Elenco tracce

1CD
#TitoloValutazioneDurata
1My Happiness
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1953-07)
registrata presso:
Sun Records' Studio in Memphis, Tennessee, Stati Uniti (nel 1953-07)
registrazione cover di:
My Happiness (nel 1953-07)
paroliere:
Borney Bergantine (nel 1933) e Betty Peterson (nel 1948)
compositore:
Borney Bergantine (nel 1933)
editore:
Chappell Music (UK) e Happiness Music Corp.
42:31
2That’s All Right
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso e contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra acustica :
Elvis Presley (“The King of Rock and Roll”)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 112)
registrazione cover di:
That’s All Right (il 1954-07-05)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
2.91:55
3I Love You Because
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954, nel 1956, nel 1957)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05)
registrazione cover di:
I Love You Because (il 1954-07-05)
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
32:42
4Harbor Lights
registrazione cover di:
Harbour Lights (dal 1954-07-05 al 1954-07-06)
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
2:35
5Blue Moon of Kentucky
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05, il 1954-07-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05, il 1954-07-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05, il 1954-07-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05, il 1954-07-07)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05, il 1954-07-07)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 49)
registrazione cover di:
Blue Moon of Kentucky (il 1954-07-05)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
registrazione cover di:
Blue Moon of Kentucky (il 1954-07-07)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2.652:02
6Blue Moon
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
2:31
7Tomorrow Night
registrazione cover di:
Tomorrow Night (il 1954-09-10)
autore:
Sam Coslow e Wilhelm Grosz (aka Hugh Williams)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Wilhelm Grosz Music Co
2:58
8I’ll Never Let You Go (Little Darlin’)
registrazione cover di:
I’ll Never Let You Go Little Darlin’ (il 1954-09-10)
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
2:24
9I Don’t Care If the Sun Don’t Shine
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1954-09-12 al 1954-09-16)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1954-09-12 al 1954-09-16)
registrazione cover di:
I Don’t Care If the Sun Don’t Shine (dal 1954-09-12 al 1954-09-16)
paroliere e compositore:
Mack David (American lyricist and songwriter)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
22:27
10Just Because
registrazione cover di:
Just Because (il 1954-09-12)
paroliere:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) e Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
compositore:
Leon Chappelear e Sid Robin (US lyricist & composer)
editore:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) e State Street Music Publ. Co. Inc. (il 1936-03-19)
12:32
11Good Rockin’ Tonight
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1954) e Elvis Presley (“The King of Rock and Roll”) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954) e BMG Entertainment (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1954, dal 1954-09-12 al 1954-09-16)
registrazione cover di:
Good Rockin’ Tonight (il 1954-09-10)
paroliere e compositore:
Roy Brown (blues musician) (nel 1947-07)
editore:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. e Wixen Music UK Ltd.
52:12
12Milkcow Blues Boogie
registrazione cover di:
Milk Cow Blues (Kokomo Arnold's version) (dal 1954-11 al 1954-12)
paroliere e arrangiatore:
Kokomo Arnold
compositore:
[traditional] (special purpose artist) e Kokomo Arnold
editore:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) e Universal Music Corp. (USA, affiliated with ASCAP)
versione di:
Milk Cow Blues
2:38
13You’re a Hearbreaker
registrazione cover di:
You’re a Heartbreaker (dal 1954-11 al 1954-12)
autore:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:12
14Baby Let’s Play House
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1955-01-30 al 1955-02-04)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1955-01-30 al 1955-02-04)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1955-01-30 al 1955-02-04)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1955-01-30 al 1955-02-04)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1953, nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1955-01-30 al 1955-02-04)
registrazione cover di:
Baby Let’s Play House (dal 1955-01-30 al 1955-02-04)
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
registrazione di:
Baby Let’s Play House
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
3.852:15
15I’m Left, You’re Right, She’s Gone
registrazione cover di:
I’m Left, You’re Right, She’s Gone (il 1955-03-05)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2:36
16Mystery Train
registrazione cover di:
Mystery Train (il 1955-07-11)
autore:
Junior Parker e Sam Phillips (founder of Sun Records)
editore:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Hilo Music Inc. (nel 1953)
2:24
17I Forgot to Remember to Forget
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07)
batteria :
Johnny Bernero (nel 1955-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1955-07-11)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-07, il 1955-07-11)
registrazione cover di:
I Forgot to Remember to Forget (il 1955-07-11)
autore:
Charlie Feathers e Stan Kesler (US session musician, composer and producer)
