At The Movies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Stormy Weather
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-12-15)
Orchester:
Lou Bring’s Orchestra
conductor:
Lou Bring (conductor and pianist)
cover recording of:
Stormy Weather (am 1941-12-15)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Lena Horne3:24
2Summertime
Klarinette:
Artie Shaw (in 1945)
Trompete:
Roy Eldridge (in 1945)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (in 1945)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Artie Shaw and His Orchestra featuring Roy Eldridge5:04
3On Green Dolphin Street
alto saxophone:
Johnny Hodges (in 1965)
elektronische Orgel:
Wild Bill Davis (in 1965)
instrumental cover recording of:
On Green Dolphin Street (in 1965)
Texter:
Ned Washington (in 1947)
Komponist(in):
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. und Patti Washington Music
Johnny Hodges with Wild Bill Davis3:16
4As Time Goes By
cover recording of:
As Time Goes By (the song from “Casablanca”) (in 1956)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Lee Wiley3:13
5The Pink Panther Theme
recording engineer:
Jim Malloy
Produzent(in):
Joe Reisman
Tenorsaxophon:
Plas Johnson (am 1963-09-16)
Orchester:
The Henry Mancini Orchestra (am 1963-09-16)
conductor:
Henry Mancini (US composer, conductor & arranger) (am 1963-09-16)
arranger:
Henry Mancini (US composer, conductor & arranger)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-09-16)
recording of:
The Pink Panther Theme (am 1963-09-16)
Orchestrator(in) und Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
Classic 100: Piano (2025) (Nummer: 61)
Henry Mancini & His Orchestra featuring Plas Johnson4.12:38
6Round Midnight
Techniker(in):
Ed Rak
Mix:
Larry Clothier und Ed Rak
Klavier:
Eric Gunnison (am 1988-04-13)
Kontrabass:
George Mraz (jazz bassist) (am 1988-04-13)
Schlagzeug:
Al Foster (am 1988-04-13)
Tenorsaxophon:
Clifford Jordan (jazz saxophonist) (am 1988-04-13)
vocals:
Carmen McRae (am 1988-04-13)
aufgenommen bei:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten (am 1988-04-13)
mixed at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten
cover recording of:
’Round Midnight (am 1988-04-13)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Carmen McRae6:30
7Lover Man (Oh, Where Can You Be)
Geige / Violine:
Stéphane Grappelli (jazz violinist) (in 1949)
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (in 1949)
instrumental cover recording of:
Lover Man (in 1949)
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
Django Reinhardt & Stephane Grappelli3:12
8The Wild One (Hot Blood)
alto saxophone:
Bud Shank (in 1953)
Trompete:
Shorty Rogers (trumpet) (in 1953)
recording of:
The Wild One (Hot Blood) (in 1953)
Komponist(in):
Leith Stevens
Shorty Rogers & His Orchestra featuring Bud Shank3:20
9Ain't Misbehavin'
Gitarre:
Irving Ashby (am 1943-01-23)
Klavier:
Fats Waller (in 1943, am 1943-01-23)
Kontrabass:
Slam Stewart (am 1943-01-23)
Posaune:
Alton Moore (am 1943-01-23) und Slim Moore (trombonist linked to Fats Waller) (am 1943-01-23)
Rohrblattinstrumente:
Gene Porter (40s west coast jazz cat) (am 1943-01-23)
Schlagzeug:
Zutty Singleton (am 1943-01-23)
Trompete:
Benny Carter (am 1943-01-23)
vocals:
Fats Waller (am 1943-01-23)
Bearbeitung von:
Ain’t Misbehavin’ (alternate ending) (1943: “Stormy Weather” movie) von “Fats” Waller (Fats Waller)
recording of:
Ain’t Misbehavin’ (am 1943-01-23)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Fats Waller3:58
10My Man (Mon Homme)
Tenorsaxophon:
Coleman Hawkins (in 1956)
instrumental cover recording of:
Mon homme (in 1956)
Texter:
Jacques Charles (French librettist and theatre producer) und Albert Willemetz
Komponist(in):
Maurice Yvain
Coleman Hawkins3:22
11April in Paris
cover recording of:
April in Paris (in 1952)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Sauter-Finegan Band3:00
12Everything I Have Is Yours, Dedicated to You
assistierende(r) Techniker(in):
Larry McGee
Techniker(in):
Cookie Marenco
Produzent(in):
Larry Clothier und Roy Hargrove
Bass:
Rodney Whitaker (Bass)
Flügelhorn und Trompete:
Roy Hargrove
Klavier:
Marc Cary
membranophone:
Gregory Hutchinson
Saxophon:
Ron Blake (woodwinds player)
Trompete:
Roy Hargrove (in 1993)
mixed at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Vereinigte Staaten
instrumental cover recording of:
Everything I Have Is Yours (in 1993)
Texter:
