Rhythm & Soul

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1California Soul
Produzent(in):
Richard Evans (US jazz/soul bassist, composer, arranger and producer) und Charles Stepney (musician, producer, arranger and songwriter)
arranger:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) und Charles Stepney (musician, producer, arranger and songwriter)
cover recording of:
California Soul
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music Co., Inc. (am 1969-01-17)
Marlena Shaw52:51
2Don’t Lose Your Steam
alto saxophone:
佐藤洋祐 (Yosuke Sato, Japanese Jazz saxophonist)
Klavier:
Chip Crawford
Orgel:
Ondřej Pivec
Schlagzeug:
Emanuel Harrold
Tenorsaxophon:
Tivon Pennicott (saxophonist)
Trompete:
Keyon Harrold
Hintergrundgesang:
Alicia Olatuja
Sologesang:
Gregory Porter
Gregory Porter3:18
3Fire
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Sologesang:
Etta James
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (in 1968-08)
recording of:
Fire
Texter und Komponist(in):
Willie Dixon
Etta James3.52:26
4So Excited
recording engineer:
Joe “Ears” Zagarino (in 1969-06) und Bill Szymczyk (in 1969-06)
Produzent(in):
Bill Szymczyk
Bass:
Gerald “Fingers” Jemmott (in 1969-06)
Gitarre:
Hugh McCracken (in 1969-06) und B.B. King (von 1969-06-24 bis 1969-06-25)
Hybrid-Piano, Klavier und Orgel:
Paul Harris (American keyboardist/pianist session player) (in 1969-06)
membranophone:
Herbie Lovelle (in 1969-06)
Sologesang:
B.B. King (in 1969-06)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (in 1969-06)
recording of:
So Excited (in 1969-06)
Komponist(in):
Jerry Jemmott und B.B. King
publisher:
Careers–BMG Music Publishing, Inc., Duchess Music Corporation (BMI-affiliated) und Pamco Music
B.B. King15:35
5Oh, What a Day
recording of:
Oh, What a Night
Verfasser(in):
Johnny Funches und Marvin Junior
publisher:
Conrad Music (publisher; do NOT use as release label)
The Dells2:49
636‐22‐36
Bobby Bland2:50
7Look at Me Now (alternate take)
Terry Callier2:54
8You Left the Water Running
cover recording of:
You Left the Water Running
Verfasser(in):
Oscar Franck, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) und Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Warner Chappell Music Ltd. (1996–2019)
Maurice & Mac2:40
9Good to Me
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-06-06)
Bass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1967-06-06)
Gitarre:
Jimmy Johnson (Chicago blues guitarist James Earl Thompson) (am 1967-06-06)
Horn [horns]:
The Muscle Shoals Horns (am 1967-06-06)
Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1967-06-06)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-06)
vocals:
Irma Thomas (am 1967-06-06)
cover recording of:
Good to Me
Verfasser(in):
Julius Green (In Group The Mad Lads) und Otis Redding
Irma Thomas2:34
10I Fooled You This Time
Gene Chandler2:48
11Selfish One
recording of:
Selfish One
Verfasser(in):
Wilfred McKinley (US songwriter from Chicago, IL.) und Carl Smith (US songwriter and producer active in Chicago)
Jackie Ross3:20
12Soul Vibrations
Dorothy Ashby3:08
13Do I Make Myself Clear
Interpret(in):
Sugar Pie DeSanto
Etta James2:59
14Mama Didn’t Lie
recording of:
Mama Didn’t Lie
Texter und Komponist(in):
Curtis Mayfield
Jan Bradley2:02
15More and More
Bassgitarre:
Phil Upchurch (in 1967-10)
Gitarre:
Cash McCall (in 1967-10) und Little Milton (US blues singer and guitarist Milton Campbell) (in 1967-10)
Klavier:
Tom Washington (American pianist, producer, and songwriter) (in 1967-10)
membranophone:
Morris Jennings (in 1967-10)
Saxophon:
George Patterson (in 1967-10)
Trompete:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1967-10)
vocals:
Little Milton (US blues singer and guitarist Milton Campbell) (in 1967-10)
recording of:
More and More (in 1967-10)
Verfasser(in):
Don Juan und Vee Pea
Little Milton2:44
16Let’s Wade in the Water
Marlena Shaw3:27
17Tease Your Man
Koko Taylor4:20
18I’d Rather Go Blind
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
E-Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) und Albert Lowe Jr. (American guitarist, bassist, and songwriter)
Klavier:
Dewey Oldham
Orgel:
Carl Banks und Dewey Oldham
Saxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Floyd Newman und Aaron Varnell
Schlagzeug:
Roger Hawkins (drummer and producer)
Trompete:
Gene “Bowlegs” Miller (American trumpeter)
Sologesang:
Etta James
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-08-23)
recording of:
I’d Rather Go Blind (am 1967-08-23)
Texter:
Billy Foster (American singer, member of The Medallions and songwriter)
Komponist(in):
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Etta James42:35
19Holding On
Sologesang:
Gregory Porter
Gregory Porter24:16
20Don’t Knock Love
Barbara Carr2:28
21Soulful Dress
Sugar Pie DeSanto2:51
22Blues Ain’t Nothin’
Johnny Copeland4:02
23Baby Scratch My Back (single version)
Produzent(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
Gitarre:
James Johnson (50s-60s US bass player) und Rudolph Richard
membranophone:
Sammy K. Brown
Mundharmonika:
Slim Harpo
Tenorsaxophon:
Willie Parker
vocals:
Slim Harpo
recording of:
Baby, Scratch My Back
Texter und Komponist(in):
James Moore (aka Slim Harpo)
publisher:
Campbell Connelly & Co.
