The Apocryphal Bach Cantatas

~ Release by Koslowsky, Geraerts, Langshaw, Wessel, Alsfelder Vokalensemble, Steintor Barock Bremen, Wolfgang Helbich (see all versions of this release, 2 available)

Tracklist

1▶CD: BWV 217-219
2▼CD: BWV 220-222
#TitleArtistRatingLength
1Lobt ihn mit Herz und Munde, BWV 220: I. Chorale: Lobt ihn mit Herz und Munde
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Lobt ihn mit Herz und Munde, BWV 220: I. Choral: Lobt ihn mit Herz und Munde (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Lobt ihn mit Herz und Munde, BWV 220
[anonymous]0:47
2Lobt ihn mit Herz und Munde, BWV 220: II. Aria (Tenor): So preist den Höchsten
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
tenor vocals:
Harry Geraerts (tenor) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Lobt ihn mit Herz und Munde, BWV 220: II. Arie: So preist den Höchsten (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Lobt ihn mit Herz und Munde, BWV 220
[anonymous]3:27
3Lobt ihn mit Herz und Munde, BWV 220: III. Recitative (Bass): Auf Gottes Preis muss alle Freude ziele
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
bass vocals:
Phillip Langshaw (bass-baritone) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Lobt ihn mit Herz und Munde, BWV 220: III. Rezitativ: Auf Gottes Preis muss alle Freude ziele (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Lobt ihn mit Herz und Munde, BWV 220
[anonymous]2:00
4Lobt ihn mit Herz und Munde, BWV 220: IV. Aria (Alto) Sich in Gott und Jesu freuen
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
alto vocals:
Kai Wessel (countertenor) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Lobt ihn mit Herz und Munde, BWV 220: IV. Arie: Sich in Gott und Jesu freuen (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Lobt ihn mit Herz und Munde, BWV 220
[anonymous]6:25
5Lobt ihn mit Herz und Munde, BWV 220: V. Chor: Ich freue mich im Herrn
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Lobt ihn mit Herz und Munde, BWV 220: V. Chor: Ich freue mich im Herrn (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Lobt ihn mit Herz und Munde, BWV 220
[anonymous]2:01
6Wer such die Prast, wer wünsch den Glanz, BWV 221: I. Sinfonia
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221: I. Sinfonia (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221
[anonymous]2:11
7Wer such die Prast, wer wünsch den Glanz, BWV 221: II. Recitative (Tenor): Wer such die Prast, wer wünsch den Glanz
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
tenor vocals:
Harry Geraerts (tenor) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221: II. Rezitativ: Wer such die Prast, wer wünsch den Glanz (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221
[anonymous]0:40
8Wer such die Prast, wer wünsch den Glanz, BWV 221: III. Duet, Aria (Tenor, Bass): Seele, suchst du dein Vergnügen
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
bass vocals:
Phillip Langshaw (bass-baritone) (in 1991-02)
tenor vocals:
Harry Geraerts (tenor) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221: III. Duett, Arie: Seele, suchst du dein Vergnügen (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221
[anonymous]5:28
9Wer such die Prast, wer wünsch den Glanz, BWV 221: IV. Recitative (Bass): Umsonst ist hier die Kunst
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
bass vocals:
Phillip Langshaw (bass-baritone) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221: IV. Rezitativ: Umsonst ist hier die Kunst (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221
[anonymous]0:40
10Wer such die Prast, wer wünsch den Glanz, BWV 221: V. Aria (Tenor): Felsenfest muß der Grund im Herzen stehen
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
tenor vocals:
Harry Geraerts (tenor) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221: V. Arie: Felsenfest muß der Grund im Herzen stehen (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221
[anonymous]6:36
11Wer such die Prast, wer wünsch den Glanz, BWV 221: VI. Recitative (Bass): So ist denn das dein einziges Bemühn
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
bass vocals:
