| # | Title | Artist | Rating | Length |
|---|
| 1 | Troy- recording engineer:
- Caroline (Eden) , Ian (Oasis) and Jaybee
- engineer:
- Kevin Moloney
- co-producer:
- Kevin Moloney
- producer:
- Sinéad O’Connor
- mixer:
- Fachtna Ó Ceallaigh, Kevin Moloney and Sinéad O’Connor
- acoustic guitar [ac. gtrs.] and electric guitar [elec. gtrs.]:
- Rob Dean
- bass guitar [bass gtrs.]:
- ‘Spike’ Hollifield
- drum machine [machines] and drums (drum set) [drum kit]:
- John Reynolds
- electric guitar [elec. gtr.] and lead vocals [all vocals]:
- Sinéad O’Connor
- keyboard [keyboards] and synthesizer [synths.]:
- Mike Clowes
- conductor:
- Gavyn Wright
- strings arranger:
- Mike Clowes
- arranger:
- Mike Clowes and Sinéad O’Connor
- phonographic copyright (℗) by:
- Chrysalis Records Ltd. (in 1987) and Ensign Records Ltd. (in 1987)
- recorded at:
- Oasis Studio in Camden , London , England, United Kingdom
- mixed at:
- Eden Studios in Chiswick, Hounslow, London , England, United Kingdom
- recording of:
- Troy
- lyricist and composer:
- Sinéad O’Connor
- publisher:
- Chrysalis Music Ltd. , Dizzy Heights Music Publishing Ltd. and Ensign Records Ltd.
| Sinéad O’Connor | 4.15 | 6:23 |
| 2 | Love Will Tear Us Apart- producer:
- Joy Division and Martin Hannett
- bass:
- Peter Hook
- drums (drum set):
- Stephen Morris
- guitar:
- Bernard Albrecht
- vocals:
- Bernard Albrecht and Ian Curtis
- phonographic copyright (℗) by:
- Factory Communications Ltd. (in 1988)
- recorded at:
- Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1989 (All-time)), triple j’s Hottest 100 (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 179)
- recording of:
- Love Will Tear Us Apart
- lyricist:
- Ian Curtis
- composer:
- Ian Curtis, Peter Hook, Stephen Morris and Bernard Sumner
- publisher:
- Fractured Music and Zomba Music Publishers Ltd.
| Joy Division | 4.5 | 3:23 |
| 3 | The Passenger | Iggy Pop | 4.6 | 4:41 |
| 4 | Street Spirit- recording engineer:
- Jonny Greenwood
- sound engineer:
- Jim Warren
- assistant engineer:
- Guy Massey and Shelley Saunders
- engineer:
- Chris Brown , Nigel Godrich , John Leckie and Jim Warren
- producer:
- John Leckie
- mixer:
- John Leckie, Paul Q. Kolderee, Radiohead and Sean Slade
- editor:
- Chris Blair
- bass guitar:
- Colin Greenwood (from 1994-02 until 1994-11)
- cello:
- Caroline Lavelle (from 1994-02 until 1994-11)
- drums (drum set) and percussion:
- Philip Selway (from 1994-02 until 1994-11)
- guitar:
- Jonny Greenwood (from 1994-02 until 1994-11), Ed O’Brien (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
- organ and synthesizer:
- Jonny Greenwood (from 1994-02 until 1994-11)
- piano:
- Jonny Greenwood (from 1994-02 until 1994-11) and Thom Yorke (from 1994-02 until 1994-11)
- viola and violin:
- John Matthias (from 1994-02 until 1994-11)
- background vocals:
- Ed O’Brien (from 1994-02 until 1994-11)
- vocals:
- Thom Yorke (from 1994-02 until 1994-11)
- strings arranger:
- Jonny Greenwood and Thom Yorke
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1995)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1994-02 until 1994-11), RSK in London , England, United Kingdom (from 1994-02 until 1994-11) and The Manor in Oxfordshire, England, United Kingdom (from 1994-02 until 1994-11)
- mixed at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom and Fort Apache in Cambridge, Massachusetts, United States
- edited at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom
- music videos:
- Street Spirit (Fade Out) by Radiohead
- recording of:
- Street Spirit (Fade Out) (from 1994-02 until 1994-11)
- writer:
- Colin Greenwood , Jonny Greenwood , Ed O’Brien , Philip Selway and Thom Yorke
- publisher:
- Warner Chappell Music Ltd.
| Radiohead | 4.5 | 4:12 |
| 5 | In Dreams | Roy Orbison | 4 | 2:48 |
| 6 | Get Up I Feel Like Being a Sex Machine | James Brown | | 2:50 |
| 7 | Heroin | The Velvet Underground | 4.2 | 7:10 |
| 8 | Dreadlock Holiday- engineer:
- Keith Bessey, Eric Stewart and Tony Spath
- producer:
- Graham Gouldman and Eric Stewart
- mixer:
- Eric Stewart
- agogô, congas, cowbell, marimba, timbales and triangle:
- Paul Burgess
- bass guitar, cabasa and background vocals and lead vocals:
- Graham Gouldman
- drums (drum set) and tambourine:
- Stuart Tosh
- electric guitar:
- Rick Fenn and Graham Gouldman
- electric piano and maracas:
- Eric Stewart
- organ:
- Rick Fenn and Eric Stewart
- synthesizer [Yamaha Cs80]:
- Duncan Mackay
- background vocals:
- Rick Fenn, Eric Stewart and Stuart Tosh
- arranger:
- 10cc
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1978) and Phonogram Ltd. (in 1978)
- recorded at and mixed at:
- Strawberry Studios South in Dorking, Surrey, England, United Kingdom
- music videos:
- Dreadlock Holiday by 10cc
- recording of:
- Dreadlock Holiday
- writer:
- Graham Gouldman and Eric Stewart
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , Man-Ken Music Ltd. and St. Anne’s Music Ltd.
| 10cc | 4.65 | 4:28 |
| 9 | Jolene | Dolly Parton | 4.25 | 2:37 |
| 10 | Le vent nous portera | Noir Désir | | 4:48 |
| 11 | Tin Soldier | Small Faces | | 3:22 |
| 12 | Animal Nitrate | Suede | 4.35 | 3:20 |
| 13 | In the Dutch Mountains | Nits | 5 | 3:25 |
| 14 | Zombie | The Cranberries | | 4:11 |
| 15 | Marlene on the Wall | Suzanne Vega | 4 | 3:40 |
| 16 | Waltz #2 (XO) | Elliott Smith | 3.75 | 4:37 |
| 17 | Going Underground | The Jam | 4.25 | 2:55 |
| 18 | Strange Fruit | Billie Holiday | | 3:27 |
| 19 | No Sound but the Wind (live) | Editors | | 3:50 |
| 20 | I Keep a Close Watch | John Cale | 4 | 2:27 |
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