Slim Harpo2:54
24Searching for My Love
recording of:
Searching for My Love
Texter und Komponist(in):
Bobby Moore (jazz musician)
publisher:
Chevis Publishing Corp. und EMI Blackwood Music Inc.
Bobby Moore & the Rhythm Aces2:30
25Summertime (long version)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billy Stewart4:55
26Ain’t No Love in the Heart of the City (single version)
recording of:
Ain’t No Love in the Heart of the City
Verfasser(in):
Michael Price (songwriting partner of Dan Walsh) und Dan Walsh (LA singer/songwriter, member of Price & Walsh)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby “Blue” Bland3:45
27Drift Away (single version)
recording engineer:
Gene Eichelberger
Produzent(in):
Mentor Williams (songwriter & producer)
Akustikgitarre und E-Gitarre [Gibson Les Paul]:
Reggie Young (guitarist and songwriter)
Bass:
Mike Leech (Nashville session musician and arranger)
E-Gitarre [Fender Telecaster]:
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
Händeklatschen, Schlagzeug und Tamburin:
Kenny Malone (session drummer/percussion)
Klavier:
David Briggs (US producer and musician)
Saiteninstrumente arranger:
Mike Leech (Nashville session musician and arranger)
Orchestrator(in):
Mike Leech (Nashville session musician and arranger)
aufgenommen bei und mixed at:
Quadraphonic Sound Studios in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Drift Away
Texter und Komponist(in):
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray4.653:51
28Teardrops
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack45:00
29Crackin’ Up (single version)
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer)
Klavier:
Otis Spann
Maracas / Rumba-Rasseln:
Jerome Green
Schlagzeug:
Clifton James
Hintergrundgesang:
The Carnations (Louisville, KY 1950s-1960s doo-wop group)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer)
recording of:
Crackin’ Up
Texter und Komponist(in):
Bo Diddley (American singer, guitarist, songwriter and music producer)
Bo Diddley2:03
30Shake Your Hips (single version)
Produzent(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
Gitarre:
James Johnson (50s-60s US bass player) und Rudolph Richard
Mundharmonika:
Slim Harpo
Orgel:
Katie Webster (Swamp Boogie Queen)
Schlagzeug:
Sammy K. Brown
Tenorsaxophon:
Willie Parker
vocals:
Slim Harpo
recording of:
Shake Your Hips
Texter und Komponist(in):
Slim Harpo
Verfasser(in):
James Moore
publisher:
Campbell Connelly & Co. Ltd. und Embassy Music Corporation
Slim Harpo2:29
31Ghetto Woman (single version)
Produzent(in):
Ed Michel und Joe Zagarino
Bassgitarre:
Klaus Voormann (von 1971-06-09 bis 1971-06-16)
Gitarre:
B.B. King (von 1971-06-09 bis 1971-06-16) und Mac Rebennack (New Orleans blues pianist, singer and songwriter) (von 1971-06-09 bis 1971-06-16)
Hybrid-Piano:
Jim Price (horn session musician) (von 1971-06-09 bis 1971-06-16)
Klavier:
Gary Wright (US singer/keyboardist) (von 1971-06-09 bis 1971-06-16)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1971-06-09 bis 1971-06-16) und Ringo Starr (The Beatles) (von 1971-06-09 bis 1971-06-16)
vocals:
B.B. King (von 1971-06-09 bis 1971-06-16)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1971) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1971)
aufgenommen bei:
Command Studios in London (Greater London), England, Vereinigtes Königreich (von 1971-06-09 bis 1971-06-16) und Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1971-06-09 bis 1971-06-16)
zusätzlich aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ghetto Woman (von 1971-06-09 bis 1971-06-16)
Verfasser(in):
Dave Clark (record promoter and musical consultant who worked with B.B. King) und B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Pamco Music Inc. und Sounds Of Lucille, Inc.
