King Arthur

~ Release by Purcell; Smith, Fisher, Priday, Ross, Stafford, Elliott, Varcoe, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1King Arthur: Overture
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene I, 1. Overture (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell1:48
2King Arthur: Air
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene I, 2. Air (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell1:30
3King Arthur: Overture
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene I, 3. Overture (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act I
Henry Purcell1:18
4King Arthur: Act I. “Woden, first to thee” - “The white horse neigh’d aloud” - “To woden thanks we render”
producer:
Yolanta Skura
alto vocals:
Ashley Stafford (alto / counter-tenor) (from 1983-01-10 until 1983-01-27)
baritone vocals:
Stephen Varcoe (bass-baritone) (from 1983-01-10 until 1983-01-27)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene II, 4. “Woden first to thee” (tenor, bass and chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
recording of:
King Arthur, Z. 628: Act I, Scene II, 5. “The white horse neigh’d aloud.” … “To Woden thanks we render” (tenor, alto, chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell3:40
5King Arthur: Act I. “The lot is cast”
producer:
Yolanta Skura
soprano vocals:
Gillian Fisher (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene II, 6. “The lot is cast, and Tanfan pleas’d” (Soprano) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell0:32
6King Arthur: Act I. “Brave souls”
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene II, 7. “Brave souls, to be renown’d in story” (Chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell2:21
7King Arthur: Act I. “I call you all to woden’s hall”
producer:
Yolanta Skura
alto vocals:
Ashley Stafford (alto / counter-tenor) (from 1983-01-10 until 1983-01-27)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene II, 8. “I call you all to Woden’s Hall” (Alto and chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell2:03
8King Arthur: Act I. Symphony “Come if you dare”
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act I, Scene III, 9. “Come if you dare” (symphony followed by tenor and chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act I
Henry Purcell3:45
9King Arthur: Act II. “Hither, this way”
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
soprano vocals [Philidel]:
Gillian Fisher (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act II, Scene I, 10. “Hither, this way, this way bend” (Chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell2:13
10King Arthur: Act II. Ritornello “Let not a moonborn elf”
producer:
Yolanta Skura
baritone vocals [Grimbald]:
Stephen Varcoe (bass-baritone) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act II, Scene I, 11. “Let not a moon‐born elf deceive thee” (Grimbald) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell1:15
11King Arthur: Act II. “Hither, this way”
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act II, Scene I, 12. “Hither, this way, this way bend” (Chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell0:38
12King Arthur: Act II. Ritornello “Come, follow me”
producer:
Yolanta Skura
baritone vocals [Spirits]:
Stephen Varcoe (bass-baritone) (from 1983-01-10 until 1983-01-27)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
countertenor vocals [Spirits]:
Ashley Stafford (alto / counter-tenor) (from 1983-01-10 until 1983-01-27)
soprano vocals [Philidel]:
Gillian Fisher (soprano) (from 1983-01-10 until 1983-01-27)
soprano vocals [Spirits]:
Gillian Fisher (soprano) (from 1983-01-10 until 1983-01-27), Elisabeth Priday (soprano) (from 1983-01-10 until 1983-01-27), Gill Ross (soprano) (from 1983-01-10 until 1983-01-27) and Jennifer Smith (soprano) (from 1983-01-10 until 1983-01-27)
tenor vocals [Spirits]:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act II, Scene I, 13. “Come follow me” (Philidel, spirits) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell2:27
13King Arthur: Act II. “How blest are shepherds” (Song tune)
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
tenor vocals [One Shepherd]:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act II, Scene II, 14. “How blest are shepherds, how happy their lasses” (Shepherd and chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell6:37
14King Arthur: Act II. Symphony “Shepherd, leave decoying”