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
registrazione cover di:
I Forgot to Remember to Forget (nel 1955-07)
autore:
Charlie Feathers e Stan Kesler (US session musician, composer and producer)
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
32:28
18Trying to Get to You
registrazione cover di:
Trying to Get to You (il 1955-07-11)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
2:31
19When It Rains, It Really Pours
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-11)
batteria :
Johnny Bernero (nel 1955-11)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1955-11) e Elvis Presley (“The King of Rock and Roll”) (nel 1955-11)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-11)
registrazione cover di:
When It Rains It Pours (dal 1955-08 al 1955-10)
paroliere e compositore:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
editore:
Hi Lo Music Inc. (BMI-affiliated) e Riverline Music
12:01
20I Got a Woman
registrazione cover di:
I Got a Woman (il 1956-01-10)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:23
21Heartbreak Hotel
tecnico:
Bob Ferris (engineer)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-10)
batteria :
D.J. Fontana (il 1956-01-10)
chitarra :
Chet Atkins (il 1956-01-10), Scotty Moore (American guitarist and recording engineer) (il 1956-01-10) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
pianoforte :
Floyd Cramer (il 1956-01-10)
voce:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (il 1956-01-10), Lena Brock "Mom" Speer (il 1956-01-10) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-01-10)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
editore:
Sony/ATV Songs LLC
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-01-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 45) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 347)
registrazione di:
Heartbreak Hotel (il 1956-01-10)
autore:
Mae Boren Axton, Tommy Durden e Elvis Presley (“The King of Rock and Roll”)
editore:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing e Unichappell Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
3.652:08
22Money Honey
registrazione cover di:
Money Honey (il 1956-01-10)
paroliere e compositore:
Jesse Stone
editore:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) e ZFC Music
2:34
23I’m Counting on You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-11)
batteria :
D.J. Fontana (il 1956-01-11)
chitarra :
Chet Atkins (il 1956-01-11), Scotty Moore (American guitarist and recording engineer) (il 1956-01-11) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-11)
registrazione di:
I’m Counting on You (il 1956-01-11)
paroliere e compositore:
Don Robertson (“Happy Whistler” songwriter)
editore:
Carlin Music Corporation, Don Robertson Music Corp. e Ross Jungnickel, Inc.
2.652:23
24I Was the One2:33
25Blue Suede Shoes
assistente tecnico:
Dror Mohar
tecnico di missaggio:
Ray Bardani
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-30) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 423)
registrazione cover di:
Blue Suede Shoes (il 1956-01-30)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
41:58
26My Baby Left Me
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
batteria :
D.J. Fontana (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10, dal 1956-01-30 al 1956-02-03) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30, dal 1956-01-30 al 1956-02-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956) e BMG Music (nel 1956)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30, dal 1956-01-30 al 1956-01-31, il 1956-02-03)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 29)
registrazione cover di:
My Baby Left Me (dal 1956-01-30 al 1956-02-03)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. e Williamson Music Company
registrazione di:
My Baby Left Me
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. e Williamson Music Company
3.252:11
27One‐Sided Love Affair
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1957)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30)
registrazione di:
One-Sided Love Affair (il 1956-01-30)
paroliere e compositore:
Bill Campbell (US songwriter)
editore:
EMI Unart Catalog Inc. e Sheldon Music
2.52:09
28So Glad You’re Mine
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30)
registrazione cover di:
So Glad You’re Mine (il 1956-01-30)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Elvis Presley Music e Elvis Presley Music Inc.
2.352:20
29I’m Gonna Sit Right Down and Cry (Over You)
registrazione cover di:
I’m Gonna Sit Right Down and Cry (Over You) (il 1956-01-31)
paroliere e compositore:
Howard Biggs e Joe Thomas (US songwriter and Jazz saxophonist)
editore:
Angle Music, Coblin Music Co., Copyright Records e EMI Music Publishing Ltd. (PRS‐affiliated)
2:01
30Tutti Frutti
registrazione cover di:
Tutti Frutti (il 1956-01-31)
paroliere:
Dorothy LaBostrie (American songwriter) e Richard Wayne Penniman
compositore:
Dorothy LaBostrie (American songwriter), Joe Lubin e Richard Wayne Penniman
editore:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Phonogram GmbH (nel 1983)
1:58
2CD
3CD
4CD
5CD: Rare and Rockin’

Accreditamenti

Pubblicazione

fabbricata a:Germania
stampata a:Germania
direzione artistica e design:Norman Moore (art director and designer)
note di libretto:Peter Guralnick
tecnico:Dick Baxter (Mastering engineer at BMG / RCA Studios, New York)
produttore:Ernst Mikael Jorgensen
Roger Semon
distribuito da:BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:BMG Music (nel 1992)
Discogs:https://www.discogs.com/release/2017422 [info]
ASIN:UK: B000026FC5 [info]