The Jazz Album: Watch What Happens

~ Release by Thomas Quasthoff (see all versions of this release, 2 available)

Annotation

Track 13 is a bonus track.

Annotation last modified on 2013-04-23 01:15 UTC.

Tracklist

1▼CD
#TitleRatingLength
1There’s a Boat That’s Leavin’ Soon for New York
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
alto saxophone:
Fiete Felsch (from 2006-09 until 2006-10)
bass:
Dieter Ilg (from 2006-09 until 2006-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 2006-09 until 2006-10)
guitar:
Chuck Loeb (from 2006-09 until 2006-10) and Karl Schloz (from 2006-09 until 2006-10)
piano:
Alan Broadbent (from 2006-09 until 2006-10)
trumpet:
Ruud Breuls (from 2006-09 until 2006-10) and Axel Schlosser (from 2006-09 until 2006-10)
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
arranger:
Alan Broadbent (from 2006-09 until 2006-10)
cover recording of:
Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” (from 2006-09 until 2006-10)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
part of:
Porgy and Bess: Act III, Scene II
2:57
2Watch What Happens
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
bass:
Dieter Ilg (from 2006-09 until 2006-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 2006-09 until 2006-10)
flute:
Fiete Felsch (from 2006-09 until 2006-10)
guitar:
Chuck Loeb (from 2006-09 until 2006-10) and Karl Schloz (from 2006-09 until 2006-10)
piano:
Alan Broadbent (from 2006-09 until 2006-10)
trumpet:
Ruud Breuls (from 2006-09 until 2006-10) and Axel Schlosser (from 2006-09 until 2006-10)
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
arranger:
Alan Broadbent (from 2006-09 until 2006-10)
cover recording of:
Watch What Happens (from 2006-09 until 2006-10)
lyricist:
Jacques Demy
composer:
Michel Legrand
translator:
Norman Gimbel
translated version of:
Les Parapluies de Cherbourg: Récit de Cassard
3:02
3Secret Love
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
bass:
Dieter Ilg (from 2006-09 until 2006-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 2006-09 until 2006-10)
flugelhorn:
Ruud Breuls (from 2006-09 until 2006-10) and Axel Schlosser (from 2006-09 until 2006-10)
flute:
Fiete Felsch (from 2006-09 until 2006-10)
guitar:
Chuck Loeb (from 2006-09 until 2006-10)
piano:
Alan Broadbent (from 2006-09 until 2006-10)
Rhodes piano:
Frank Chastenier (from 2006-09 until 2006-10)
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
arranger:
Alan Broadbent (from 2006-09 until 2006-10)
cover recording of:
Secret Love (song from “Calamity Jane”) (from 2006-09 until 2006-10)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America and Warner Chappell North America Ltd.
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1953 winner)
part of:
Calamity Jane (stage musical)
4:08
4You and I
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
bass:
Dieter Ilg (from 2006-09 until 2006-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 2006-09 until 2006-10)
guitar:
Chuck Loeb (from 2006-09 until 2006-10)
piano:
Alan Broadbent (from 2006-09 until 2006-10)
Rhodes piano:
Frank Chastenier (from 2006-09 until 2006-10)
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 2006-09 until 2006-10)
arranger:
Nan Schwartz (from 2006-09 until 2006-10)
cover recording of:
You and I (from 2006-09 until 2006-10)
lyricist and composer:
Stevie Wonder
publisher:
Arabella Éditions Musicales SARL, Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
sub-publisher:
大洋音楽 (Taiyō Music)
4:53
5Ac‐Cent‐Tchu‐Ate the Positive
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
alto saxophone:
Fiete Felsch (from 2006-09 until 2006-10)
bass:
Dieter Ilg (from 2006-09 until 2006-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 2006-09 until 2006-10)
guitar:
Chuck Loeb (from 2006-09 until 2006-10)
piano:
Alan Broadbent (from 2006-09 until 2006-10)
solo trumpet:
Till Brönner (German trumpet player) (from 2006-09 until 2006-10)
trumpet:
Ruud Breuls (from 2006-09 until 2006-10) and Axel Schlosser (from 2006-09 until 2006-10)
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
arranger:
Steve Gray (British pianist, composer and arranger) (from 2006-09 until 2006-10)
cover recording of:
Ac‐cent‐tchu‐ate the Positive (from 2006-09 until 2006-10)
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 18th Academy Award for Best Original Song (number: 2)
3:55
6I’ve Grown Accustomed to Her Face
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
bass:
Dieter Ilg (from 2006-09 until 2006-10)
brass:
Till Brönner (German trumpet player) (from 2006-09 until 2006-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 2006-09 until 2006-10)
guitar:
Chuck Loeb (from 2006-09 until 2006-10) and Karl Schloz (from 2006-09 until 2006-10)
piano:
Alan Broadbent (from 2006-09 until 2006-10)
Rhodes piano:
Frank Chastenier (from 2006-09 until 2006-10)
solo alto saxophone:
Gary Foster (woodwind instrumentalist) (from 2006-09 until 2006-10)
solo French horn:
Richard Todd (American hornist) (from 2006-09 until 2006-10)
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 2006-09 until 2006-10)
arranger:
Nan Schwartz (from 2006-09 until 2006-10)
