Le nozze di Figaro

~ Release by Mozart; Eberhard Wächter, Elisabeth Schwarzkopf, Fiorenza Cossotto, Giuseppe Taddei, Anna Moffo, Philharmonia Chorus, Philharmonia Orchestra, Carlo Maria Giulini (see all versions of this release, 8 available)

Annotation

Copyright: A Warner Classics release, ℗ 1961, 2025 Parlophone Records Limited

Annotation last modified on 2026-07-25 12:59 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Le nozze di Figaro, K. 492: Overture
producer:
Walter Legge (British classical producer) (task: artistic director)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro: Sinfonia (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:17
2Le nozze di Figaro, K. 492, Act 1: "Cinque... dieci... venti" (Figaro, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:14
3Le nozze di Figaro, K. 492, Act 1: "Se a caso Madama" (Figaro, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:32
4Le nozze di Figaro, K. 492, Act 1: "Or bene, ascolta e taci" (Figaro, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. Recitativo “Or bene, ascolta e taci!” (Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:13
5Le nozze di Figaro, K. 492, Act 1: "Se vuol ballare" (Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:23
6Le nozze di Figaro, K. 492, Act 1: "Ed aspettaste il giorno" (Bartolo, Marcellina)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. Recitativo “Ed aspettaste il giorno fissato a le sue nozze” (Bartolo, Marcellina) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart0:48
7Le nozze di Figaro, K. 492, Act 1: "La vendetta, oh, la vendetta" (Bartolo)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:01
8Le nozze di Figaro, K. 492, Act 1: "Tutto ancor non ho perso" (Marcellina, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. Recitativo “Tutto ancor non ho perso” (Marcellina, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart0:31
9Le nozze di Figaro, K. 492, Act 1: "Via resti servita, madama brillante" (Marcellina, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:15
10Le nozze di Figaro, K. 492, Act 1: "Va là, vecchia pedante" (Susanna, Cherubino)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. Recitativo “Va là, vecchia pedante” (Cherubino, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:19
11Le nozze di Figaro, K. 492, Act 1: "Non so più cosa son, cosa faccio" (Cherubino)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:46
12Le nozze di Figaro, K. 492, Act 1: "Ah! Son perduto!" (Cherubino, Susanna, Conte, Basilio)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VI. Recitativo “Ah, son perduto!” (Cherubino, Susanna, Il Conte, Basilio) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:59
13Le nozze di Figaro, K. 492, Act 1: "Cosa sento!" (Conte, Basilio, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart4:30
14Le nozze di Figaro, K. 492, Act 1: "Basilio, in traccia tosto di Figaro volate" (Conte, Susanna, Cherubino, Basilio)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. Recitativo “Basilio, in traccia tosto di Figaro volate” (Il Conte, Susanna, Cherubino, Basilio) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart0:52
15Le nozze di Figaro, K. 492, Act 1: "Giovani liete, fiori spargete" (Coro)
producer:
Walter Legge (British classical producer) (task: artistic director)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:13
16Le nozze di Figaro, K. 492, Act 1: "Cos’è questa commedia" - "Giovani liete, fiori spargete" (Conte, Figaro, Susanna, Coro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Cos’è questa commedia?” (Il Conte, Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:16
17Le nozze di Figaro, K. 492, Act 1: "Evviva! Evviva!" (Figaro, Susanna, Basilio, Cherubino, Conte)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. Recitativo “Evviva!” (Figaro, Susanna, Basilio, Cherubino, Il Conte) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:00
18Le nozze di Figaro, K. 492, Act 1: "Non più andrai, farfallone amoroso" (Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:50
19Le nozze di Figaro, K. 492, Act 2: "Porgi, amor, qualche ristoro" (Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:40
20Le nozze di Figaro, K. 492, Act 2: "Vieni, cara Susanna" (Contessa, Susanna, Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. Recitativo “Vieni, cara Susanna” (La Contessa, Susanna, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:08
21Le nozze di Figaro, K. 492, Act 2: "Quanto duolmi, Susanna" (Contessa, Susanna, Cherubino)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quanto duolmi, Susanna” (La Contessa, Susanna, Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart0:56
22Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino)
producer:
Walter Legge (British classical producer) (task: artistic director)
mezzo-soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:52
23Le nozze di Figaro, K. 492, Act 2: "Bravo! Che bella voce!" (Contessa, Susanna, Cherubino)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Bravo! che bella voce!” (La Contessa, Susanna, Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart0:48
24Le nozze di Figaro, K. 492, Act 2: "Venite, inginocchiatevi" (Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:50
25Le nozze di Figaro, K. 492, Act 2: "Quante buffonerie!" - "Chi picchia alla mia porta?" (Contessa, Susanna, Cherubino, Conte)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. Recitativo “Quante buffonerie” (Il Conte, La Contessa, Cherubino, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:05
26Le nozze di Figaro, K. 492, Act 2: "Che novità!" (Conte, Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Che novità!” (Il Conte, La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:03
27Le nozze di Figaro, K. 492, Act 2: "Susanna, or via sortite" (Conte, Contessa, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:08
28Le nozze di Figaro, K. 492, Act 2: "Dunque voi non aprite?" (Conte, Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Dunque, voi non aprite?” (Il Conte, La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart0:44
29Le nozze di Figaro, K. 492, Act 2: "Aprite, presto, aprite" - "Oh, guarda il demonietto" (Susanna, Cherubino)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:09
30Le nozze di Figaro, K. 492, Act 2: "Tutto è come il lasciai" (Conte, Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena V. Recitativo “Tutto è come io lasciai” (Il Conte, La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart0:55
31Le nozze di Figaro, K. 492, Act 2: "Esci ormai, garzon malnato" (Conte, Contessa)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:54
32Le nozze di Figaro, K. 492, Act 2: "Signore! Cos’è quel stupore?" (Susanna, Conte, Contessa, Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Signore, cos’è quel stupore?” (Il Conte, La Contessa, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart6:05
33Le nozze di Figaro, K. 492, Act 2: "Conoscete, signor Figaro" (Conte, Figaro, Susanna, Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
Wolfgang Amadeus Mozart8:19
34Le nozze di Figaro, K. 492, Act 2: "Voi signor, che giusto siete" (Marcellina, Bartolo, Basilio, Conte, Susanna, Contessa, Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:01
35Le nozze di Figaro, K. 492, Act 3: "Che imbarazzo è mai questo!" - "Via! fatti core" (Conte, Contessa, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena I. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:05
36Le nozze di Figaro, K. 492, Act 3: "Crudel! Perchè finora farmi languir così?" (Conte, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:41
37Le nozze di Figaro, K. 492, Act 3: "E perchè fosti meco stamattina si austera?" - "Ehi, Susanna, ove vai?" (Conte, Susanna, Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena III. Recitativo “E perchè fosti meco” (Il Conte, Susanna, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:44
38Le nozze di Figaro, K. 492, Act 3: "Hai già vinta la causa!" - "Vedrò, mentr’io sospiro" (Conte)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:49
39Le nozze di Figaro, K. 492, Act 3: "È decisa la lite" (Curzio, Marcellina, Figaro, Conte, Bartolo)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
tenor vocals [Curzio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VII. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:33
40Le nozze di Figaro, K. 492, Act 3: "Riconosci in questo amplesso una madre" (Marcellina, Figaro, Bartolo, Curzio, Conte, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Curzio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:52
41Le nozze di Figaro, K. 492, Act 3: "Eccovi, o caro amico, il dolce frutto" (Marcellina, Bartolo, Susanna, Figaro, Barbarina, Cherubino)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. Recitativo “Eccovi, oh caro amico” (Marcellina, Bartolo, Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:25
42Le nozze di Figaro, K. 492, Act 3: "E Susanna non vien!" - "Dove sono" (Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:51
43Le nozze di Figaro, K. 492, Act 3: "Io vi dico signor" (Antonio, Conte, Contessa, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
