Greatest Sports Rock and Jams, Vol. 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

℗1997 EMI-Capitol Music Special Markets
©1997 K-tel International, Inc. (USA)
Artwork printed in USA
Discs made in USA or Canada
Track 1 on both discs show no credits on track listings
Track Times courtesy of dbPowerAmp as they are not listed

Some discs may have indexing errors as some tracks are prematurely ended and added on the front of next track.

Matrix / Runout (Disc 1, Variant 1): 724381963920 1-1-7
Matrix / Runout (Disc 1, Variant 2): 724381963920 1-1-1 MASTERED BY EMI MFG.
Mastering SID Code (Disc 1, Variants 1, 2): IFPI L043
Mould SID Code (Disc 1, Variant 1, located on mastering ring): 1672
Mould SID Code (Disc 1, Variant 2, located on mastering ring): ifpi 167A
Matrix / Runout (Disc 2, Variants 1,2): L384 8320 KT625522 B70724-15
Mastering SID Code (Disc 2, Variants 1,2): L384
Mould SID Code (Disc 2, Variants 1,2): IFPI 6100

Annotazione modificata l'ultima volta il 2023-12-29 13:01 UTC.

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1The War Chant
Dominion Entertainment, Inc.0:22
2What I Like About You
produttore:
Peter Solley (English pianist, songwriter and producer)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1979) e Nemperor Records, Inc. (nel 1979)
registrata presso:
Coconut Recording in Miami, Florida, Stati Uniti (nel 1979-10)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 97) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 483)
registrazione di:
What I Like About You (nel 1979-10)
autore:
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) e Mike Skill (Singer, bassist, guitarist, songwriter)
editore:
EMI April Music Inc. e EMI Music Publishing Australia Pty. Limited (not for release label use!)
parte di:
Freaky Friday (2003)
The Romantics4.552:54
3Everybody Have Fun Tonight
Wang Chung4:36
4The Heat Is On
produttore:
Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
basso e tastiera :
Harold Faltermeyer
batteria e voce di accompagnamento:
Keith Forsey (drummer, producer and songwriter)
chitarra :
Rick Vito
chitarra solista e voce principale:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1984) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1984)
registrazione di:
The Heat Is On
paroliere, autore e compositore:
Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Famous Chappell
Glenn Frey3.53:41
5Beer Barrel Polka
Ronnie Neuman0:31
6You Ain't Seen Nothing Yet
tecnico di registrazione e tecnico di missaggio:
Mark K. Smith (Canadian engineer)
assistente tecnico:
Buzz Richmond
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistente tecnico di missaggio:
Richard Dashut
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti
mixata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:51
7When the Going Gets Tough, the Tough Get Going
produttore:
Barry J. Eastmond e Wayne Brathwaite
produttore esecutivo:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
video musicali:
When the Going Gets Tough, the Tough Get Going di Billy Ocean
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3.254:04
8Rock & Roll Part 2
produttore:
Mike Leander
registrazione di:
Rock & Roll, Part 2
paroliere e compositore:
Gary Glitter e Mike Leander
editore:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) e Songs of Universal, Inc. (BMI)
si basa su:
Rock and Roll, Part 1
Gary Glitter4.352:54
9I'm So Excited
registrata a:
Los Angeles, California, Stati Uniti (nel 1983)
programmazione degli strumenti:
Michael Boddicker
tecnico:
Gabe Veltri
produttore:
Richard Perry (producer)
produttore associato:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
ance :
Gary Herbig (nel 1983) e Jim Horn (saxophonist, hornist, flutist and oboist) (nel 1983)
basso :
Nathan Watts (nel 1983)
batteria :
John “JR” Robinson (session drummer) (nel 1983)
chitarra :
George Doering (nel 1983) e Lee Ritenour (nel 1983)
organo :
William D. “Smitty” Smith (organist/keyboardist) (nel 1983)
percussione :
Paulinho da Costa (Brazilian percussionist) (nel 1983)
pianoforte :
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) (nel 1983)
sintetizzatore :
Greg Phillinganes (nel 1983)
tromba :
Chuck Findley (trumpet, trombone, horn player) (nel 1983) e Gary Grant (brass) (nel 1983)
trombone :
Dick Hyde (nel 1983)
voce principale:
Anita Pointer (nel 1983)
arrangiatore corno :
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
remix di:
I’m So Excited (single remix) di The Pointer Sisters
registrazione di:
I’m So Excited (nel 1983)
autore:
Anita Pointer, June Pointer, Ruth Pointer e Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
editore:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. e SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-editore:
Fujipacific Music Inc. SBK Division (fino al 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Pointer Sisters54:45
10Rhythm Is a Dancer
registrazione di:
Rhythm Is a Dancer
autore:
Thea Austin, Benito Benites, Butler e John “Virgo” Garrett III
si basa su:
Automan
Snap!3:47
11Hava Nagilla
Ronnie Neuman0:15
12Hippy Hippy Shake
registrazione cover di:
Hippy Hippy Shake
paroliere e compositore:
Chan Romero
editore:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) e Universal Music Careers
The Swinging Blue Jeans1:42
13Let's Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:15
14I Think I Can Beat Mike Tyson
registrazione di:
I Think I Can Beat Mike Tyson
autore:
Pete Q. Harris, Jeff Townes (DJ/turntablist) e Will Smith (US actor aka The Fresh Prince)
DJ Jazzy Jeff & the Fresh Prince4:40
15Bang the Drum All Day
registrazione di:
Bang the Drum All Day
paroliere e compositore:
Todd Rundgren
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Todd Rundgren3.53:36

Accreditamenti

Pubblicazione

distribuito da e copyright (©) detenuto da:K‐tel International, Inc.
diritti fonografici (℗) detenuti da e commercializzata da:EMI‐Capitol Music Special Markets
Discogs:https://www.discogs.com/release/12206605 [info]
ASIN:US: B000000R7W [info]

Gruppo di pubblicazioni

parte di:Greatest Sports Rock and Jams (numero: 2) (ordine: 1)