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (from 2006-09 until 2006-10)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
4:53
7Can’t We Be Friends?
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
alto saxophone:
Fiete Felsch (from 2006-09 until 2006-10)
bass:
Dieter Ilg (from 2006-09 until 2006-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 2006-09 until 2006-10)
guitar:
Chuck Loeb (from 2006-09 until 2006-10) and Karl Schloz (from 2006-09 until 2006-10)
piano:
Alan Broadbent (from 2006-09 until 2006-10)
solo trumpet:
Till Brönner (German trumpet player) (from 2006-09 until 2006-10)
trumpet:
Ruud Breuls (from 2006-09 until 2006-10) and Axel Schlosser (from 2006-09 until 2006-10)
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
arranger:
Alan Broadbent (from 2006-09 until 2006-10)
cover recording of:
Can’t We Be Friends? (from 2006-09 until 2006-10)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros. Music Corp.
2:47
8Smile
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
bass:
Dieter Ilg (from 2006-09 until 2006-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 2006-09 until 2006-10)
guitar:
Chuck Loeb (from 2006-09 until 2006-10)
piano:
Alan Broadbent (from 2006-09 until 2006-10)
solo trumpet:
Till Brönner (German trumpet player) (from 2006-09 until 2006-10)
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 2006-09)
arranger:
Nan Schwartz (from 2006-09 until 2006-10)
cover recording of:
Smile (song version w/ lyrics) (from 2006-09 until 2006-10)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
4:26
9They All Laughed
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
alto saxophone:
Fiete Felsch (from 2006-09 until 2006-10)
bass:
Dieter Ilg (from 2006-09 until 2006-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 2006-09 until 2006-10)
guitar:
Chuck Loeb (from 2006-09 until 2006-10) and Karl Schloz (from 2006-09 until 2006-10)
piano:
Alan Broadbent (from 2006-09 until 2006-10)
trumpet:
Ruud Breuls (from 2006-09 until 2006-10) and Axel Schlosser (from 2006-09 until 2006-10)
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
arranger:
Alan Broadbent (from 2006-09 until 2006-10)
cover recording of:
They All Laughed (from “Shall We Dance”) (from 2006-09 until 2006-10)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
2:18
10My Funny Valentine
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
piano:
Alan Broadbent (from 2006-09 until 2006-10)
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 2006-09 until 2006-10)
arranger:
Nan Schwartz (from 2006-09 until 2006-10)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (from 2006-09 until 2006-10)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
5:58
11What Are You Doing the Rest of Your Life?
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
bass:
Dieter Ilg (from 2006-09 until 2006-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 2006-09 until 2006-10)
guitar:
Chuck Loeb (from 2006-09 until 2006-10)
piano:
Alan Broadbent (from 2006-09 until 2006-10)
Rhodes piano:
Frank Chastenier (from 2006-09 until 2006-10)
solo flugelhorn:
Till Brönner (German trumpet player) (from 2006-09 until 2006-10)
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 2006-09 until 2006-10)
arranger:
Nan Schwartz (from 2006-09 until 2006-10)
cover recording of:
What Are You Doing the Rest of Your Life? (from 2006-09 until 2006-10)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
EMI April Music Inc. (ended), EMI U Catalog Inc. (publisher; do NOT use as release label) (ended) and Anthem Grand Film
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
part of:
The 42nd Academy Award for Best Original Song (number: 2)
5:45
12In My Solitude
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 2006-09 until 2006-10)
arranger:
Nan Schwartz (from 2006-09 until 2006-10)
cover recording of:
(In My) Solitude (from 2006-09 until 2006-10)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
4:36
13Eins und eins, das macht zwei
recording engineer:
Tobias Lehmann and Adrian von Ripka
producer:
Till Brönner (German trumpet player)
mixer:
Arne Schumann
alto saxophone and solo alto saxophone:
Fiete Felsch (from 2006-09 until 2006-10)
bass:
Dieter Ilg (from 2006-09 until 2006-10)
drums (drum set):
Peter Erskine (US jazz drummer) (from 2006-09 until 2006-10)
guitar:
Chuck Loeb (from 2006-09 until 2006-10) and Karl Schloz (from 2006-09 until 2006-10)
piano:
Alan Broadbent (from 2006-09 until 2006-10)
solo trumpet:
Till Brönner (German trumpet player) (from 2006-09 until 2006-10)
trumpet:
Ruud Breuls (from 2006-09 until 2006-10) and Axel Schlosser (from 2006-09 until 2006-10)
vocals:
Thomas Quasthoff (bass-baritone) (from 2006-09 until 2006-10)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
arranger:
Torsten Maaß (jazz musician) (from 2006-09 until 2006-10)
cover recording of:
Eins und eins, das macht zwei (from 2006-09 until 2006-10)
lyricist and composer:
Charly Niessen (in 1963)
4:57

Credits

Release

photography:Jim Rakete (German photographer) (in 2007)
Discogs:https://www.discogs.com/release/1363192 [info]
ASIN:DE: B000MGB3E4 [info]