Phillip Langshaw (bass-baritone) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221: VI. Rezitativ: So ist denn das dein einziges Bemühn (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221
[anonymous]0:26
12Wer such die Prast, wer wünsch den Glanz, BWV 221: VII. Aria (Bass): Entfernet euch Vergänglichkeiten
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
bass vocals:
Phillip Langshaw (bass-baritone) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221: VII. Arie: Entfernet euch Vergänglichkeiten (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221
[anonymous]1:49
13Wer such die Prast, wer wünsch den Glanz, BWV 221: VIII. Recitative (Tenor): O, schöner Schluß, o wohl! der nie mißlungen
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
tenor vocals:
Harry Geraerts (tenor) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221: VIII. Rezitativ: O, schöner Schluß, o wohl! der nie mißlungen (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221
[anonymous]0:37
14Wer such die Prast, wer wünsch den Glanz, BWV 221: IX: Duet, Aria (Tenor, Bass): Der Himmel sebst zerfällt
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
bass vocals:
Phillip Langshaw (bass-baritone) (in 1991-02)
tenor vocals:
Harry Geraerts (tenor) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221: IX: Duett, Arie: Der Himmel sebst zerfällt (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Wer sucht die Pracht, wer wünscht den Glanz, BWV 221
[anonymous]1:37
15Mein Odem ist schwach, BWV 222: I. Aria: Mein Odem ist schwach
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
bass vocals:
Phillip Langshaw (bass-baritone) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Mein Odem ist schwach, BWV 222: I. Arie: Mein Odem ist schwach (in 1991-02)
composer:
Johann Ernst Bach
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Mein Odem ist schwach, BWV 222
Johann Ernst Bach3:36
16Mein Odem ist schwach, BWV 222: II. Aria (Alto): O, seyd mir sehnsuchtsvoll geküßt
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
alto vocals:
Kai Wessel (countertenor) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Mein Odem ist schwach, BWV 222: II. Arie: O, seyd mir sehnsuchtsvoll geküßt (in 1991-02)
composer:
Johann Ernst Bach
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Mein Odem ist schwach, BWV 222
Johann Ernst Bach9:35
17Mein Odem ist schwach, BWV 222: III. Choir: Unser Wandel ist im Himmel
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Mein Odem ist schwach, BWV 222: III. Chor: Unser Wandel ist im Himmel (in 1991-02)
composer:
Johann Ernst Bach
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Mein Odem ist schwach, BWV 222
Johann Ernst Bach2:33
18Mein Odem ist schwach, BWV 222: IV. Chorale: Wie du mir Herr befohlen hast
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Mein Odem ist schwach, BWV 222: IV. Choral: Wie du mir Herr befohlen hast (in 1991-02)
composer:
Johann Ernst Bach
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Mein Odem ist schwach, BWV 222
Johann Ernst Bach1:32
19Mein Odem ist schwach, BWV 222: V. Aria (Choir, Soprano): Laß mich nur, Herr
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (in 1991-02)
soprano vocals:
Johanna Koslowsky (soprano) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Mein Odem ist schwach, BWV 222: V. Arie: Laß mich nur, Herr (in 1991-02)
composer:
Johann Ernst Bach
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Mein Odem ist schwach, BWV 222
Johann Ernst Bach4:08
20Mein Odem ist schwach, BWV 222: VI. Choir: Wir aber sind getrost
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Mein Odem ist schwach, BWV 222: VI. Chor: Wir aber sind getrost (in 1991-02)
composer:
Johann Ernst Bach
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Mein Odem ist schwach, BWV 222
Johann Ernst Bach4:15

Credits

Release

manufactured in:Germany
artwork:Adolf Hölzel (German painter) (in 1916: task: cover painting "Fuge über ein Auferstehungsthema")
rights society:GEMA (German rights society; do not use this as a label or work publisher!)
graphic design:Carrée 53 (graphic design)
Discogs:https://www.discogs.com/release/14762340 [info]
ASIN:DE: B000001RUS [info]