Arthur Prysock / Count Basie (mono)

~ Release by Count Basie & Arthur Prysock (see all versions of this release, 11 available)

Tracklist

1▼CD
#TitleRatingLength
1I Could Have Told You
engineer:
Rudy van Gelder and Val Valentin
producer:
Creed Taylor
bass:
Norman Keenan (from 1965-12-12 until 1965-12-21)
drums (drum set):
Grady Tate (from 1965-12-12 until 1965-12-21)
guitar:
Fred Green (from 1965-12-12 until 1965-12-21)
piano:
Count Basie (pianist) (from 1965-12-12 until 1965-12-21)
reeds:
Charles Fowlkes (baritone saxophonist) (from 1965-12-12 until 1965-12-21), Eric Dixon (woodwind) (from 1965-12-12 until 1965-12-21), Eddie Davis (jazz saxophonist) (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21)
trombone:
Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (jazz trombonist) (from 1965-12-12 until 1965-12-21), Al Grey (trombone) (from 1965-12-12 until 1965-12-21), Grover Mitchell (trombone) (from 1965-12-12 until 1965-12-21) and William Hughes (jazz trombonist) (from 1965-12-12 until 1965-12-21)
trumpet:
Albert Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21)
vocals:
Arthur Prysock (from 1965-12-12 until 1965-12-21)
conductor:
Dick Hyman (jazz pianist) (from 1965-12-12 until 1965-12-21)
arranger:
Dick Hyman (jazz pianist)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21)
cover recording of:
I Could Have Told You (from 1965-12-12 until 1965-12-21)
lyricist:
Carl Sigman
composer:
Jimmy Van Heusen
publisher:
Boca Music, Inc., Major Songs and Music Sales Corporation (American copyright holder in both popular and classical music)
3:47
2Ain’t No Use
engineer:
Rudy van Gelder and Val Valentin
producer:
Creed Taylor
bass:
Norman Keenan (from 1965-12-12 until 1965-12-21)
drums (drum set):
Grady Tate (from 1965-12-12 until 1965-12-21)
guitar:
Fred Green (from 1965-12-12 until 1965-12-21)
piano:
Count Basie (pianist) (from 1965-12-12 until 1965-12-21)
reeds:
Charles Fowlkes (baritone saxophonist) (from 1965-12-12 until 1965-12-21), Eric Dixon (woodwind) (from 1965-12-12 until 1965-12-21), Eddie Davis (jazz saxophonist) (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21)
trombone:
Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (jazz trombonist) (from 1965-12-12 until 1965-12-21), Al Grey (trombone) (from 1965-12-12 until 1965-12-21), Grover Mitchell (trombone) (from 1965-12-12 until 1965-12-21) and William Hughes (jazz trombonist) (from 1965-12-12 until 1965-12-21)
trumpet:
Albert Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21)
vocals:
Arthur Prysock (from 1965-12-12 until 1965-12-21)
conductor:
Frank Foster (saxophonist) (from 1965-12-12 until 1965-12-21)
arranger:
Frank Foster (saxophonist)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21)
cover recording of:
Ain’t No Use (from 1965-12-12 until 1965-12-21)
writer:
Leroy Kirkland and Sid Wyche
2:49
3I Could Write a Book
engineer:
Rudy van Gelder and Val Valentin
producer:
Creed Taylor
bass:
Norman Keenan (from 1965-12-12 until 1965-12-21)
drums (drum set):
Grady Tate (from 1965-12-12 until 1965-12-21)
guitar:
Fred Green (from 1965-12-12 until 1965-12-21)
piano:
Count Basie (pianist) (from 1965-12-12 until 1965-12-21)
reeds:
Charles Fowlkes (baritone saxophonist) (from 1965-12-12 until 1965-12-21), Eric Dixon (woodwind) (from 1965-12-12 until 1965-12-21), Eddie Davis (jazz saxophonist) (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21)
trombone:
Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (jazz trombonist) (from 1965-12-12 until 1965-12-21), Al Grey (trombone) (from 1965-12-12 until 1965-12-21), Grover Mitchell (trombone) (from 1965-12-12 until 1965-12-21) and William Hughes (jazz trombonist) (from 1965-12-12 until 1965-12-21)