Harold Adamson
Komponist(in):
Burton Lane
Roy Hargrove4:52
13Without a Song
Bass:
Sid Weiss (am 1941-01-20)
Gitarre:
Clark Yocum (am 1941-01-20)
Klavier:
Joe Bushkin (am 1941-01-20)
Posaune:
George Arus (am 1941-01-20), Les Jenkins (am 1941-01-20) und Lowell Martin (jazz trombonist) (am 1941-01-20)
Saxophon:
Heinie Beau (am 1941-01-20), Don Lodice (am 1941-01-20), Paul Mason (jazz saxophonist) (am 1941-01-20), Johnny Mince (am 1941-01-20) und Fred Stulce (am 1941-01-20)
Schlagzeug:
Buddy Rich (am 1941-01-20)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1941-01-20), Ziggy Elman (am 1941-01-20), Ray Linn (am 1941-01-20) und Chuck Peterson (trumpet) (am 1941-01-20)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1941-01-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Tommy Dorsey (swing trombone player & band leader) (am 1941-01-20)
arranger:
Sy Oliver
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1941-01-20)
cover recording of:
Without a Song (am 1941-01-20)
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild und WB Music Corp. (1929–2019)
Teil von:
Great Day!
Tommy Dorsey & His Orchestra with Frank Sinatra4:28
14God Bless the Child
recorded in:
New York, New York, Vereinigte Staaten (am 1962-01-30)
recording engineer:
Ray Hall (engineer) (am 1962-01-30)
Techniker(in):
Ray Hall (engineer) (in 1986-07)
Produzent(in):
George Avakian (US 1940–90s record producer) und Bob Prince (Jazz composer, arranger, conductor & producer)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (in 1962, am 1962-01-30)
Kontrabass:
Bob Cranshaw (am 1962-01-30)
Schlagzeug:
Harry T. Saunders (am 1962-01-30)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (in 1962, am 1962-01-30)
aufgenommen bei:
RCA Victor Studio B (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1962-01-30)
instrumental cover recording of:
God Bless the Child (am 1962-01-30)
Texter:
Billie Holiday
Komponist(in):
Arthur Herzog, Jr.
publisher:
Basart Editions (beendet) und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Sonny Rollins featuring Jim Hall7:28
15It Might as Well Be Spring
cover recording of:
It Might as Well Be Spring (State Fair) (in 1973)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
Cleo Laine2:47
16Lover Come Back to Me
Trompete:
Dizzy Gillespie (in 1948)
instrumental recording of:
Lover, Come Back to Me (from "The New Moon") (in 1948)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
Dizzy Gillespie3:32
17Everytime We Say Goodbye
Assistent recording engineer:
Jerry Wood (recording engineer)
recording engineer:
Jim Mooney
Partner-Produzent(in):
Joseph S. DeBeasi (composer, music editor and producer)
Produzent(in):
Steve Backer
Bass:
John Leftwich (Jazz bassist) (von 1987-01 bis 1987-05)
Klavier:
Frank Strazzeri (von 1987-01 bis 1987-05)
Schlagzeug:
Ralph Penland (Drums) (von 1987-01 bis 1987-05)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (von 1987-01 bis 1987-05)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (in 1987)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Chet Baker4:49
18It's Only a Paper Moon
instrumental cover recording of:
It’s Only a Paper Moon (in 1941)
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
John Kirby & His Orchestra3:10
19Moon Glow (I'm Living in the Past)
Banjo:
Morris White (jazz guitarist) (am 1934-01-22)
Klavier:
Benny Payne (jazz pianist and vocalist) (am 1934-01-22)
Kontrabass:
Al Morgan (jazz double-bassist) (am 1934-01-22)
Posaune:
DePriest Wheeler (am 1934-01-22) und Harry White (jazz trombonist) (am 1934-01-22)
Rohrblattinstrumente:
Eddie Barefield (am 1934-01-22), Andrew Brown (jazz saxophonist) (am 1934-01-22), Arville Harris (am 1934-01-22) und Walter Thomas (am 1934-01-22)
Schlagzeug:
Leroy Maxey (jazz drummer) (am 1934-01-22)
Trompete:
Doc Cheatham (am 1934-01-22), Edwin Swayze (am 1934-01-22) und Lammar Wright (am 1934-01-22)
vocals:
Cab Calloway (am 1934-01-22)
instrumental cover recording of:
Moonglow (am 1934-01-22)
Texter:
Eddie DeLange
Komponist(in):
Will Hudson und Irving Mills
Cab Calloway and His Cotton Club Orchestra3:11
20What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und Project 3 Records Inc. (in 1988)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong Orchestra & Chorus3.952:17

Nennungen

Veröffentlichung

Zusammensteller:Jo Kennedy (compiler of jazz releases)
Brian Priestley
Discogs:https://www.discogs.com/release/33481010 [Info]