bass vocals [Antonio]:
Piero Cappuccilli (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
partial recording of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart0:51
44Le nozze di Figaro, K. 492, Act 3: "Sull’aria. Che soave zffiretto" - "Piegato è il foglio" (Susanna, Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:55
45Le nozze di Figaro, K. 492, Act 3: "Ricevete, o padroncina" - "Queste sono, Madama, le ragazze" - "Ecco la marcia, andiamo!" (Coro, Susanna, Antonio, Conte, Cherubino, Figaro, Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena XI. (no. 22) Coro “Ricevete, oh padroncina” (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:33
46Le nozze di Figaro, K. 492, Act 3: "Amanti costanti" - "Andate, amici!" (Due ragazze, Coro, Conte, Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Amanti costanti seguaci d’onor” (Coro di contadine) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:15
47Le nozze di Figaro, K. 492, Act 4: "L’ho perduta, me meschina!" (Barbarina)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [Barberina]:
Elisabetta Fusco (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena II. Recitativo “Barbarina, cos’hai?” (Barbarina, Figaro, Marcellina) / Atto IV, Scena III. Recitativo “Madre!… Figlio!” (Figaro, Marcellina) / Atto IV, Scena IV. “Presto, avvertiam Susanna…” (Marcellina) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:04
48Le nozze di Figaro, K. 492, Act 4: "Tutto è disposto" - "Aprite un po’ quegl’occhi" (Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:56
49Le nozze di Figaro, K. 492, Act 4: "Signore! Ella mi disse che Figaro verravi" (Susanna, Marcellina, Contessa, Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
mezzo-soprano vocals [Marcellina]:
Dora Gatta (soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le Nozze di Figaro, K. 492: Atto IV, Scena IX. Recitativo “Signora, ella mi disse” (La Contessa, Susanna, Marcellina, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart0:39
50Le nozze di Figaro, K. 492, Act 4: "Giunse alfin il momento" - "Deh, vieni, non tardar" (Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:13
51Le nozze di Figaro, K. 492, Act 4: "Perfida! E in quella forma meco mentia?" (Figaro, Contessa, Cherubino)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scenas XI-XIV. Recitativo “Perfida, e in quella forma meco mentia?” (Cherubino, Figaro, La Contessa) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart0:25
52Le nozze di Figaro, K. 492, Act 4: "Pian, pianin, le andrò più presso" (Cherubino, Contessa, Conte, Susanna, Figaro)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:24
53Le nozze di Figaro, K. 492, Act 4: "Tutto è tranquillo e placido" (Figaro, Susanna)
producer:
Walter Legge (British classical producer) (task: artistic director)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Tutto è tranquillo e placido” (Figaro, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:21
54Le nozze di Figaro, K. 492, Act 4: "Pace, pace, mio dolce tesoro" (Figaro, Susanna, Conte)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Figaro, Susanna, Il Conte) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:54
55Le nozze di Figaro, K. 492, Act 4: "Gente, gente, all’armi, all’armi!" (Conte, Basilio, Figaro, Curzio, Antonio, Bartolo, Susanna, Cherubino, Barbarina, Marcellina, Contessa)
producer:
Walter Legge (British classical producer) (task: artistic director)
baritone vocals [Figaro]:
Giuseppe Taddei (baritone) (from 1959-09 until 1959-11)
bass vocals [Antonio]:
Piero Cappuccilli (baritone) (from 1959-09 until 1959-11)
bass vocals [Bartolo]:
Ivo Vinco (operatic bass) (from 1959-09 until 1959-11)
bass vocals [Il Conte]:
Eberhard Wächter (baritone) (from 1959-09 until 1959-11)
soprano vocals [Cherubino]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09 until 1959-11)
soprano vocals [La Contessa]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1959-09 until 1959-11)
soprano vocals [Susanna]:
Anna Moffo (soprano) (from 1959-09 until 1959-11)
tenor vocals [Basilio] and tenor vocals [Curzio]:
Renato Ercolani (tenor) (from 1959-09 until 1959-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1959-09 until 1959-11)
conductor:
Carlo Maria Giulini (conductor) (from 1959-09 until 1959-11)
balance engineer:
Douglas Larter (from 1959-09 until 1959-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1959-09 until 1959-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) (from 1959-09 until 1959-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:00