trumpet:
Albert Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21)
vocals:
Arthur Prysock (from 1965-12-12 until 1965-12-21)
conductor:
Dick Hyman (jazz pianist) (from 1965-12-12 until 1965-12-21)
arranger:
Dick Hyman (jazz pianist)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21)
cover recording of:
I Could Write a Book (from 1965-12-12 until 1965-12-21)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
Pal Joey
3:44
4Gone Again
engineer:
Rudy van Gelder and Val Valentin
producer:
Creed Taylor
bass:
Norman Keenan (from 1965-12-12 until 1965-12-21)
drums (drum set):
Grady Tate (from 1965-12-12 until 1965-12-21)
guitar:
Fred Green (from 1965-12-12 until 1965-12-21)
piano:
Count Basie (pianist) (from 1965-12-12 until 1965-12-21)
reeds:
Charles Fowlkes (baritone saxophonist) (from 1965-12-12 until 1965-12-21), Eric Dixon (woodwind) (from 1965-12-12 until 1965-12-21), Eddie Davis (jazz saxophonist) (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21)
trombone:
Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (jazz trombonist) (from 1965-12-12 until 1965-12-21), Al Grey (trombone) (from 1965-12-12 until 1965-12-21), Grover Mitchell (trombone) (from 1965-12-12 until 1965-12-21) and William Hughes (jazz trombonist) (from 1965-12-12 until 1965-12-21)
trumpet:
Albert Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21)
vocals:
Arthur Prysock (from 1965-12-12 until 1965-12-21)
conductor:
Billy Byers (from 1965-12-12 until 1965-12-21)
arranger:
Billy Byers
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21)
cover recording of:
He’s Gone Again (from 1965-12-12 until 1965-12-21)
writer:
Curley Hamner, Gladys Hampton and Curtis Lewis (US songwriter)
3:12
5Come Home
engineer:
Rudy van Gelder and Val Valentin
producer:
Creed Taylor
bass:
Norman Keenan (from 1965-12-12 until 1965-12-21)
drums (drum set):
Grady Tate (from 1965-12-12 until 1965-12-21)
guitar:
Fred Green (from 1965-12-12 until 1965-12-21)
piano:
Count Basie (pianist) (from 1965-12-12 until 1965-12-21)
reeds:
Charles Fowlkes (baritone saxophonist) (from 1965-12-12 until 1965-12-21), Eric Dixon (woodwind) (from 1965-12-12 until 1965-12-21), Eddie Davis (jazz saxophonist) (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21)
trombone:
Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (jazz trombonist) (from 1965-12-12 until 1965-12-21), Al Grey (trombone) (from 1965-12-12 until 1965-12-21), Grover Mitchell (trombone) (from 1965-12-12 until 1965-12-21) and William Hughes (jazz trombonist) (from 1965-12-12 until 1965-12-21)
trumpet:
Albert Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21)
vocals:
Arthur Prysock (from 1965-12-12 until 1965-12-21)
conductor:
Billy Byers (from 1965-12-12 until 1965-12-21)
arranger:
Billy Byers
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21)
cover recording of:
Come Home
lyricist and composer:
Bubber Johnson (US singer, songwriter, pianist & actor)
3:44
6I Worry ’Bout You
engineer:
Rudy van Gelder and Val Valentin
producer:
Creed Taylor
bass:
Norman Keenan (from 1965-12-12 until 1965-12-21)
drums (drum set):
Rufus Jones (drums, aka Speedy Jones) (from 1965-12-12 until 1965-12-21)
guitar:
Fred Green (from 1965-12-12 until 1965-12-21)
piano:
Count Basie (pianist) (from 1965-12-12 until 1965-12-21)
reeds:
Charles Fowlkes (baritone saxophonist) (from 1965-12-12 until 1965-12-21), Eric Dixon (woodwind) (from 1965-12-12 until 1965-12-21), Eddie Davis (jazz saxophonist) (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21)
trombone:
