The Warner Classics Remastered Edition Vol. 2: Operas & Sacred Works

~ Release by Otto Klemperer (see all versions of this release, 1 available)

Tracklist

1▶CD: Bach: Matthäus-Passion, BWV 244 [Disc 1]
2▶CD: Bach: Matthäus-Passion, BWV 244 [Disc 2]
3▶CD: Bach: Matthäus-Passion, BWV 244 [Disc 3]
4▶CD: Brahms: Ein deutsches Requiem, Op. 45
5▶CD: Bach: Mass in B Minor, BWV 232 [Choruses]
6▶CD: Beethoven: Fidelio, Op. 72 [Act 1]
7▶CD: Beethoven: Fidelio, Op. 72 [Act 2]
8▶CD: Handel: Messiah, HWV 56 [disc 1]
9▶CD: Handel: Messiah, HWV 56 [disc 2]
10▶CD: Mozart: Die Zauberflöte, K. 620 [Act 1]
11▶CD: Mozart: Die Zauberflöte, K. 620 [Act 2]
12▶CD: Beethoven: Missa Solemnis, Op. 123
13▼CD: Mozart: Don Giovanni, K. 527 [disc 1]
#TitleArtistRatingLength
1Don Giovanni, K. 527: Sinfonia
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
Wolfgang Amadeus Mozart6:33
2Don Giovanni, K. 527: Atto I, scena 1. Introduzione "Notte e giorno" (Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:57
3Don Giovanni, K. 527: Atto I, scena 1. "Non sperar, se non m'uccidi" (Donna Anna, Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:37
4Don Giovanni, K. 527: Atto I, scena 1. "Lasciala, indegno!" (Commendatore, Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
partial recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:57
5Don Giovanni, K. 527: Atto I, scena 1. Recitativo & Duetto: "Ma qual mai s'offre" (Donna Anna, Don Ottavio)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:04
6Don Giovanni, K. 527: Atto I, scena 1. Recitativo & Duetto: "Fuggi, crudele, fuggi!" (Donna Anna, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:28
7Don Giovanni, K. 527: Atto I, scena 2. "Orsù, spicciati presto" (Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
8Don Giovanni, K. 527: Atto I, scena 2. Aria "Ah, chi mi dice mai" (Donna Elvira)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:33
9Don Giovanni, K. 527: Atto I, scena 2. Recitativo "Chi è là?" (Donna Elvira, Don Giovanni, Leporello)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:47
10Don Giovanni, K. 527: Atto I, scena 2. Aria "Madamina, il catalogo è questo" (Leporello)
baritone vocals and bass vocals [Leporello]:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:31
11Don Giovanni, K. 527: Atto I, scena 3. Coro "Giovinette che fate all'amore" (Zerlina, Coro, Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:33
12Don Giovanni, K. 527: Atto I, scena 3. Recitativo "Manco male è partita" (Don Giovanni, Leporello, Zerlina, Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:57
13Don Giovanni, K. 527: Atto I, scena 3. Aria "Ho capito, signor sì!" (Masetto)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:45
14Don Giovanni, K. 527: Atto I, scena 3. Recitativo & Duetto "Alfin siam liberati" (Don Giovanni, Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:50
15Don Giovanni, K. 527: Atto I, scena 3. Recitativo & Duetto "Là ci darem la mano" (Don Giovanni, Zerlina)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:10
16Don Giovanni, K. 527: Atto I, scena 3. Recitativo "Fermati, scellerato!" (Donna Elvira, Zerlina, Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:14
17Don Giovanni, K. 527: Atto I, scena 3. Recitativo & Quartetto "Mi par ch'oggi il demonio"
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:13
18Don Giovanni, K. 527: Atto I, scena 3. "Non ti fidar, o misera" (Don Giovanni, Don Ottavio, Donna Anna, Don Elvira)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:04
19Don Giovanni, K. 527: Atto I, scena 3. Recitativo & Aria "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:26
20Don Giovanni, K. 527: Atto I, scena 3. Recitativo & Aria "Or sai chi l'onore" (Donna Anna)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:05
21Don Giovanni, K. 527: Atto I, scena 3. Recitativo & Aria "Come mai creder deggio" … "Dalla sua pace" (Donn Ottavio)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:49
22Don Giovanni, K. 527: Atto I, scena 3. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
23Don Giovanni, K. 527: Atto I, scena 3. Aria "Fin ch'han dal vino" (Don Giovanni)
baritone vocals:
Walter Berry (bass‐baritone)
bass vocals:
Franz Crass (operatic bass), Nicolaï Ghiaurov (operatic bass) and Paolo Montarsolo (operatic bass)
bass vocals [Don Giovanni] and bass-baritone vocals [Don Giovanni]:
Nicolaï Ghiaurov (operatic bass)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano) and Claire Watson (soprano)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
conductor:
Otto Klemperer (German-born conductor and composer)
chorus master:
Wilhelm Pitz (chorus master)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1966-06-15 until 1966-07-04)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:32
14▶CD: Mozart: Don Giovanni, K. 527 [disc 2]
15▶CD: Mozart: Don Giovanni, K. 527 [disc 3]
16▶CD: Klemperer's Don Giovanni: Behind the Scenes
17▶CD: Bach: Mass in B Minor, BWV 232 [disc 1]
18▶CD: Bach: Mass in B Minor, BWV 232 [disc 2]
19▶CD: Wagner: Der fliegende Holländer, WWV 63 [disc 1]
20▶CD: Wagner: Der fliegende Holländer, WWV 63 [disc 2]
21▶CD: Wagner: Die Walküre, WWV 86B [Act 1]
22▶CD: Wagner: Die Walküre, WWV 86B [Act 3]; Wesendonck-Lieder; Isoldes Liebestod
23▶CD: Mozart: Le nozze di Figaro, K. 492 [disc 1]
24▶CD: Mozart: Le nozze di Figaro, K. 492 [disc 2]
25▶CD: Mozart: Le nozze di Figaro, K. 492 [disc 3]
26▶CD: Mozart: Così fan tutte, K. 588 [disc 1]
27▶CD: Mozart: Così fan tutte, K. 588 [disc 2]
28▶CD: Mozart: Così fan tutte, K. 588 [disc 3]
29▶CD: An Opera Souvenir [Bonus disc]