Cantate Per La Pasqua

~ Release by Bach; Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cantata, BWV 182 "Himmelskönig, sei willkommen": I. Sonata
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach2:01
2Cantata, BWV 182 "Himmelskönig, sei willkommen": II. Coro: "Himmelskönig, sei willkommen"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: II. Chor „Himmelskönig, sei willkommen“ (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach2:59
3Cantata, BWV 182 "Himmelskönig, sei willkommen": III. Recitativo (Basso): "Siehe, ich komme, im Buch ist von mir geschrieben"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: III. Rezitativ (Bass) „Siehe, ich komme“ (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach0:30
4Cantata, BWV 182 "Himmelskönig, sei willkommen": IV. Aria (Basso): "Starkes Lieben, Das dich, großer Gottessohn"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: IV. Arie (Bass) „Starkes Lieben“ (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach2:34
5Cantata, BWV 182 "Himmelskönig, sei willkommen": V. Aria (Alto): "Leget euch dem Heiland unter, Herzen"
alto vocals:
Kai Wessel (countertenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: V. Arie (Alt) „Leget euch dem Heiland unter“ (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach6:36
6Cantata, BWV 182 "Himmelskönig, sei willkommen": VI. Aria (Tenore): "Jesu, lass durch Wohl und Weh"
tenor vocals:
Christoph Prégardien (tenor) (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VI. Arie (Tenor) „Jesu, laß durch Wohl und Weh“ (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:39
7Cantata, BWV 182 "Himmelskönig, sei willkommen": VII. Corale: "Jesu, deine Passion Ist mir lauter Freude"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VII. Choral „Jesu, deine Passion“ (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Paul Stockmann (in 1633)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach2:29
8Cantata, BWV 182 "Himmelskönig, sei willkommen": VIII. Coro: "So lasset uns gehen in Salem der Freuden"
choir vocals:
Amsterdam Baroque Choir (in 1995-05)
orchestra:
Amsterdam Baroque Orchestra (in 1995-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1995-05)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: VIII. Chor „So lasset uns gehen in Salem der Freuden“ (in 1995-05)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach3:53
9Cantata, BWV 4 "Christ lag in Todesbanden": I. Sinfonia
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:10
10Cantata, BWV 4 "Christ lag in Todesbanden": II. Coro "Christ lag in Todesbanden"
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:42
11Cantata, BWV 4 "Christ lag in Todesbanden": III. Versus 2: "Den Tod niemand zwingen kunnt"
alto vocals:
Kai Wessel (countertenor) (from 1994-11-23 until 1994-12-03)
soprano vocals:
Barbara Schlick (soprano) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:09
12Cantata, BWV 4 "Christ lag in Todesbanden": IV. Versus 3: "Jesus Christus, Gottes Sohn"
tenor vocals:
Guy de Mey (Belgian operatic tenor) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:02
13Cantata, BWV 4 "Christ lag in Todesbanden": IV. Versus 4: "Es war ein wunderlicher Krieg"
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:07
14Cantata, BWV 4 "Christ lag in Todesbanden": V. Versus 5: "Hier ist das rechter Osterlamm"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:54
15Cantata, BWV 4 "Christ lag in Todesbanden": VI. Versus 6: "So feiern wir das hohe Fest"
soprano vocals:
Barbara Schlick (soprano) (from 1994-11-23 until 1994-12-03)
tenor vocals:
Guy de Mey (Belgian operatic tenor) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:57
16Cantata, BWV 4 "Christ lag in Todesbanden": VII. Versus 7: "Wir essen und leben wohl"
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (from 1994-11-23 until 1994-12-03)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:19
17Cantata, BWV 31 "Der Himmel lacht! die Erde jubilieret": I. Sonata
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": I. Sonata (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:30
18Cantata, BWV 31 "Der Himmel lacht! die Erde jubilieret": II. Coro "Der Himmel lacht! die Erde jubilieret"
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": II. Coro "Der Himmel lacht! die Erde jubilieret" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach3:35
19Cantata, BWV 31 "Der Himmel lacht! die Erde jubilieret": III. Recitativo (Basso): "Erwünschter Tag! sei, Seele, wieder froh!"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": III. Recitativo (Basso) "Erwünschter Tag! sei, Seele, wieder froh!" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:04
20Cantata, BWV 31 "Der Himmel lacht! die Erde jubilieret": IV. Aria (Basso): "Fürst des Lebens, starker Streiter"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IV. Aria (Basso) "Fürst des Lebens, starker Streiter" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach3:24
21Cantata, BWV 31 "Der Himmel lacht! die Erde jubilieret": V. Recitativo (Tenore): "Se stehe dann, du gottergebne Seele"
tenor vocals:
Guy de Mey (Belgian operatic tenor) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": V. Recitativo (Tenore) "So stehe dann, du gottergebne Seele" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach1:07
22Cantata, BWV 31 "Der Himmel lacht! die Erde jubilieret": VI. Aria (Tenore) "Adam muss in uns verwesen"
tenor vocals:
Guy de Mey (Belgian operatic tenor) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VI. Aria (Tenore) "Adam muss in uns verwesen" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:18
23Cantata, BWV 31 "Der Himmel lacht! die Erde jubilieret": VII. Recitativo (Soprano): "Weil dann das Haupt sein Glied"
soprano vocals:
Barbara Schlick (soprano) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VII. Recitativo (Soprano) "Weil dann das Haupt sein Glied" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach0:49
24Cantata, BWV 31 "Der Himmel lacht! die Erde jubilieret": VIII. Aria (Soprano) e Corale "Letzte Stunde, brich herein"
soprano vocals:
Barbara Schlick (soprano) (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VIII. Aria (Soprano) e Choral "Letzte Stunde, brich herein" (from 1994-11-23 until 1994-12-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach4:04
25Cantata, BWV 31 "Der Himmel lacht! die Erde jubilieret": IX. Corale: "So fahr ich hin zu Jesu Christ"
choir vocals:
Amsterdam Baroque Choir (from 1994-11-23 until 1994-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 1994-11-23 until 1994-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1994-11-23 until 1994-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1994-11-23 until 1994-12-03)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IX. Choral "So fahr ich hin zu Jesu Christ" (from 1994-11-23 until 1994-12-03)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Breitkopf 389 Choralgesänge (number: 357)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach1:08
26Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden"
choir vocals:
Amsterdam Baroque Choir (from 2001-03-05 until 2001-03-16)
orchestra:
Amsterdam Baroque Orchestra (from 2001-03-05 until 2001-03-16)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-03-05 until 2001-03-16)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-03-05 until 2001-03-16)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (from 2001-03-05 until 2001-03-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach6:09
27Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto): "Hochgelobter Gottesohn"
alto vocals:
Bogna Bartosz (from 2001-03-05 until 2001-03-16)
orchestra:
Amsterdam Baroque Orchestra (from 2001-03-05 until 2001-03-16)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-03-05 until 2001-03-16)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-03-05 until 2001-03-16)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (from 2001-03-05 until 2001-03-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:09
28Cantata, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Corale (Soprano): "Ach bleib bei uns, Herr Jesu Christ"
soprano vocals:
Deborah York (from 2001-03-05 until 2001-03-16)
orchestra:
Amsterdam Baroque Orchestra (from 2001-03-05 until 2001-03-16)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-03-05 until 2001-03-16)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-03-05 until 2001-03-16)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (from 2001-03-05 until 2001-03-16)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:45
2▶CD