producer:
Yolanta Skura
soprano vocals [1st Shepherdess]:
Gillian Fisher (soprano) (from 1983-01-10 until 1983-01-27)
soprano vocals [2nd Shepherdess]:
Jennifer Smith (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act II, Scene II, 15. “Shepherd, shepherd, leave decoying” (Two shepherdesses) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell2:11
15King Arthur: Act II. Hornpipe - “Come, shepherds”
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act II, Scene II, 16b. “Come, shepherds, lead up a lively measure” (Chorus of shepherds) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act II
Henry Purcell1:38
16King Arthur: Act II. Second Act Tune: Air
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act II, 17. Second Act Tune: Air (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act II
Henry Purcell1:00
17King Arthur: Act III. Prelude (The Frost Scene) - “What ho! Thou genius of this isle”
producer:
Yolanta Skura
soprano vocals [Cupid]:
Elisabeth Priday (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell1:23
18King Arthur: Act III. Prelude while Cold Genius rises “What power art thou”
producer:
Yolanta Skura
baritone vocals [Cold Genius]:
Stephen Varcoe (bass-baritone) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell2:52
19King Arthur: Act III. “Thou doting fool”
producer:
Yolanta Skura
soprano vocals [Cupid]:
Elisabeth Priday (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 21. “Thou doting fool” (Cupid) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell1:03
20King Arthur: Act III. “Great love”
producer:
Yolanta Skura
baritone vocals [Cold Genius]:
Stephen Varcoe (bass-baritone) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 22. “Great love, I know thee now” (Cold Genius) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:54
21King Arthur: Act III. “No part of my dominion”
producer:
Yolanta Skura
soprano vocals [Cupid]:
Elisabeth Priday (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 23. “No part of my dominion shall be waste” (Cupid) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:56
22King Arthur: Act III. Prelude - “See, see, we assemble”
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”) (from 1983-01-10 until 1983-01-27)
part of:
King Arthur, Z. 628: Act III
recording of:
King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell3:27
23King Arthur: Act III. Ritornello “Tis I that have warm’d ye” - “Tis love that has warm’d us”
producer:
Yolanta Skura
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
soprano vocals [Cupid]:
Elisabeth Priday (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 26. “’Tis I that have warm’d ye” (Cupid, followed by ritornello and chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell2:02
24King Arthur: Act III. Ritornello “Sound a parley”
producer:
Yolanta Skura
baritone vocals [Cold Genius]:
Stephen Varcoe (bass-baritone) (from 1983-01-10 until 1983-01-27)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1983-01-10 until 1983-01-27)
soprano vocals [Cupid]:
Elisabeth Priday (soprano) (from 1983-01-10 until 1983-01-27)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 27. “Sound a parley” (Cupid and Cold Genius, followed by ritornello and chorus) (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
librettist:
John Dryden (English poet)
part of:
King Arthur, Z. 628: Act III
Henry Purcell3:45
25King Arthur: Act III. Third Act Tune: Hornpipe
producer:
Yolanta Skura
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1983-01-10 until 1983-01-27)
conductor:
John Eliot Gardiner (from 1983-01-10 until 1983-01-27)
balance engineer:
Pierre Lavoix (engineer)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1985)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1983-01-10 until 1983-01-27)
recording of:
King Arthur, Z. 628: Act III, 28. Third Act Tune: Hornpipe (from 1983-01-10 until 1983-01-27)
composer:
Henry Purcell (Baroque composer)
part of:
King Arthur, Z. 628: Act III
Henry Purcell0:39
2▶CD

Credits

Release group

excerpts:King Arthur (highlights) by Purcell (Baroque composer); Jennifer Smith (soprano), Gillian Fisher (soprano), Elisabeth Priday (soprano), Gill Ross (soprano), Ashley Stafford (alto / counter-tenor), Paul Elliott (US tenor vocalist, member of Theatre of Voices), Stephen Varcoe (bass-baritone), English Baroque Soloists (The English Baroque Soloists), John Eliot Gardiner
Discogs:https://www.discogs.com/master/439922 [info]