The Complete Columbia Recordings 1949–1953

~ Veröffentlichung von Sarah Vaughan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
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3▼CD
Nr.TitelBewertungLänge
1Street of Dreams
cover recording of:
Pieces of Dreams
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Michel Legrand
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label)
Teil von:
The 43rd Academy Award for Best Original Song (Nummer: 2)
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2Time to Go
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3Corner to Corner
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4If Someone Had Told Me
cover recording of:
If Someone Had Told Me
Verfasser(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio) und Charles Tobias (Tin Pan Alley songwriter)
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5Say You’ll Wait for Me
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6Sinner or Saint
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7My Tormented Heart
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8Mighty Lonesome Feeling
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9It’s All in the Mind
vocals:
Sarah Vaughan
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10I Confess
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11Lover’s Quarrel
cover recording of:
A Lover’s Quarrel
Verfasser(in):
Vic McAlpin und Newt Richardson
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12Time
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13Linger Awhile
cover recording of:
Linger a While
Texter:
Harry Owens
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
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14Spring Will Be a Little Late
recorded in:
New York, New York, Vereinigte Staaten (am 1953-01-05)
vocals:
Sarah Vaughan (am 1953-01-05)
recording of:
Spring Will Be a Little Late This Year (am 1953-01-05)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp. und MPL Music Publishing Inc.
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15A Blues Serenade
cover recording of:
A Blues Serenade (Henry King's Theme Song)
Texter:
Mitchell Parish
Komponist(in):
Frank Signorelli
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16Ooh, Watcha Doin’ to Me
vocals:
Sarah Vaughan
recording of:
Ooh (What Cha Doin’ to Me)
Verfasser(in):
Alvin Fields und Theodis Rogers
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17Lover Man
cover recording of:
Lover Man (am 1945-05-11)
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
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18I’m Scared
recording of:
I’m Scared
Verfasser(in):
Raymond Leveen (Composer, songwriter and author) und Lou Singer (pianist)
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19You Go to My Head
vocals:
Sarah Vaughan
cover recording of:
You Go to My Head
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
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20I Could Make You Love Me
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21It Might as Well Be Spring
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1950-05-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
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22We’re Trough
vocals:
Sarah Vaughan
recording of:
We’re Through
Verfasser(in):
Anne Green und Tadd Dameron
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23Ev’ry Day
recording of:
Ev’ry Day
Verfasser(in):
Sammy Fain und Irving Kahal
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24I Love You
vocals:
Billy Eckstine (am 1949-12-22) und Sarah Vaughan (am 1949-12-22)
Orchester:
Orchestra conducted by Joe Lipman (am 1949-12-22)
cover recording of:
I Love You (Mexican Hayride musical) (in 1957)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
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25Dedicated to You
cover recording of:
Dedicated to You
Verfasser(in):
Sammy Cahn, Saul Chaplin und Hy Zaret
publisher:
Argosy Music Corp., Cahn Music Company, Chappell & Co., Helene Blue Musique Ltd. und WB Music Corp. (1929–2019)
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26You’re All I Need
cover recording of:
You’re Mine, You
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green)
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Veröffentlichung

Discogs:https://www.discogs.com/release/876019 [Info]