Don Giovanni

~ Veröffentlichung von Mozart; Andreas Schmidt, Gregory Yurisich, Amanda Halgrimson, Lynne Dawson, John Mark Ainsley, Nancy Argenta, Gerald Finley, Alastair Miles, London Classical Players, Roger Norrington (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: Atto Primo (Prague version)
2▶CD: Atto Secondo (Prague version)
3▼CD: Appendix (Vienna version)
Nr.TitelKünstlerBewertungLänge
1Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart0:32
2Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart3:52
3Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart1:41
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart1:36
5Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart1:06
6Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart3:44
7Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08) und Lynne Dawson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart0:27
8Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Anhang. Recitativo "Ah pietà... compassion" (Leporello, Don Ottavio)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart0:40
9Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08) und Lynne Dawson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart0:41
10Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Recitativo "Restati qua" (Zerlina, Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart1:23
11Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Duetto "Per queste tue manine" (Zerlina, Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart3:18
12Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xb. Anhang. Recitativo "Amico, per pietà" (Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart0:56
13Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08) und Lynne Dawson (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart1:04
14Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Soprangesang:
Lynne Dawson (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart1:55
15Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Soprangesang:
Lynne Dawson (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart3:30
16Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart4:01
17Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart3:29
18Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Soprangesang:
Lynne Dawson (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:49
19Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Soprangesang:
Lynne Dawson (soprano) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto II. “L’ultima prova dell’amor mio” (Don Giovanni, Leporello, Donna Elvira) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:43
20Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "Ah signor ... per carità!" (Don Giovanni, Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Gregory Yurisich (baritone) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
recording of:
Don Giovanni: Atto II. “Che grido è questo mai” … “Ah signor per carità” (Donna Elvira, Don Giovanni, Leporello) (in 1992-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) und Giuseppe Verdi (Italian opera composer)
Librettist:
Lorenzo Da Ponte und Temistocle Solera
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:49
21Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher) (in 1992-08)
Bass-Gesang:
Alastair Miles (operatic bass) (in 1992-08) und Gregory Yurisich (baritone) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart5:16
22Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08) und Gregory Yurisich (baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08), Lynne Dawson (soprano) (in 1992-08) und Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart2:08
23Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto)
Techniker(in):
Chris Ludwinski (in 1992-08)
assistierende(r) Produzent(in):
Rosemary Lowther (Aufgabe: production assistant)
Produzent(in):
David R. Murray
Editing:
Tim Handley (engineer/editor/producer) und Mary Hughes (editor, engineer)
Bass-Gesang:
Gerald Finley (bass-baritone) (in 1992-08) und Gregory Yurisich (baritone) (in 1992-08)
Soprangesang:
Nancy Argenta (soprano) (in 1992-08), Lynne Dawson (soprano) (in 1992-08) und Amanda Halgrimson (soprano) (in 1992-08)
Tenor-Gesang:
John Mark Ainsley (tenor) (in 1992-08)
Orchester:
London Classical Players (in 1992-08)
conductor:
Roger Norrington (conductor) (in 1992-08)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1992-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1993)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-08)
Wolfgang Amadeus Mozart1:52

Nennungen

Veröffentlichung

hergestellt in:Holland, Kingdom of the Netherlands
gedruckt in:EU (Europa)
liner notes Übersetzer:Florence Daguerre de Hureaux
Bernd Müller (liner notes, German translation)
Michel Roubinet (translation English-French)
Anne Steeb (liner notes, German translation)
Renate Maria Wendel (liner notes translator, also a singer and bassoonist)
sonstige Unterstützung:Tina Ruta (Aufgabe: language coach)
Cello:Jennifer Ward Clarke (cellist) (in 1992-08)
Hammerklavier:Roger Hamilton (Irish harpsichordist)
John Toll (organist, harpsichordist and conductor) (in 1992-08)
zusätzlich conductor:Roger Hamilton (Irish harpsichordist)
Chorgesang:Schütz Choir of London
design:UNA (London) designers
urheberrechtlich geschützt (©) von:Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1999)
lizensiert von:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
lizenziert an:Virgin Classics Ltd. (not for release label use! for copyrights use)
ASIN:UK: B00000JJRC [Info]