B.B. King25:13
32I’m Sorry (single version)
Bo Diddley32:24
33Sad Little Girl
Les McCann2:54
34Ordinary Joe
Techniker(in):
Gary Starr
Produzent(in):
Charles Stepney (musician, producer, arranger and songwriter)
Bass:
Sydney Simms
Cembalo und Orgel:
Charles Stepney (musician, producer, arranger and songwriter)
Gitarre und Sologesang:
Terry Callier
Klavier:
Lennie Pirani
membranophone:
Rob Crowder (Chicago Drummer. Worked with Art Ensemble of Chicago and The Artistic Heritage Ensemble)
contralto vocals:
Shirley Wahls
Soprangesang:
Kitty Haywood und Minnie Riperton
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten
recording of:
Ordinary Joe
Verfasser(in):
Terry Callier und Larry Wade
Terry Callier34:13
35If You Got a Heart (single version)
Bobby Bland32:40
36I Do Love You
recording of:
I Do Love You
Billy Stewart2:58
37Forever
cover recording of:
Forever
Verfasser(in):
Lamont Dozier, Freddie Gorman und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music Co., Inc.
Martha Reeves & the Vandellas2:48
38Mercy, Mercy, Mercy
recording of:
Mercy, Mercy, Mercy (with lyrics)
Texter:
Gail Fisher (Gail Fisher-Levy) und Vincent Lopez Levy
Komponist(in):
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Zawinul Music
Version von:
Mercy, Mercy, Mercy
Marlena Shaw3:02
39Money (That’s What I Want)
recording of:
Money (That’s What I Want)
Verfasser(in):
Janie Bradford und Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
Hattie Littles4:06
40Don’t Pass Me By
Big Maybelle3:11
41J.B. Shout
Produzent(in):
James Brown (The Godfather of Soul)
arranger:
James Brown (The Godfather of Soul)
recording of:
J.B. Shout
Verfasser(in):
James Brown (The Godfather of Soul) und Fred Wesley
Fred Wesley & The J.B.'s2:49
42Gimme Some More (single version)
Produzent(in):
James Brown (The Godfather of Soul)
arranger:
James Brown (The Godfather of Soul)
recording of:
Gimme Some More
Verfasser(in):
Charles Bobbitt und James Brown (The Godfather of Soul)
The J.B.'s3:03
43Luther’s Blues
Produzent(in):
Joe Peraino
aufgenommen bei:
Motown Record Studios in Detroit, Michigan, Vereinigte Staaten
Luther Allison6:20
44I’m a King Bee (single version)
Bassgitarre:
Clinton "Fats" Perrodin
Gitarre:
Guitar Gable
Mundharmonika:
Slim Harpo
Schlagzeug:
Clarence "Jockey" Etienne (drummer)
vocals:
Slim Harpo
Slim Harpo33:02
45Bad Luck Blues
Albert King33:00
46Reconsider Baby
Gitarre:
Lowell Fulson (am 1954-09-27)
Klavier:
Paul Drake (blues pianist) (am 1954-09-27)
membranophone:
Harold “Chick” Booth (am 1954-09-27)
Posaune:
Fats Morris (trombonist) (am 1954-09-27)
Saxophon:
Julian Beasley (am 1954-09-27), Choker Campbell (am 1954-09-27), Leroy Cooper (saxophonist) (am 1954-09-27) und David “Fathead” Newman (American jazz saxophonist) (am 1954-09-27)
Trompete:
Phil Gibeau (am 1954-09-27)
vocals:
Lowell Fulson (am 1954-09-27)
recording of:
Reconsider Baby (am 1954-09-27)
Texter und Komponist(in):
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Lowell Fulson3:10
47A Rockin’ Good Way (to Mess Around and Fall in Love)
vocals:
Brook Benton (in 1960) und Dinah Washington (in 1960)
cover recording of:
A Rockin’ Good Way
Verfasser(in):
Brook Benton, Luchi de Jesus (American composer and producer) und Clyde Otis (American songwriter and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dinah Washington32:19
