The Very Best of the Cole Porter Songbook

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Jewel case in cardboard sleeve

Anmerkung zuletzt geändert am 2018-10-05 16:36 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1You’d Be So Nice to Come Home to
recording of:
You’d Be So Nice to Come Home To (in 1958)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Johnny Mathis2:12
2Just One of Those Things
cover recording of:
Just One of Those Things (in 1955)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Sammy Davis Jr.2:53
3So in Love
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-10-19)
Kontrabass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1958-10-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-10-19)
cover recording of:
So in Love (from Kiss Me, Kate) (am 1958-10-19)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
Peggy Lee2:34
4I Get a Kick Out of You
recording of:
I Get a Kick Out of You (in 1962)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Frank Sinatra2:56
5All Through the Night
recording of:
All Through the Night (in 1951)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
Teil von:
Anything Goes
Mary Martin3:11
6Miss Otis Regrets
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Miss Otis Regrets (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
Ella Fitzgerald33:02
7Begin the Beguine
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1959)
recording of:
Begin the Beguine (in 1959)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Perry Como3:29
8Most Gentlemen Don’t Like Love
recording of:
Most Gentlemen Don't Like Love (in 1959)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
Teil von:
Leave It to Me!
Nancy Walker2:16
9True Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
cover recording of:
True Love (High Society) (in 1960)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
Dean Martin2:33
10Tom, Dick or Harry
recording of:
Tom, Dick or Harry (from Kiss Me, Kate) (in 1953)
Texter und Komponist(in):
Cole Porter (composer)
Teil von:
Kiss Me, Kate (musical)
Kathryn Grayson with Bob Fosse & Bobby Van3:28
11Paris Loves Lovers
Produzent(in):
George Feltenstein
vocals:
Carol Richards
arranger:
Conrad Salinger
Orchestrator(in):
Robert Franklyn und Conrad Salinger
recording of:
Paris Loves Lovers (Silk Stockings) (am 1956-10-31)
Texter und Komponist(in):
Cole Porter (composer)
Teil von:
Silk Stockings (1957 musical film)
Teil von:
Silk Stockings (1955 musical)
Fred Astaire with Carol Richards2:44
12Get Out of Town
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
Get Out of Town (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
Teil von:
Leave It to Me!
Anita O’Day2:31
13The Physician
Produzent(in):
Norman Granz
Klavier:
Blossom Dearie (am 1960-02-22)
vocals:
Blossom Dearie (am 1960-02-22)
Orchester:
Russell Garcia's Orchestra (am 1960-02-22)
conductor:
Russell Garcia (am 1960-02-22)
arranger:
Russell Garcia
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1960)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-02-22)
recording of:
The Physician (from the musical “Nymph Errant”) (am 1960-02-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1933)
Teil von:
Nymph Errant (Cole Porter Musical)
Blossom Dearie2:12
14I Love You
vocals:
Billy Eckstine (am 1949-12-22) und Sarah Vaughan (am 1949-12-22)
Orchester:
Orchestra conducted by Joe Lipman (am 1949-12-22)
cover recording of:
I Love You (Mexican Hayride musical) (in 1957)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sarah Vaughan with Billy Eckstine2:39
15Who Wants to Be a Millionaire?
vocals:
Celeste Holm und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
Who Wants to Be a Millionaire? (High Society) (in 1956)
Texter und Komponist(in):
Cole Porter (composer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Chappell & Co. (in 1955)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
Frank Sinatra with Celeste Holm2:06
16I Love You Samantha
vocals:
Bing Crosby
recording of:
I Love You, Samantha (High Society musical romantic comedy film) (in 1956)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Chappell & Co Ltd.
Bing Crosby4:27
17At Long Last Love
cover recording of:
At Long Last Love (in 1946)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
Lena Horne2:44
18Down in the Depths on the Ninetieth Floor
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue") (in 1955)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Sylvia Syms4:33
19Experiment
recorded in:
New York, New York, Vereinigte Staaten (am 1954-11-07)
vocals:
Mabel Mercer (am 1954-11-07)
recording of:
Experiment (Nymph Errant) (am 1954-11-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1933)
Teil von:
Nymph Errant (Cole Porter Musical)
Mabel Mercer3:17
20Satin and Silk
recording of:
Satin and Silk (in 1955)
Texter und Komponist(in):
Cole Porter (composer)
Gretchen Wyler3:42
21Everything I Love
recording of:
Everything I Love (Let’s Face It! musical) (in 1941)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Dinah Shore2:59
22Don’t Fence Me In
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-07-25) und Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-07-25)
Sologesang:
The Andrews Sisters (am 1944-07-25) und Bing Crosby (am 1944-07-25)
Orchester:
Vic Schoen and His Orchestra (am 1944-07-25)
conductor:
Vic Schoen (am 1944-07-25)
recording of:
Don’t Fence Me In (am 1944-07-25)
Texter:
Robert Fletcher (US poet) (in 1934) und Cole Porter (composer) (in 1934)
Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Bing Crosby with The Andrews Sisters3.53:12
23Let’s Misbehave
recording of:
Let’s Misbehave (Paris musical) (in 1928)
Texter und Komponist(in):
Cole Porter (composer) (in 1927)
Teil von:
Anything Goes
Irene Bordoni2:47
24In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song) (in 1961)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
Billy Eckstine3:48
25Every Time We Say Goodbye
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (in 1956)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:34

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ASIN:US: B014MGP7HI [Info]