Absolute Sixties

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1I’m a Believer
registrata a:
New York, New York, Stati Uniti (dal 1966-10-15 al 1966-10-23)
produttore:
Jeff Barry
basso :
Dick Romoff (dal 1966-10-15 al 1966-10-23)
batteria :
Buddy Salzman (dal 1966-10-15 al 1966-10-23)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (dal 1966-10-15 al 1966-10-23) e Sal Ditroia (dal 1966-10-15 al 1966-10-23)
chitarra acustica :
Neil Diamond (dal 1966-10-15 al 1966-10-23)
organo :
Artie Butler (dal 1966-10-15 al 1966-10-23)
pianoforte e tamburello :
Jeff Barry (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento:
Davy Jones (The Monkees member) (dal 1966-10-15 al 1966-10-23) e Peter Tork (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento e voce principale:
Micky Dolenz (dal 1966-10-15 al 1966-10-23)
arrangiatore:
Jeff Barry
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1966) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966, nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 65) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 341)
registrazione cover di:
I’m a Believer (dal 1966-10-15 al 1966-10-23)
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
registrazione di:
I’m a Believer
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
The Monkees4.62:44
2No Milk Today
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1966) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966)
registrazione di:
No Milk Today (nel 1966-10)
paroliere e compositore:
Graham Gouldman
editore:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hournew Music Ltd.
Herman’s Hermits4.652:54
3Sunny Afternoon
registrazione di:
Sunny Afternoon
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Carlin Music Corporation, Davray Music Ltd., Carlin (nel 1984) e Davray (publisher) (nel 1984)
The Kinks53:31
4Ferry Cross the Mersey
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
registrazione di:
Ferry Cross the Mersey
paroliere e compositore:
Gerry Marsden
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Gerry & the Pacemakers2:23
5House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.154:28
6The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.151:53
7For What It’s Worth
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield4.252:34
8Everybody’s Talkin’
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967)
prima pubblicazione:
Everybody’s Talkin’ di Nilsson (US singer-songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 51)
registrazione cover di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Nilsson3.92:41
9These Boots Where Made for Walking
tecnico:
Eddie Brackett
produttore:
Lee Hazlewood
voce:
Nancy Sinatra
direttore d'orchestra:
Billy Strange
arrangiatore:
Billy Strange
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 109)
registrazione di:
These Boots Are Made for Walkin’
paroliere e compositore:
Lee Hazlewood
editore:
Lorna Music e Criterion Music Corp. (nel 1966)
versione di:
Boots (original melody)
Nancy Sinatra4.052:39
10Puppet on a String
voce:
Sandie Shaw (nel 1967)
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1967) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1967)
registrazione di:
Puppet on a String (nel 1967)
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
Sandie Shaw52:20
11When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:54
12(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:41
13I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.33:30
14Light My Fire
produttore:
Rick Jarrard
arrangiatore archi :
George Tipton (American composer, musical arranger and conductor, born 1932)
registrazione cover di:
Light My Fire (il 1968-01-06)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:32
15Walk My Way
Dionne Warwick2:51
16Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex “Sam and Dave”) (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:36
17Knock on Wood
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-07-13)
produttore:
Steve Cropper
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (il 1966-07-13)
chitarra :
Steve Cropper (il 1966-07-13)
chitarra basso [bass] :
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-07-13)
organo :
Booker T. Jones (il 1966-07-13)
pianoforte :
Isaac Hayes (il 1966-07-13) e Booker T. Jones (il 1966-07-13)
sassofono baritono :
probably Floyd Newman
sassofono tenore :
probably Andrew Love (il 1966-07-13)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1966-07-13)
voce:
Eddie Floyd (il 1966-07-13)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrazione di:
Knock on Wood (il 1966-07-13)
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamenti:
Potkraj na les
Eddie Floyd43:03
18Green Onions
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s3.852:52
19On the Road Again
tecnico:
Dino (US Music engineer) e Lanky (US recording engineer)
produttore:
Calvin Carter e Dallas Smith (producer)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968), Liberty (a division of UMG Recordings, Inc.) (nel 1968) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
Liberty Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1967-09-06)
registrazione di:
On the Road Again (il 1967-09-06)
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat44:59
20Come Together
registrazione cover di:
Come Together
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI-Songs Musikverlag, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP)
si basa su:
You Can’t Catch Me
Ike & Tina Turner43:38
21I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:10
22He Ain’t Heavy, He’s My Brother
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e The Hollies Ltd. (dal 1969 al 1970)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1969-06-25)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 46)
registrazione cover di:
He Ain’t Heavy, He’s My Brother (il 1969-06-25)
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:13
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