Henderson Chambers (from 1965-12-12 until 1965-12-21), Al Grey (trombone) (from 1965-12-12 until 1965-12-21), Grover Mitchell (trombone) (from 1965-12-12 until 1965-12-21) and William Hughes (jazz trombonist) (from 1965-12-12 until 1965-12-21)
trumpet:
Albert Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21)
vocals:
Arthur Prysock (from 1965-12-12 until 1965-12-21)
conductor:
Frank Foster (saxophonist) (from 1965-12-12 until 1965-12-21)
arranger:
Frank Foster (saxophonist)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21)
cover recording of:
I Worry ’bout You
writer:
Norman Mapp
2:20
7What Will I Tell My Heart
engineer:
Rudy van Gelder and Val Valentin
producer:
Creed Taylor
bass:
Norman Keenan (from 1965-12-12 until 1965-12-21)
drums (drum set):
Rufus Jones (drums, aka Speedy Jones) (from 1965-12-12 until 1965-12-21)
guitar:
Fred Green (from 1965-12-12 until 1965-12-21)
piano:
Count Basie (pianist) (from 1965-12-12 until 1965-12-21)
reeds:
Charles Fowlkes (baritone saxophonist) (from 1965-12-12 until 1965-12-21), Eric Dixon (woodwind) (from 1965-12-12 until 1965-12-21), Eddie Davis (jazz saxophonist) (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21)
trombone:
Henderson Chambers (from 1965-12-12 until 1965-12-21), Al Grey (trombone) (from 1965-12-12 until 1965-12-21), Grover Mitchell (trombone) (from 1965-12-12 until 1965-12-21) and William Hughes (jazz trombonist) (from 1965-12-12 until 1965-12-21)
trumpet:
Albert Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21)
vocals:
Arthur Prysock (from 1965-12-12 until 1965-12-21)
conductor:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music) (from 1965-12-12 until 1965-12-21)
arranger:
Mort Garson (Canadian-born composer, arranger, songwriter, and pioneer of electronic music)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21)
cover recording of:
What Will I Tell My Heart (from 1965-12-12 until 1965-12-21)
lyricist and composer:
Jack Lawrence (US songwriter) and Peter Tinturin
2:49
8Don’t Go to Strangers
engineer:
Rudy van Gelder and Val Valentin
producer:
Creed Taylor
bass:
Norman Keenan (from 1965-12-12 until 1965-12-21)
drums (drum set):
Grady Tate (from 1965-12-12 until 1965-12-21)
guitar:
Fred Green (from 1965-12-12 until 1965-12-21)
piano:
Count Basie (pianist) (from 1965-12-12 until 1965-12-21)
reeds:
Charles Fowlkes (baritone saxophonist) (from 1965-12-12 until 1965-12-21), Eric Dixon (woodwind) (from 1965-12-12 until 1965-12-21), Eddie Davis (jazz saxophonist) (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21)
trombone:
Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (jazz trombonist) (from 1965-12-12 until 1965-12-21), Al Grey (trombone) (from 1965-12-12 until 1965-12-21), Grover Mitchell (trombone) (from 1965-12-12 until 1965-12-21) and William Hughes (jazz trombonist) (from 1965-12-12 until 1965-12-21)
trumpet:
Albert Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21)
vocals:
Arthur Prysock (from 1965-12-12 until 1965-12-21)
conductor:
Billy Byers (from 1965-12-12 until 1965-12-21)
arranger:
Billy Byers
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21)
cover recording of:
Don’t Go to Strangers
lyricist:
Redd Evans
composer:
Arthur Kent and David Mann (American songwriter)
2:50
9I’m Lost
engineer:
Rudy van Gelder and Val Valentin
producer:
Creed Taylor
bass:
Norman Keenan (from 1965-12-12 until 1965-12-21)
drums (drum set):
Rufus Jones (drums, aka Speedy Jones) (from 1965-12-12 until 1965-12-21)
guitar:
Fred Green (from 1965-12-12 until 1965-12-21)
piano:
Count Basie (pianist) (from 1965-12-12 until 1965-12-21)
reeds:
Charles Fowlkes (baritone saxophonist) (from 1965-12-12 until 1965-12-21), Eric Dixon (woodwind) (from 1965-12-12 until 1965-12-21), Eddie Davis (jazz saxophonist) (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21)
