Soul Ballads

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2017 Warner Music Group - X5 Music Group»

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(As of 2023-07-15).

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Anmerkung zuletzt geändert am 2023-07-15 13:48 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (am 1967-02-16)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-02-16)
Klavier:
Spooner Oldham (am 1967-02-16)
Schlagzeug:
Gene Chrisman (am 1967-02-16)
Trompete:
Bernie Glow (am 1967-02-16), Melvin Lastie (am 1967-02-16) und Joe Newman (US jazz trumpeter) (am 1967-02-16)
Chorgesang:
Carolyn Franklin (am 1967-02-16), Erma Franklin (am 1967-02-16) und The Sweet Inspirations (am 1967-02-16)
vocals:
Aretha Franklin (am 1967-02-16)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-16)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 10) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (am 1967-02-16)
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:45
2Rainy Night in Georgia
cover recording of:
Rainy Night in Georgia
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Songs Limited
Randy Crawford3:47
3(Sittin’ on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:42
4Walk on By
vocals:
Dionne Warwick
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 129)
recording of:
Walk On By
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:58
5When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
recording of:
When a Man Loves a Woman
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge2:54
6Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
7Wishing on a Star
recording of:
Wishing on a Star
Texter und Komponist(in):
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce44:53
8Hey Jude
Techniker(in) und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
E-Bass [electric bass]:
Jerry Jemmott (am 1968-11-27)
E-Gitarre:
Duane Allman (am 1968-11-27) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-11-27)
Klavier:
Barry Beckett (am 1968-11-27)
Saxophon:
Floyd Newman (am 1968-11-27)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-11-27)
Tenorsaxophon:
Andrew Love (am 1968-11-27) und James Mitchell (US saxophonist/arranger) (am 1968-11-27)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (am 1968-11-27)
Sologesang:
Wilson Pickett (am 1968-11-27)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1968-11-27)
cover recording of:
Hey Jude (am 1968-11-27)
geschrieben in:
England, Vereinigtes Königreich (in 1968-06)
Verfasser(in):
John Lennon (The Beatles) (in 1968-06) und Paul McCartney (The Beatles) (in 1968-06)
publisher:
Maclen (Music) Ltd. (U.K. based publisher for Lennon-McCartney), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
geschrieben bei:
Cavendish Avenue (Paul McCartney’s house c. 1969) in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1968-06 bis 1968-07-26)
Wilson Pickett4:08
9Nothing’s Gonna Change My Love for You
Produzent(in):
Michael Masser
Mix:
Bill Schnee
Bassgitarre:
Nathan East
Gitarre:
Dann Huff und Paul Jackson (jazz bassist)
Keyboard:
Robbie Buchanan (Canadian producer)
Schlagzeug:
Carlos Vega
Solo-Gitarre und Sologesang:
George Benson (jazz guitarist/singer)
Hintergrundgesang:
Richard Marx und Deborah Thomas (soul/disco singer)
arranger:
Robbie Buchanan (Canadian producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Nothing’s Gonna Change My Love for You
Texter:
Gerald Goffin und Michael Masser
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
George Benson4:03
10Let’s Stay Together
cover recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Margie Joseph3:27
11I Never Loved a Man (The Way I Love You)
recording engineer:
Arif Mardin
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-01-24)
Bass:
Tommy Cogbill (am 1967-01-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-01-24)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (am 1967-01-24)
Hybrid-Piano:
Dewey "Spooner" Oldham (am 1967-01-24)
Klavier:
Aretha Franklin (am 1967-01-24)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-01-24)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-01-24) und King Curtis (saxophonist) (am 1967-01-24)
Trompete:
Melvin Lastie (am 1967-01-24)
vocals:
Aretha Franklin (am 1967-01-24)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-01-24)
recording of:
I Never Loved a Man (The Way I Love You) (am 1967-01-24)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und Pronto Music (publisher)
Aretha Franklin2:52
12Through the Fire
recording of:
Through the Fire (in 1984)
Verfasser(in):
David Foster (Canadian music producer, arranger and composer), Tom Keane (keyboards, of The Keane Brothers) und Cynthia Weil
publisher:
Bravo and Encore Music, Dyad Music Ltd., Peermusic III, Ltd. (BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), TomJon Music Publishing Company, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Chaka Khan4:43
13Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:09
14I Swear
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Teil von:
The Downloader’s Music Source Book (Nummer: 389)
cover recording of:
I Swear
Verfasser(in):
Gary Baker (songwriter) und Frank J. Meyers (country music singer, songwriter, record producer)
publisher:
MorganActive Songs, Inc. und Rick Hall Music, Inc.
All‐4‐One44:20
15One Day I’ll Fly Away
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Jeremy Smith (producer/engineer)
Bass:
Wilton Felder und Abraham Laboriel
Gitarre:
Roland Bautista, Tim May (session/jazz guitarist), Dean Parks (American session guitarist) und David T. Walker
Keyboard:
Joe Sample
Perkussion:
Eddie “Bongo” Brown und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Mike Baird (drummer) und Stix Hooper
Trompete:
Oscar Brashear
Hintergrundgesang:
Melvin Franklin, Julia Tillman, Gwen Owens (R&B singer Gwendolyn Louise Owens) und Maxine Waters
