Brotherhood (definitive edition)

~ Pubblicazione di New Order (visualizza tutte le versioni di questa pubblicazione: 19 disponibili)

Annotazione

℗ «2024 Warner Music UK Limited»

Annotazione modificata l'ultima volta il 2024-10-13 06:19 UTC.

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#TitoloValutazioneDurata
1Paradise
tecnico:
Michael Johnson (UK recording engineer and producer)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
Paradise
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company)
5?:??
2Weirdo
tecnico:
Michael Johnson (UK recording engineer and producer)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
Weirdo
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company)
4?:??
3As It Is When It Was
tecnico:
Michael Johnson (UK recording engineer and producer)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
As It Is When It Was
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company)
4?:??
4Broken Promise
tecnico:
Michael Johnson (UK recording engineer and producer)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
Broken Promise
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
4?:??
5Way of Life
tecnico:
Michael Johnson (UK recording engineer and producer)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
Way of Life
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company)
3?:??
6Bizarre Love Triangle
tecnico:
Michael Johnson (UK recording engineer and producer)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 114), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 201), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 220) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 379)
registrazione di:
Bizarre Love Triangle
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
4.5?:??
7All Day Long
tecnico:
Michael Johnson (UK recording engineer and producer)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
All Day Long
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company)
5?:??
8Angel Dust
tecnico:
Michael Johnson (UK recording engineer and producer)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
Angel Dust
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company)
4?:??
9Every Little Counts
tecnico:
Michael Johnson (UK recording engineer and producer)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
Every Little Counts
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
5?:??
10State of the Nation
tecnico:
Michael Johnson (UK recording engineer and producer)
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986, nel 1987)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
State of the Nation
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
1?:??
11Shellshock (AOR version)
tecnico:
Michael Johnson (UK recording engineer and producer) e Steve Peck (producer and engineer)
produttore:
New Order (UK synth pop band)
editor:
Latin Rascals e Shep Pettibone
remixer:
Shep Pettibone
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1986, nel 1987) e Warner Music UK Ltd. (not for release label use!) (nel 1986)
remixata per:
Mastermix Productions
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
remix di:
Bizarre Love Triangle di New Order (UK synth pop band)
registrazione di:
Bizarre Love Triangle
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
1.5?:??
12State of the Nation (Japan demo)
7:07
13Paradise (Robert Racic remix)
?:??
14As It Is When It Was (Japan demo)
?:??
15Broken Promise (instrumental)
?:??
16Bizarre Love Triangle (Stephen Hague 12’’ remix)
remixer:
Stephen Hague
5:48
17All Day Long (instrumental)
?:??
18Evil Dust
registrazione di:
Evil Dust
compositore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Vitalturn Co., Ltd.
?:??
19Every Little Counts (full length)
?:??
20Salvation Theme
?:??
21Skullcrusher (full length)
?:??
22Touched by the Hand of God (Salvation version)
?:??
23Let’s Go (Salvation version)
?:??
24Sputnik
?:??
25Blue Monday 1988 (Michael Johnson 12’’ remix)
7:34