trombone:
Henderson Chambers (from 1965-12-12 until 1965-12-21), Al Grey (trombone) (from 1965-12-12 until 1965-12-21), Grover Mitchell (trombone) (from 1965-12-12 until 1965-12-21) and William Hughes (jazz trombonist) (from 1965-12-12 until 1965-12-21)
trumpet:
Albert Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21)
vocals:
Arthur Prysock (from 1965-12-12 until 1965-12-21)
conductor:
Billy Byers (from 1965-12-12 until 1965-12-21)
arranger:
Billy Byers
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21)
cover recording of:
I’m Lost (from 1965-12-12 until 1965-12-21)
writer:
Otis René
3:24
10I’m Gonna Sit Right Down and Write Myself a Letter
engineer:
Rudy van Gelder and Val Valentin
producer:
Creed Taylor
bass:
Norman Keenan (from 1965-12-12 until 1965-12-21)
drums (drum set):
Grady Tate (from 1965-12-12 until 1965-12-21)
guitar:
Fred Green (from 1965-12-12 until 1965-12-21)
piano:
Count Basie (pianist) (from 1965-12-12 until 1965-12-21)
reeds:
Charles Fowlkes (baritone saxophonist) (from 1965-12-12 until 1965-12-21), Eric Dixon (woodwind) (from 1965-12-12 until 1965-12-21), Eddie Davis (jazz saxophonist) (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21)
trombone:
Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (jazz trombonist) (from 1965-12-12 until 1965-12-21), Al Grey (trombone) (from 1965-12-12 until 1965-12-21), Grover Mitchell (trombone) (from 1965-12-12 until 1965-12-21) and William Hughes (jazz trombonist) (from 1965-12-12 until 1965-12-21)
trumpet:
Albert Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21)
vocals:
Arthur Prysock (from 1965-12-12 until 1965-12-21)
conductor:
Dick Hyman (jazz pianist) (from 1965-12-12 until 1965-12-21)
arranger:
Dick Hyman (jazz pianist)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21)
cover recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (from 1965-12-12 until 1965-12-21)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
2:55
11Come Rain or Come Shine
engineer:
Rudy van Gelder and Val Valentin
producer:
Creed Taylor
bass:
Norman Keenan (from 1965-12-12 until 1965-12-21)
drums (drum set):
Rufus Jones (drums, aka Speedy Jones) (from 1965-12-12 until 1965-12-21)
guitar:
Fred Green (from 1965-12-12 until 1965-12-21)
piano:
Count Basie (pianist) (from 1965-12-12 until 1965-12-21)
reeds:
Charles Fowlkes (baritone saxophonist) (from 1965-12-12 until 1965-12-21), Eric Dixon (woodwind) (from 1965-12-12 until 1965-12-21), Eddie Davis (jazz saxophonist) (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21)
trombone:
Henderson Chambers (from 1965-12-12 until 1965-12-21), Al Grey (trombone) (from 1965-12-12 until 1965-12-21), Grover Mitchell (trombone) (from 1965-12-12 until 1965-12-21) and William Hughes (jazz trombonist) (from 1965-12-12 until 1965-12-21)
trumpet:
Albert Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21)
vocals:
Arthur Prysock (from 1965-12-12 until 1965-12-21)
conductor:
Billy Byers (from 1965-12-12 until 1965-12-21)
arranger:
Billy Byers
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21)
cover recording of:
Come Rain or Come Shine (from 1965-12-12 until 1965-12-21)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
2:24
12Where Are You
cover recording of:
Where Are You?
lyricist:
Harold Adamson
writer:
Harold Adamson and Jimmy McHugh (songwriter)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music and Leo Feist, Inc.
3:46
13Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3:17
14Sunday
cover recording of:
Sunday (famously sung by Frank Sinatra & others)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
2:38