vocals:
Randy Crawford (US jazz/R&B singer Veronica Crawford)
recording of:
One Day I’ll Fly Away
Texter:
Will Jennings
Komponist(in):
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. und Leeds Music Ltd.
Randy Crawford35:02
16Moonlighting
recording of:
Moonlighting (theme for the TV show)
Texter:
Al Jarreau (jazz, pop and r&b singer-songwriter)
Komponist(in):
Lee Holdridge
Al Jarreau33:04
17Try a Little Tenderness
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-09-13)
Produzent(in):
Steve Cropper, Otis Redding und Jim Stewart (US producer, founder for Stax & Volt Records)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-09-13)
Gitarre:
Steve Cropper (am 1966-09-13)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1966-09-13)
Tenorsaxophon:
Gilbert Caples (am 1966-09-13) und Andrew Love (am 1966-09-13)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1966-09-13)
vocals:
Otis Redding (am 1966-09-13)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 136) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 204)
cover recording of:
Try a Little Tenderness (am 1966-09-13)
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
Otis Redding4.23:46
18Love Me Tender
cover recording of:
Love Me Tender
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
Percy Sledge43:03
19Have You Ever (radio edit)
Brandy3:35
20In Your Eyes
recording engineer:
Jeremy Smith (producer/engineer)
zusätzlich recording engineer:
John Agallo, Danny Caccavo (engineer), Bill Dooley (engineer), Jay Messina und Bobby Warner
Synthesizer-Programmierung:
Joe Mardin
assistierende(r) Techniker(in):
Michael O’Reilly (engineer)
Produzent(in):
Arif Mardin
Mix:
Michael O’Reilly (engineer) und Jeremy Smith (producer/engineer)
Bassgitarre:
Will Lee (US jazz/rock bassist)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und David Spinozza
Hybrid-Piano:
Richard Tee
Klavier und Synthesizer:
Robbie Buchanan (Canadian producer)
Saiteninstrumente:
Jonathan Abramowitz, Al Brown (viola), Julien Barber, Frederick Buldrini, E. Vardi, Ted Hoyle, Harold Kohon, Harry Lookofsky, Guy Lumia, Joe Malin, Richard Maximoff, Gerald Tarack, Marilyn Wright, Richard Young (viola player) und Frederick Zlotkin (cellist)
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Mark Stevens (US funk musician/songwriter, brother of Chaka Khan)
Sologesang:
George Benson (jazz guitarist/singer)
Saiteninstrumente arranger:
Lee Holdridge
arranger:
Robbie Buchanan (Canadian producer)
concertmaster:
Andre Granat (Hungarian violinist) und Gene Orloff
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Music Grinder Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten, The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
In Your Eyes (George Benson song)
Texter:
Dan Hill (Canadian singer/songwriter)
Komponist(in):
Michael Masser
publisher:
If Dreams Had Wings Music Ltd., Prince Street Productions, Inc., Songs of Kobalt Music Publishing, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music–Z Tunes LLC, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
George Benson3:21
21Lead Me Into Love (single version)
recording of:
Lead Me Into Love
Texter und Komponist(in):
Steve Lane (US songwriter) und Larry Prentiss
publisher:
Bullsongs, Creative Entertainment Music und Melaimee Music
Anita Baker4:08
22Angel
recording engineer:
Phil Schier (in 1972-04)
Produzent(in):
Aretha Franklin und Quincy Jones
Mix:
Phil Schier
Tenorsaxophon:
Joe Farrell (in 1972-04)
remixer:
Quincy Jones und Phil Schier
arranger:
Aretha Franklin und Quincy Jones
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Angel (in 1972-04)
Verfasser(in):
Carolyn Franklin und Sonny Sanders
publisher:
Carlin Music Corporation und Springtime Music, Inc.
Aretha Franklin44:28
23Ain’t No Sunshine
Techniker(in):
Willie Clarke
Produzent(in):
Willie Clarke und Clarence Reid
Horn arranger und Saiteninstrumente arranger:
Mike Lewis (US composer, arranger and producer)
instruments arranger:
Little Beaver
cover recording of:
Ain’t No Sunshine
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Betty Wright3:15
24When Something Is Wrong With My Baby
recording of:
When Something Is Wrong With My Baby
Komponist(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Rondor, Rondor Music, Rondor Music (Australia) Pty Ltd, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Sam & Dave3:14
25With You I’m Born Again
Interpret(in):
George Benson (jazz guitarist/singer)
Vanessa Williams & George Benson3:53
26A Change Is Gonna Come
cover recording of:
A Change Is Gonna Come
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
Leela James33:35
27I’d Rather Go Blind
cover recording of:
I’d Rather Go Blind (am 1972-09-24)
Texter:
Billy Foster (American singer, member of The Medallions and songwriter)
Komponist(in):
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Bettye Swann2:45
28He Ain’t Heavy, He’s My Brother
Donny Hathaway5:56
29Drown in My Own Tears
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone [baritone sax]:
Cecil Payne (am 1955-11-30)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1955-11-30)
Kontrabass [bass]:
Paul West (bass) (am 1955-11-30)
Schlagzeug:
David "Panama" Francis (US swing jazz drummer) (am 1955-11-30)
Tenorsaxophon [tenor sax]:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1955-11-30)
Trompete:
Joe Bridgewater (am 1955-11-30) und Joshua "Jack" Willis (trumpet) (am 1955-11-30)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1955-11-30)
arranger:
Ray Charles (soul musician, singer and songwriter)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-11-30)
cover recording of:
Drown in My Own Tears (am 1955-11-30)
Texter und Komponist(in):
Henry Glover
publisher:
Fort Knox Music Inc., Jay & Cee, Jay and Cee Music Corp., Jaycee Music und Trio Music Co., Inc.
Ray Charles3.353:22