48First Time I Met the Blues (single version)
baritone saxophone [baritone sax]:
Donald Hankins (Saxophonist) (am 1960-03-02)
Bass:
Jack Meyers (US blues bassist) (am 1960-03-02)
Gitarre:
Buddy Guy (am 1960-03-02)
Klavier:
Little Brother Montgomery (am 1960-03-02)
Schlagzeug [drums]:
Fred Below (am 1960-03-02)
Tenorsaxophon [tenor sax]:
Jarett Gibson (am 1960-03-02), Jarrett Gibson (Blues tenor saxophonist) (am 1960-03-02) und Bob Neely (am 1960-03-02)
vocals:
Buddy Guy (am 1960-03-02)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
aufgenommen bei:
Chess Studios in Chicago, Illinois, Vereinigte Staaten (am 1960-03-02)
recording of:
First Time I Met the Blues (am 1960-03-02)
Komponist(in):
Eurreal Montgomery
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Flomont Music, Flomont Music Publishing Co. und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
cover recording of:
First Time I Met the Blues
Komponist(in):
Eurreal Montgomery
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Flomont Music, Flomont Music Publishing Co. und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Buddy Guy32:17
49Our Love Will Never Go
Bo Diddley2:40
50Hummingbird
cover recording of:
Hummingbird
Texter:
Don Robertson (“Happy Whistler” songwriter)
Komponist(in):
Don Robertson (“Happy Whistler” songwriter) (in 1955)
B.B. King24:41
51Looking Back
Produzent(in):
Mike Vernon
baritone saxophone:
Johnny Almond (British saxophonist) (am 1966-09-30)
Bass:
John McVie (am 1966-09-30)
Gitarre:
Peter Green (former member of Fleetwood Mac) (am 1966-09-30)
Schlagzeug:
Aynsley Dunbar (am 1966-09-30)
Tenorsaxophon:
Nick Newell (saxophonist, bbc, kinks) (am 1966-09-30)
Trompete:
Henry Lowther (am 1966-09-30)
cover recording of:
Looking Back (am 1966-09-30)
Texter und Komponist(in):
John Watson
publisher:
Getaway Music Ltd. (publisher; do NOT use as release label), Jowat Music (publisher, affiliated with BMI / related to Johnny Guitar Watson) und Vrijon Music
John Mayall & the Bluesbreakers2:36
52Boo‐go‐loo
Les McCann2:48
53A Love Reputation
Denise LaSalle2:45
54Dirty Man
recording of:
Dirty Man
Texter und Komponist(in):
Bobby Miller (US songwriter & record producer)
Laura Lee2:54
55Wang Dang Doodle
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1965-12-07)
Produzent(in):
Willie Dixon
Bass:
Jack Meyers (US blues bassist) (am 1965-12-07)
Gitarre:
Buddy Guy (am 1965-12-07) und Johnny "Twist" Williams (Side-man blues guitar player, Big Boy Spires associate) (am 1965-12-07)
Klavier:
Lafayette Leake (am 1965-12-07)
Saxophon [sax]:
Gene Barge (am 1965-12-07) und Donald Hankins (Saxophonist) (am 1965-12-07)
Schlagzeug:
Fred Below
Tenorsaxophon:
Gene Barge
Hintergrundgesang:
Willie Dixon (am 1965-12-07)
Sologesang:
Koko Taylor
vocals:
Koko Taylor (am 1965-12-07)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1995)
cover recording of:
Wang Dang Doodle (am 1965-12-07)
Texter:
Willie Dixon (in 1960-06)
Komponist(in):
Willie Dixon
publisher:
Bug Music Ltd. und Hoochie Coochie Music
Koko Taylor43:03
56Take Me for a Little While
Jackie Ross2:33
57Love Ain’t Nothing (but a Monkey on Your Back)
Johnny Nash2:16
58The Grunt (Pts. 1 & 2)
The J.B.'s3:31

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2018)
kostenlos streamen:https://open.spotify.com/album/7sk0PRJ9l2EHLa7ypN2API [Info]
https://www.deezer.com/album/124950942 [Info]