Jukebox Favourites: The Best of Swing

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD: Disc One
#TitleArtistRatingLength
1Old Devil Moon
recording of:
Old Devil Moon (from “Finian’s Rainbow”)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
Mel Tormé2:50
2Boogie Woogie
recording of:
Boogie Woogie
composer:
Clarence “Pine Top” Smith
Count Basie3:09
3Bei mir bist Du schön
vocals:
The Andrews Sisters (on 1937-11-24)
recording of:
Bei mir bist du schön (English version) (on 1937-11-24)
lyricist:
Sammy Cahn
additional composer:
Saul Chaplin
composer:
Sholom Secunda
translated version of:
בײַ מיר ביסטו שיין (Bay mir bistu sheyn)
The Andrews Sisters3:12
4On Green Dolphin Street
instrumental recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
The George Shearing Quintet2:25
5It Don’t Mean a Thing
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
The Duke Ellington Orchestra3:02
6Nobody ’til Somebody Loves You
recording of:
You’re Nobody Till Somebody Loves You
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, volume I)
Dean Martin2:18
7King Porter Stomp
recording of:
King Porter Stomp
composer:
Jelly Roll Morton
Benny Goodman3:14
8Thanks for the Boogie Ride
recording of:
Thanks for the Boogie Ride
lyricist and composer:
Nat Gonella
Gene Krupa and His Orchestra3:11
9Jeepers Creepers
recording of:
Jeepers Creepers
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting (composer)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
Louis Armstrong2:42
10Swing Out
Erskine Hawkins and His Orchestra3:24
11Let’s Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
Frank Sinatra3:03
12I’m Beginning to See the Light
alto saxophone:
Edward Rosa (on 1944-11-21) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1944-11-21)
baritone saxophone:
George Davis (40s jazz saxophone) (on 1944-11-21)
cello:
Al Friede (on 1944-11-21) and Cy Bernard (on 1944-11-21)
double bass:
Ed Mihelich (on 1944-11-21)
drums (drum set):
Nick Fatool (on 1944-11-21)
guitar:
Allen Reuss (on 1944-11-21)
piano:
Arnold Ross (on 1944-11-21)
tenor saxophone:
Corky Corcoran (on 1944-11-21) and Cliff Jackson (US jazz saxophonist) (on 1944-11-21)
trombone:
Charles Preble (jazz trombonist) (on 1944-11-21), Vic Hamann (jazz trombonist) (on 1944-11-21) and Jesse Heath (on 1944-11-21)
trumpet:
Irwin Berken (on 1944-11-21), James Campbell (jazz trumpeter and saxophonist) (on 1944-11-21), Harry James (US big band leader, trumpeter & actor) (on 1944-11-21), Al Ramsey (on 1944-11-21) and Yan Rasey (on 1944-11-21)
valve trombone:
Juan Tizol (on 1944-11-21)
viola:
Al Neiman (violist) (on 1944-11-21), Bill Spear (on 1944-11-21) and Dave Sterkin (on 1944-11-21)
violin:
Al Saparoff (on 1944-11-21), Sam Caplan (on 1944-11-21), Sam Freed, Jr. (Violinist) (on 1944-11-21), Jack Gootkin (on 1944-11-21), Harry Jaworski (on 1944-11-21), John DeVoogd (on 1944-11-21), Gerald Joyce (on 1944-11-21) and Nick Pisani (on 1944-11-21)
vocals:
Kitty Kallen (on 1944-11-21)
orchestra:
Harry James and His Orchestra (on 1944-11-21)
arranger:
Johnny Thompson (big band arranger & conductor)
recording of:
I’m Beginning to See the Light (on 1944-11-21)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Harry James and His Orchestra3:16
13The More I See You
Bobby Darin1:47
14Swing Brother Swing
Wingy Manone2:59
15Too Darn Hot
recording of:
Too Darn Hot (from Kiss Me, Kate)
lyricist and composer:
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. and T.B. Harms Co.
part of:
Kiss Me, Kate (musical)
Buddy Greco2:29
16The Gentleman Is a Dope
recording of:
The Gentleman Is a Dope (Allegro)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
Allegro (Rodgers & Hammerstein musical)
Ella Fitzgerald & Nelson Riddle and His Orchestra4:04
17The Things We Did Last Summer
cover recording of:
The Things We Did Last Summer
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The George Shearing Quintet & Nancy Wilson2:47
18Love Me or Leave
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
Nina Simone4.753:27
19(Get Your Kicks) On Route 66
double bass:
Johnny Miller (part of the Nat King Cole Trio) (on 1946-03-15)
guitar:
Oscar Moore (on 1946-03-15)
instruments:
The Nat King Cole Trio (in 1946)
piano:
Nat King Cole (on 1946-03-15)
lead vocals:
King Cole
vocals:
Nat King Cole (in 1946, on 1946-03-15)
performer:
The Nat King Cole Trio (on 1946-03-15)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2000)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1946-03-15)
recording of:
(Get Your Kicks on) Route 66 (on 1946-03-15)
lyricist and composer:
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Burke-Van Heusen, Inc. (on 1946-04-22)
The Nat King Cole Trio3:04
20Begin the Beguine
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Claude Bowen (on 1938-07-24), John Best (jazz trumpeter) (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
recorded at and engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
instrumental recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Artie Shaw33:18
2▶CD: Disc Two
3▶CD: Disc Three
4▶CD: Disc Four