay (am 1953-04-10)
Tenorsaxophon:
Freddie Mitchell (am 1953-04-10)
Trompete:
Taft Jordan (am 1953-04-10)
vocals:
Ruth Brown (am 1953-04-10)
arranger:
Jesse Stone
recording of:
Wild Wild Young Men (am 1953-04-10)
Texter und Komponist(in):
Nugetre (US songwriter/producer)
Ruth Brown2:31
21I Know
Ruth Brown2:49
22Shine On
Ruth Brown2:53
235‒10‒15 Hours
Ruth Brown3:14
24Daddy Daddy
recorded in:
New York, New York, Vereinigte Staaten (am 1952-07-02)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Tenorsaxophon:
Willis Jackson (tenor saxophonist) (am 1952-07-02)
vocals:
Ruth Brown (am 1952-07-02)
recording of:
Daddy Daddy (song introduced by Ruth Brown in 1952) (am 1952-07-02)
Texter und Komponist(in):
Rudolph Toombs
publisher:
Unichappell Music, Inc.
Ruth Brown2:52
25So Long
recorded in:
New York, New York, Vereinigte Staaten (am 1949-05-25)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Herb Abrahmson
Althorn [alto horn]:
Dick Carey (piano, trumpet, alto horn) (am 1949-05-25)
Gitarre:
Eddie Condon (am 1949-05-25)
Klavier:
Joe Bushkin (am 1949-05-25)
Kontrabass [bass]:
Jack Lesberg (am 1949-05-25)
Kornett:
Bobby Hackett (am 1949-05-25)
Posaune:
Will Bradley (US boogie woogie trombonist & bandleader) (am 1949-05-25)
Rohrblattinstrumente:
Ernie Caceres (am 1949-05-25) und Peanuts Hucko (am 1949-05-25)
Schlagzeug [drums]:
Sid Catlett (am 1949-05-25)
vocals:
Ruth Brown (am 1949-05-25)
recording of:
So Long (am 1949-05-25)
Verfasser(in):
Remus Harris, Irving Melsher und Russ Morgan (Big Band orchestra leader)
Ruth Brown2:37

Nennungen

Veröffentlichungsgruppe

Teil von:Les Triomphes du rhythm'n'blues (Nummer: 6) (Reihenfolge: 6)